Eliot, George - Michael Ragussis (essay date 1995)
Michael Ragussis (essay date 1995)
SOURCE: "Writing Spanish History: The Inquisition and 'the Secret Race'," in Figures of Conversion: "The Jewish Question" and English National Identity, Duke University Press, 1995, pp. 127-73.
[In the following excerpt, Ragussis explores the idea of woman as the daughter, or preserver, of a race, and the historical implications of Jewish culture in Eliot's The Spanish Gypsy.]
Fedalma in George Eliot's The Spanish Gypsy is a portrait of the heroism of the female heart. The entire project of The Spanish Gypsy was framed from the beginning by an attempt to understand in what ways the genre of tragedy could function as a category of the feminine—that is, as a representation of a specifically female action. The project began with Eliot's meditation on a painting of the Annunciation, as she records in her "Notes on the Spanish Gypsy and Tragedy in General":
It occurred to...
[The entire page is 3064 words long]
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- Introduction
- Principal Works
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Criticism
- The Nation (review date 1868)
- Henry James (review date 1868)
- London Quarterly Review (review date 1868)
- The Spectator (review date 1874)
- Rose Elizabeth Cleveland (essay date 1885)
- Miriam Allott (essay date 1961)
- K. M. Newton (essay date 1973)
- William Baker (essay date 1975)
- Kathleen Blake (essay date 1980)
- Karen B. Mann (essay date 1980)
- F. B. Pinion (essay date 1981)
- Victor A. Neufeldt (essay date 1983)
- Sylvia Kasey Marks (essay date 1983)
- Bonnie J. Lisle (essay date 1984)
- James Krasner (essay date 1994)
- Michael Ragussis (essay date 1995)
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