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tions of the Arkansas Philological Association (now The Philological Review), v. 9, Spring, 1983. Copyright © 1983 by the Arkansas Philological Association. Reprinted by permission.—Publishers Weekly, v. 243, July, 1996 for a review of “Small Hours of the Night: Selected Poems of Roque Dalton.” Copyright © 1996 Reed Publishing USA. Reprinted by permission of Publishers Weekly.—Race and Class, v. 39, October-December, 1997 for a review of “Small Hours of the Night: Selected Poems of Roque Dalton,” by Chris Searle. Reprinted by permission.—Salmagundi, Spring/Summer, 1973. Reprinted by permission. —The Sewanee Review, v. 65, Autumn, 1957. Copyright © 1957, 1985 by The University of the South; v. LXVIII, October-December, 1960. Copyright © 1960 by The University of the South. Reprinted by permission of The Sewanee Review.—The Southern Review, v. III, January, 1967 for “The Emotive Imagination: A New Departure in American Poetry,” by Ronald Moran and George Lensing. Reprinted by permission of George Lensing.—Southern Humanities Review, v. 6, Spring, 1972 for an interview with James Wright by William Heyen and Jerome Mazzaro. Copyright © 1971 by Auburn University. Reprinted by permission.—Walt Whitman Quarterly Review, v. 9, Spring, 1992. Copyright © 1992 by the University of Iowa. Reprinted by permission.—World Literature Today, v. 63, 1989 for a review of Un libro levenmente odioso by Seymour Menton; v. 67, Autumn, 1993 for a review of Selected Poems by Andrew Salkey; v. 70, Summer, 1996 for a review of To Us, All Flowers Are Roses by Adele S. Newson; v. 74, Winter, 2000 for a review of Turn Thanks by Cyril Dabydeen. Copyright © 2000 University of Oklahoma. Reprinted by permission.

COPYRIGHTED EXCERPTS IN PC, VOLUME 36, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Alexiou, Margaret. From “C. P. Cavafy’s ‘Dangerous’ Drugs: Poetry, Eros and the Dissemination of Images,” in The Text and Its Margins: Post-Structuralist Approaches to Twentieth-Century Greek Literature, edited by Margaret Alixiou and Vassilis Lambropoulos. Copyright © 1985 Pella Publishing Company. Reprinted by permission from Pella Publishing Company, New York. N.Y.—Barnstone, Willis. An introduction to Spoon River, The Macmillan Company, 1968. Copyright © 1968 by The Macmillan Company. Reprinted by permission of the author.—Barnstone, Willis. Selected excerpts from Greek Lyric Poetry, translated by Willis Barnstone, Copyright © 1962 by Bantam Books, Inc. Reprinted by permission of the Willis Barnstone.—Beverley, John, and Marc Zimmerman. From Literature and Politics in the Central American Revolutions, University of Texas Press, 1990. Copyright © 1990. Reprinted by permission of The University of Texas Press.—Birbalsingh, Frank. Interview with Lorna Goodison in Frontiers of Caribbean Literatures in English, St. Martin’s Press, 1996.—Bowra, C. M. From The Creative Experiment, 1967.—Capri-Karka, C. From Love and the Symbolic Journey in the Poetry of Cavafy, Eliot and Seferis: An Interpretation with Detailed Poem-by-Poem Analysis. Copyright © 1982 C. Capri-Karka. Reprinted by permission from Pella Publishing Company, New York. N.Y.—Forster E. M. From Pharos and Pharillon, Alfred A. Knopf, 1923. Copyright © 1923 by E. M. Forster. Reprinted by permission of The Provost and Scholars of King’s College, Cambridge and The Society of Authors as the Literary Representatives of the Estate of E. M. Forster.—Friar, Kimon. From Modern Greek Poetry, Simon & Schuster, 1973. Copyright © 1973 by Kimon Friar. Reprinted by permission of The Joy Harris Literary Agency, Inc.—Hartman, Geoffrey. From “Beyond the Middle Style,” in James Wright: The Heart of the Light, edited by Peter Stitt and Frank Graziano, University of Michigan Press, 1990. Copyright © Geoffrey Hartman. All Rights Reserved. Reprinted by permission of the author.—Hyman, Stanley Edgar. From The Critic’s Credentials: Essays and Reviews by Stanley Edgar Hyman, edited by Phoebe Pettingell. Copyright © 1978 Phoebe Pettingell. Reprinted with the permission of Scribner, a Division of Simon & Schuster —Jusdanis, Gregory. From “C. P. Cavafy and the Politics of Poetry,” in The Text and Its Margins: Post-Structuralist Approaches to Twentieth-Century Greek Literature, edited by Margaret Alixiou and Vassilis Lambropoulos. Copyright © 1985 Pella Publishing Company. Reprinted by permission from Pella Publishing Company, New York. N.Y.