Brown, Sterling Allen - Edward Hirsch (essay date March-April 1999)
Edward Hirsch (essay date March-April 1999)
SOURCE: Hirsch, Edward. “Reverberations of a Work Song.” The American Poetry Review 28, no. 2 (March-April 1999): 43-7.
[In the following essay, Hirsch asserts that Brown “turned to folk forms like the blues, spirituals, and work songs to create an accurate, unsentimentalized, and dignified portrait of southern black life in the twentieth century.”]
In 1980 I was energized by the publication of Sterling Brown's Collected Poems, which brought together three important books of poems: Southern Road (1932), one of the key books of American and perhaps the key book of African American poetry in the 1930s; The Last Ride of Wild Bill (1975), a uniquely narrative book of eight idiomatic literary ballads rewritten in African American terms out of the central tall tale tradition of American literature; and No Hiding Place, a group of poems mainly completed in the late...
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Criticism
- E. Clay (essay date June 1934)
- Sterling Stuckey (essay date 1974)
- Clyde Taylor (essay date March-April 1981)
- Vera M. Kutzinski (essay date spring 1982)
- John F. Callahan (essay date 20 December 1982)
- John S. Wright (essay date spring 1989)
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- Lorenzo Thomas (essay date autumn 1997)
- Charles H. Rowell (essay date 1997)
- Edward Hirsch (essay date March-April 1999)
- Elizabeth Davey (essay date summer 1999)
- Joanne V. Gabbin (essay date 1999)
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