The Faerie Queene, Edmund Spenser - Julia M. Walker (essay date 1992)
Julia M. Walker (essay date 1992)
SOURCE: Walker, Julia M. “Spenser's Elizabeth Portrait and the Fiction of Dynastic Epic.” Modern Philology 90, no. 2 (November 1992): 172-99.
[In the following essay, Walker discusses Spenser's exposition of Queen Elizabeth I and her royal lineage through the epic narrative of The Faerie Queene.]
Suggesting that the royal houses of Renaissance Europe were “consciously … intensifying the mystique of monarchy” because rulers were “assuming more and more of a messianic role in an age which had witnessed the breakdown of the universal church and the shattering of the old cosmology,” Roy Strong argues for the consequent importance of images of the monarch.1 Recent work on the “Siena/Sieve” portrait and the “Rainbow” portrait has established in impressive detail just how true this intensification had become for court artists in the last years of Elizabeth's reign.2...
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Criticism
- John Hughes (essay date 1715)
- C. S. Lewis (essay date 1936)
- Leicester Bradner (essay date 1948)
- M. Pauline Parker (essay date 1960)
- James P. Bednarz (essay date 1984)
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- Julia M. Walker (essay date 1992)
- Jeffrey P. Fruen (essay date 1994)
- Andrew Hadfield (essay date 1996)
- Donald Stump (essay date 1999)
- Elizabeth Mazzola (essay date 2000)
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