Brown, Sterling Allen - Michael Tomasek Manson (essay date spring 1996)
Michael Tomasek Manson (essay date spring 1996)
SOURCE: Manson, Michael Tomasek. “Sterling Brown and the ‘Vestiges’ of the Blues: The Role of Race in English Verse Structure.” MELUS 21, no. 1 (spring 1996): 21-40.
[In the following essay, Manson analyzes the verse structure of Brown's “Challenge” and explores the role of race in the poem.]
Although poets continue to discuss the significance of particular poetic forms or verse schemes, literary critics less frequently examine the constitutive nature of such structures.1 We usually comment on large structures like the sonnet or small ones like metrical variations only in order to drive home a point that originated elsewhere, in some other textual, biographical, historical, or cultural inquiry. Less often do we begin with versification as a way of understanding history or ideology, even though it is frequently the starting place for poets.
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Criticism
- E. Clay (essay date June 1934)
- Sterling Stuckey (essay date 1974)
- Clyde Taylor (essay date March-April 1981)
- Vera M. Kutzinski (essay date spring 1982)
- John F. Callahan (essay date 20 December 1982)
- John S. Wright (essay date spring 1989)
- Gary Smith (essay date June 1989)
- Stephen E. Henderson (essay date 1991)
- Angela E. Chamblee (essay date March 1993)
- Mark A. Sanders (essay date December 1994)
- Michael Tomasek Manson (essay date spring 1996)
- John Edgar Tidwell (essay date autumn 1997)
- Lorenzo Thomas (essay date autumn 1997)
- Charles H. Rowell (essay date 1997)
- Edward Hirsch (essay date March-April 1999)
- Elizabeth Davey (essay date summer 1999)
- Joanne V. Gabbin (essay date 1999)
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