—Keeley, Edmund and George Savidis. From Passions and Ancient Days: New Poems by Constantin Cavafy, translated by Edmund Keeley and George Savadis, The Dial Press, 1971. Copyright © 1971 by Edmund Keeley and George Savidis. Reprinted by permission of Edmund Keeley and Manolis Savidis.—Liddell, Robert. From Cavafy: A Critical Biography, Gerald Duckworth & Co. Ltd., 1974. Copyright © 1974 Robert Liddell. Reprinted by permission of Gerald Duckworth & Co. Ltd.—Lowell, Amy. Excerpts of material by Edgar Lee Masters in Tendencies in Modern American Poetry, Macmillan, 1917. Reprinted by permission of Hilary Masters.—Maronitis, D. N. “Arrogance and Intoxication: The Poet and History in Cavafy,” by D. N. Maronitis in Eighteen Texts: Writings by Contemporary Greek Authors, edited by Willis Barnstone, Harvard University Press, 1972.— Masters, Edgar Lee. Quote from correspondence, Masters to Dreiser, November 27, December 3 and 9, 1912; Quote from correspondence, Masters to Dreiser, April 8, 1915. Reprinted by permission of Hilary Masters.—Pollard, Velma. From “Language and Identity: The Use of Different Codes in Jamaican Poetry,” in Winds of Change: The Transforming of Caribbean Women Writers and Scholars, edited by Adele S. Newson and Linda Strong-Leek. Copyright © 1998 Peter Lang Publishing, Inc., New York. All Rights Reserved. Reprinted by permission of the publisher. Pollard, Velma. From “Mothertongue Voices in the Writing of Olive Senior and Lorna Goodison,” in Motherlands, edited by Susheila Nasta, The Women’s Press Limited, 1991. Copyright © Velma Pollard, 1991. Reprinted by permission of the author.—Pound, Ezra. From Selected Letters of Ezra Pound. Copyright © 1950 by Ezra Pound. Reprinted by permission of New Directions Publishing

Corp. and Faber and Faber Limited.—Putzel, Max. From The Man In The Mirror: William Marion Reedy And His Magazine, Harvard University Press, 1963. Reprinted by permission of Max Putzel.—Ruehlen, Petroula Kephala. From Nine Essays in Modern Liberature, edited by Donald E. Stanford. Copyright © 1965 by Louisiana State University Press. Reprinted by permission of Louisiana State University Press.—Scott, Nathan A., Jr.Visions of Presence in Modern America Poetry, pp. 225-51. Copyright © 1993. Reprinted by permission of The Johns Hopkins University Press.—Seferis, George. From “Cavafy & Eliot—A Comparison” in On the Greek Style: Selected Essays in Poetry and Hellenism, translated by Rex Warner and Th. D. Frangopoulos. Published by Bodley Head. Reprinted by permission of Random House Group Ltd.—Stein, Kevin. “’A Dark River of Labor’: Work and Workers in James Wright’s Poetry,” from Private Poets, Worldly Acts, Ohio University Press, 1996. Copyright © 1996. Reprinted by permission of Ohio University Press.— Swenson, May. An introduction to Spoon River Anthology (1962), Macmillan Publishing Company, Inc. Used with permission of the Literary Estate of May Swenson.—Untermeyer, Louis. Excerpts of material by Edgar Lee Masters in American Poetry Since 1900, Henry Holt and Company, 1923. Reprinted by permission of Hilary Masters.—Untermeyer, Louis. From American Poetry Since 1900, Henry Holt and Company, 1923. Copyright © 1923 Henry Holt and Company. Published by arrangement with the Estate of Louis Untermeyer, Norma Anchin Untermeyer c/o Professional Publishing Services Co. This permission is expressly granted by Laurence S. Untermeyer.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 36, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Goodison, Lorna, photograph. Reproduced by permission.—Masters, Edgar Lee (wearing a tweed suit and vest), 1946, photograph. Courtesy Hilary Masters. Reproduced by permission. —Quintana, Leroy, photograph. Reproduced by permission.—Wright, James, photograph by Ted Wright. Reproduced by permission of the Estate of James Wright.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Com-Ann Marie Wiescinski parative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan