STAFF

Lynn M. Spampinato, Janet Witalec, Managing Editors, Literature Product
Elisabeth Gellert, Ellen McGeagh, Editors
Mark W. Scott, Publisher, Literature Product

Rebecca J. Blanchard, Justin Karr, Associate Editors
Jenny Cromie, Mary Ruby, Technical Training Specialists
Deborah J. Morad, Kathleen Lopez Nolan, Managing Editors, Literature Content
Susan M. Trosky, Director, Literature Content

Maria L. Franklin, Permissions Manager
Edna Hedblad, Permissions Specialist
Debra Freitas, Permissions Associate

Victoria B. Cariappa, Research Manager
Tracie A. Richardson, Project Coordinator
Tamara C. Nott, Research Associate
Ron Morelli, Research Assistant

Dorothy Maki, Manufacturing Manager
Stacy L. Melson, Buyer

Mary Beth Trimper, Manager, Composition and Electronic Prepress
Carolyn Roney, Composition Specialist

Michael Logusz, Graphic Artist
Randy Bassett, Image Database Supervisor
Robert Duncan, Dan Newell, Imaging Specialists
Pamela A. Reed, Imaging Coordinator
Kelly A. Quin, Editor, Image Content

Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.

While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, the Gale Group neither guarantees the accuracy of the data contained herein nor assumes any responsibility for errors, omissions or discrepancies. Gale accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.

This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. The authors and editors of this work have added value to the underlying factual material herein through one or more of the following: unique and original selection, coordination, expression, arrangement, and classification of the information.

All rights to this publication will be vigorously defended.

Copyright © 2001 Gale Group, Inc.
27500 Drake Road
Farmington Hills, MI 48331-3535

All rights reserved, including the right of reproduction in whole or in part in any form.

Gale Group and Design is a trademark used herein under license.

Library of Congress Catalog Card Number 88-641014
ISBN 0-7876-4518-4
ISSN 1052-4851
Printed in the United States of America

