Brathwaite, Edward Kamau - Mervyn Morris (essay date 1995)
Mervyn Morris (essay date 1995)
SOURCE: Morris, Mervyn. “Overlapping Journeys: The Arrivants.” In The Art of Kamau Brathwaite, edited by Stewart Brown, pp. 117-31. Melksham, UK: Cromwell Press, 1995.
[In the following essay, a poet praises The Arrivants as “a major document of African reconnection” that “draws attention to Caribbean continuities out of Africa.”]
Of the many useful and interesting discussions of The Arrivants1 or of individual books in the trilogy, there are two I am anxious to recommend. Maureen Warner-Lewis' Masks: Essays & Annotations2 and Gordon Rohlehr's Pathfinder3 are of value not only for their critical judgements but also for the wealth of information they provide about the contexts of the poetry. Inter alia, Warner-Lewis guides us through West African detail, and Rohlehr elucidates many allusions to jazz and other manifestations...
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Criticism
- Jean D'Costa (essay date September 1968)
- Patricia Ismond (essay date September-December 1971)
- Lloyd Wellesley Brown (essay date 1978)
- John Povey (essay date autumn 1987)
- Gordon Rohlehr and E. A. Markham (essay date 1987)
- Simon Gikandi (essay date summer 1991)
- Mary E. Morgan (essay date autumn 1994)
- H. H. Anniah Gowda (essay date autumn 1994)
- Norman Weinstein (essay date autumn 1994)
- Timothy J. Reiss (essay date autumn 1994)
- J. Michael Dash (essay date 1995)
- Mervyn Morris (essay date 1995)
- Silvio Torres-Saillant (essay date 1997)
- Velma Pollard (essay date 2001)
- Mark A. McWatt (essay date 2001)
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