Brown, Sterling Allen - Lorenzo Thomas (essay date autumn 1997)
Lorenzo Thomas (essay date autumn 1997)
SOURCE: Thomas, Lorenzo. “Authenticity and Elevation: Sterling Brown's Theory of the Blues.” African American Review 31, no. 3 (autumn 1997): 409-16.
[In the following essay, Thomas discusses Brown's incorporation of the blues tradition in his poetry, maintaining that he was able to “identify the authentic poetic voice of black America.”]
Every poet must confront a serious problem: how to reconcile one's private preoccupations with the need to make poetry that is both accessible and useful to others. A failure in this area does not, of course, prevent the production of poems. Indeed, some poems—like many of T. S. Eliot's—may be records of this struggle, while others have the disturbingly eloquent beauty of Church testifying or 12-step program witness. One manner of reconciliation is an embrace of what may be called tradition, but even this is problematic.
The idea of...
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Criticism
- E. Clay (essay date June 1934)
- Sterling Stuckey (essay date 1974)
- Clyde Taylor (essay date March-April 1981)
- Vera M. Kutzinski (essay date spring 1982)
- John F. Callahan (essay date 20 December 1982)
- John S. Wright (essay date spring 1989)
- Gary Smith (essay date June 1989)
- Stephen E. Henderson (essay date 1991)
- Angela E. Chamblee (essay date March 1993)
- Mark A. Sanders (essay date December 1994)
- Michael Tomasek Manson (essay date spring 1996)
- John Edgar Tidwell (essay date autumn 1997)
- Lorenzo Thomas (essay date autumn 1997)
- Charles H. Rowell (essay date 1997)
- Edward Hirsch (essay date March-April 1999)
- Elizabeth Davey (essay date summer 1999)
- Joanne V. Gabbin (essay date 1999)
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