10987654321

COPYRIGHTED EXCERPTS IN PC, VOLUME 33, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bunge, Nancy L. From Finding the Words: Conversations with Writers Who Teach. Swallow Press, 1985. Copyright © 1985 by Nancy L. Bunge. All rights reserved. Reproduced by permission of the author. —Caws, Mary Ann. From The Inner Theatre of Recent French Poetry: Cendrars, Tzara, Peret, Artuad, Bonnefoy. Princeton University Press, 1972. Copyright © 1972 by Princeton University Press. All rights reserved. Reproduced by permission. —Cook, Bruce. From The Beat Generation. Charles Scribners Sons. Copyright © 1971 Bruce Cook. Reproduced by permission. —Corso, Gregory. From Gasoline. City Lights Books, 1958. Copyright © 1958 by Gregory Corso. Reproduced by permission. —Fishburn, Evelyn. From “Alfonsina Storni: A Feminist Reading of Her Poetry,” in Feminist Readings on Spanish and Latin-American Literature. Edited by L. P. Conde and S. M. Hart. The Edwin Mellen Press, 1991. Copyright © 1991 by L. P. Conde and S. M. Hart. All rights reserved. Reproduced by permission. —Gaiser, Carolyn. From “Gregory Corso: A Poet, the Beat Way,” in A Casebook on the Beat. Edited by Thomas Parkinson. Thomas Y. Crowell Company, 1961. Copyright © 1961 by Thomas Y. Crowell Company. Reproduced by permission of the John Schaffner, Literary Agent for the author. —Gershman, Herbert S. From The Surrealist Revolution in France. The University of Michigan Press, 1969. Copyright © by Herbert S. Gershman. All rights reserved. Reproduced by permission of the author. —Howard, Richard. From Alone in America: The Art of Poetry in the United States Since 1950. Thames and Hudson Ltd., London, 1970. © 1969 by Richard Howard. Reproduced by permission. —Jackson, Elizabeth R. From an introduction and an appendix to The Marvelous World. By Benjamin Peret, edited and translated by Elizabeth R. Jackson. Louisiana State University Press, 1985. Translations, introduction, chronology, and appendix copyright © 1985 by Elizabeth R. Jackson. All rights reserved. Reproduced by permission. —Jones, Sonia. From Alfonsina Storni. Twayne Publishers, 1979. Copyright © 1979 by G. K. Hall & Co. Reproduced by permission. —Kirkpatrick, Gwen. From “The Creation of Alfonsina Storni,” in A Dream of Light & Shadow: Portraits of Latin American Women Writers. Edited by Marjorie Agosin. University of New Mexico Press, 1995. © 1995 by the University of New Mexico Press. All rights reserved. Reproduced by permission. —Lieberman, Laurence. From Unassigned Frequencies: American Poetry in Review, 1964-77. University of Illinois Press, 1977. © 1977 by Laurence Lieberman. Reproduced by permission of the author. —Matthews, J. H. From “Benjamin Peret: Marvelous Conjunction,” in About French Poetry from Dada to “Tel Quel”: Text and Theory. Edited by Mary Ann Caws. Wayne State University Press, 1974. Copyright © 1974 by Wayne State University Press. All rights reserved. Reproduced by permission of the publisher and author. —McFarland, Ron. From The World of David Wagoner. University of Idaho Press, 1997. Copyright © 1997 by The University of Idaho Press. All rights reserved. Reproduced by permission. —Mueller, Lisel. From “Parentage and Good Luck” in Where We Stand: Women Poets on Literary Tradition. Edited by Sharon Bryan. W.W. Norton & Company, 1993. Copyright © 1993 by Sharon Bryan. All rights reserved. Reproduced by permission. —Mueller, Lisel. From “‘The Steady Interior Hum,’ A Conversation with Lisel Mueller” in Post Confessionals: Conversations With American Poets. Edited by Earl G. Ingersoll, Judith Kitchen, and Stan Sanvel Rubin. Associated University Presses, 1989. © 1989 by Associated University Presses, Inc. Interviews © 1989 by the State University of New York. All rights reserved. Reproduced by permission. —Olivera-Williams, Maria Rosa. From “Feminine Voices in Exile,” in Engendering the Word: Feminist Essays in Psychosexual Poetics. Edited by Temma F. Berg & others. University of Illinois Press, 1989. © 1989 by the Board of Trustees of the University of Illinois. Reproduced by permission. —Phillips, Rachel. From Alfonsina Storni: From Poetess to Poet. Tamesis Books Limited, 1975. Copyright © by Tamesis Books Limited, 1975. Reproduced by permission. —Rosenthal, M. L. From The New Poets: American and British Poetry Since World War II. Oxford University Press, 1967. Copyright © 1967 by M. L. Rosenthal. Reproduced by permission of the author. —Solyn, Paul. From “Lisel Mueller and the Idea of Midwestern Poetry” in Regionalism and the Female Imagination. Edited by Emily Toth. Human Sciences Press, Inc., 1985. Copyright © 1985 by Emily Toth. Reproduced by permission. —Stephenson, Gregory. From Exiled Angel: A Study of the Work of Gregory Corso. Hearing Eye, 1981. Copyright © 1989 by Gregory Stephenson. Reproduced by permission of author. —Stephenson, Gregory. From “‘The Arcadian Map’: Notes on the Poetry of Gregory Corso,” in Writers Outside the Margin: An Anthology. Edited by Jeffrey H. Weinberg. Water Row Press, 1986. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 33, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Breton, Andre, Paul Eluard, Tristan Tzara, and Benjamin Peret, photograph. Corbis Corporation. Reproduced by permission. —Corso, Gregory, photograph by Stephanie Berger. Reproduced by permission. —Kavanagh, Patrick, statue. Corbis Corporation. Reproduced by permission. —Mueller, Lisel, Illinois, 1997, photograph. AP/Wide World Photos. Reproduced by permission. —Wagoner, David (Russell), photograph. © Robin Seyfried. Reproduced by permission of David (Russell) Wagoner.