Brown, Sterling Allen - Clyde Taylor (essay date March-April 1981)
Clyde Taylor (essay date March-April 1981)
SOURCE: Taylor, Clyde. “The Human Image in Sterling Brown's Poetry.” The Black Scholar 12, no. 2 (March-April 1981): 13-20.
[In the following essay, Taylor offers an appreciation of Brown's work, contending that the poet's significance “is that he planted foundations beneath modern black verse, and in so doing, provided the core of identity of imaginative Afro-American writing.”]
So if we go down Have to go down We go like you, brother, ‘Nachal’ men. …
—“Strange Legacies”
The failure to recognize the central place of Sterling Brown as one of its most necessary innovators is an embarrassment to Afro-American writing. The publication of his Collected Poems1 offers one more chance to end this severe case of cultural absent-mindedness.
Brown's achievement, which he shares with...
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- Introduction
- Principal Works
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Criticism
- E. Clay (essay date June 1934)
- Sterling Stuckey (essay date 1974)
- Clyde Taylor (essay date March-April 1981)
- Vera M. Kutzinski (essay date spring 1982)
- John F. Callahan (essay date 20 December 1982)
- John S. Wright (essay date spring 1989)
- Gary Smith (essay date June 1989)
- Stephen E. Henderson (essay date 1991)
- Angela E. Chamblee (essay date March 1993)
- Mark A. Sanders (essay date December 1994)
- Michael Tomasek Manson (essay date spring 1996)
- John Edgar Tidwell (essay date autumn 1997)
- Lorenzo Thomas (essay date autumn 1997)
- Charles H. Rowell (essay date 1997)
- Edward Hirsch (essay date March-April 1999)
- Elizabeth Davey (essay date summer 1999)
- Joanne V. Gabbin (essay date 1999)
- Further Reading
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