Coleridge, Samuel Taylor - Elisabeth Schneider (essay date 1953)
Elisabeth Schneider (essay date 1953)
SOURCE: Coleridge, Opium, and "Kubla Khan," The University of Chicago Press, 1953, pp. 238-88.
[Schneider's study is considered by many scholars one of the most important interpretations of "Kubla Khan" in the twentieth century. In the following excerpt, the critic considers the poem an incomplete fragment and discusses its form and texture, which evoke "the soul of ambivalence, oscillation's very self."]
"Kubla Khan" has been read with equal conviction as cosmic allegory and incantatory nonsense; and with reference to both meaning and form it has been described equally as a fragment and a perfectly rounded complete whole. It has been called the quintessential poem of romanticism, even while its magical virgin birth placed it quite outside literary tradition or pedigree. To the aesthetic purist these may still be peripheral questions; they must be acknowledged, however, to lead at least in the...
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Criticism
- John Livingston Lowes (essay date 1927)
- Elisabeth Schneider (essay date 1953)
- George Watson (essay date 1961)
- Harold Bloom (essay date 1971)
- Reeve Parker (essay date 1975)
- Jerome J. McGann (essay date 1981)
- J. Robert Barth (essay date 1985)
- Fred L. Milne (essay date 1986)
- H. W. Piper (essay date 1987)
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- Warren Stevenson (essay date 1989)
- Peter Kitson (essay date 1989)
- Paul Magnuson (essay date 1990)
- Susan Luther (essay date 1991)
- Jeanie Watson (essay date 1991)
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