Brown, Sterling Allen - Joanne V. Gabbin (essay date 1999)
Joanne V. Gabbin (essay date 1999)
SOURCE: Gabbin, Joanne V. “The Poetry of Sterling A. Brown: A Study in Form and Meaning.” In African American Literary Criticism, 1773 to 2000, edited by Hazel Arnett Ervin, pp. 247-58. New York: Twayne Publishers, 1999.
[In the following essay, Gabbin assesses the influence of blues, spirituals, and work songs on Brown's poetry.]
With the same literary perspective used in recreating folk subjects and themes, [Sterling] Brown adopted the language and form of Black folklore. In his poetry the language of Black folk—the dialect, the idioms, the imagery, the style—retains its richness and verve. Likewise, the spirituals, blues, ballads, work songs, tall tales, and aphorisms achieve another level of expressiveness as they are absorbed and integrated. Not once doubting the efficacy of folk speech to express all that the people were, Brown brought the use of dialect in poetry to new respectable...
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- Introduction
- Principal Works
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Criticism
- E. Clay (essay date June 1934)
- Sterling Stuckey (essay date 1974)
- Clyde Taylor (essay date March-April 1981)
- Vera M. Kutzinski (essay date spring 1982)
- John F. Callahan (essay date 20 December 1982)
- John S. Wright (essay date spring 1989)
- Gary Smith (essay date June 1989)
- Stephen E. Henderson (essay date 1991)
- Angela E. Chamblee (essay date March 1993)
- Mark A. Sanders (essay date December 1994)
- Michael Tomasek Manson (essay date spring 1996)
- John Edgar Tidwell (essay date autumn 1997)
- Lorenzo Thomas (essay date autumn 1997)
- Charles H. Rowell (essay date 1997)
- Edward Hirsch (essay date March-April 1999)
- Elizabeth Davey (essay date summer 1999)
- Joanne V. Gabbin (essay date 1999)
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