Boland, Eavan - Albert Gelpi (essay date December 1999)
Albert Gelpi (essay date December 1999)
SOURCE: Gelpi, Albert. “‘Hazard and Death’: The Poetry of Eavan Boland.” Colby Quarterly 35, no. 4 (December 1999): 210-28.
[In the following essay, Gelpi investigates the influence of the American poet Adrienne Rich on Boland's poetry.]
Eavan Boland's growing international reputation is grounded in the recognition that she is the first great woman poet in the history of Irish poetry. Her success is yet another validation of William Carlos Williams' observation that the local is the universal. That very American conviction, which runs from Thoreau through Whitman and Dickinson to Frost and Robinson Jeffers on to Robert Lowell and Elizabeth Bishop and Denise Levertov, is perhaps one reason why Boland, despite or perhaps because of the Irishness of her work, has found a reciprocated affinity with American poets. She has acknowledged the particular example of women poets, especially poets of...
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Criticism
- Patricia L. Hagen and Thomas W. Zelman (essay date winter 1991)
- Anne Stevenson (essay date January-February 1992)
- Ann Owens Weekes (essay date 1994)
- Debrah Raschke (essay date June 1996)
- Rose Atfield (essay date spring 1997)
- Nell Sullivan (essay date December 1997)
- David C. Ward (review date January-February 1999)
- Kate Daniels (essay date spring 1999)
- Albert Gelpi (essay date December 1999)
- Michael Thurston (essay date December 1999)
- Catriona Clutterbuck (essay date December 1999)
- Jacqueline Belanger (essay date September 2000)
- Paul Keen (essay date September 2000)
- Katie Conboy (essay date 2000)
- Anne Shifrer (essay date December 2001)
- Richard Rankin Russell (essay date winter 2002)
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