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reserved. Reproduced by permission.—The CEA Critic, v.20, season, 1958, for “Poems Pickled in Anthological Brine,” by Harry R. Gavin. Copyright © 1958 by the College English Association, Inc. Reproduced by permission of the publisher and the author.—The Texas Quarterly, v. XXI, 1978. Copyright © 1978 by The University of Texas at Austin. Reproduced by permission.—Times Literary Supplement, June 13, 1980. Copyright © The Times Supplements Limited 1980. Reproduced from The Times Literary Supplement by permission.—World Literature Today, v. 60, 1986; v. 68, Spring, 1994. Copyright © 1986, 1994 by the University of Oklahoma Press. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN PC, VOLUME 35, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Allen, Paula Gunn. From “This Wilderness is My Blood: Spiritual Foundations of the Poetry of Five American Indian Women,” in The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Beacon Press, 1986. Copyright © 1986, 1992 by Paula Gunn Allen. All rights reserved. Reproduced by permission.—Bruchac, Joseph. From “To Take Care of Life: An Interview with Linda Hogan,” in Survival This Way: Interviews with American Indian Poets. Sun Tracks and The University of Arizona Press, 1987. Copyright © 1987 The Arizona Board of Regents. All rights reserved. Reproduced by permission.—Candelaria, Cordelia Chavez. From “Rethinking the ‘Eyes’ of Chicano Poetry, or Reading the Multiple Centers of Chicana Poetics,” in Women Poets of the Americas. Edited by Jacqueline Vaught Brogan & Cordelia Chavez Candelaria. University of Notre Dame Press, 1999. Copyright © 1999 by University of Notre Dame Press, All rights reserved. Reproduced by permission.—Candelaria, Cordelia. From “Phase III: The Flowering of Flor y Canto,” in Chicano Poetry: A Critical Introduction. Greenwood Press, 1986. Copyright © 1986 by Cordelia Candelaria. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Crawford, John F. From “Notes Toward a New Multicultural Criticism: Three Works by Women of Color,” in A Gift of Tongues: Critical Challenges in Contemporary American Poetry. Edited by Marie Harris & Kathleen Aguero. The University of Georgia Press, 1987. Copyright © 1987 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Crozier, Andrew. From “Inaugural and Valedictory: The Early Poetry of George Oppen,” in Modern American Poetry. Edited by R.W. (Herbie) Butterfield. Vision and Barnes and Noble, 1984. Copyright © 1984 by Vision Press Ltd. All rights reserved. Reproduced by permission.— Davie, Donald. From “Notes On George Oppen’s Seascape: Needle’s Eye,” in George Oppen Man and Poet. Edited by Burton Hatlen. University Poetry Foundation, Inc. University of Maine at Orono, 1981. 1981 Copyright © by The National Poetry Foundation University of Maine at Orono. Reproduced by permission.—Dust, Patrick H. From “Cosmic Love in Lorca and Guillén,” in At Home and Beyond: New Essays on Spanish Poets of the Twenties. Edited by Salvador Jimenez and John C. Wilcox. Society of Spanish and Spanish-American Studies, 1983. Copyright © 1983 Society of Spanish and Spanish-American Studies. All rights reserved. Reproduced by permission.—Garcia-Gomez, Sara F. From Allegory Revisited: Ideals of Mankind. Edited by Anna-Teresa Tymieniecka. Kluwer Academic Publishers, 1994. Copyright © 1994 by Kluwer Academic Publishers. Reproduced by permission with kind permission from Kluwer Academic Publishers.— Heller, Michael. From “The Mind of George Oppen: Conviction’s Net of Branches,” in Conviction’s Net of Branches. Southern Illinois University Press Carbondale and Edwardsville, 1985. Copyright © 1985 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.—Hilton, Ian. From “Gottfried Benn,” in German Men of Letters, Volume 3. Edited by Alex Natan. Oswald Wolff, 1968. Copyright © 1964 Oswald Wolff (Publishers) Limited, London. Reproduced by permission.—Jahner, Elaine A. From “Knowing All the Way Down to Fire,” in Feminist Measures: Soundings in Poetry and Theory. Edited by Lynn Keller and Cristanne Miller. University of Michigan Press, 1994. Copyright © by the University of Michigan 1994. All rights reserved. Reproduced by permission.—Kail, Harvey. From Man and Poet. National Poetry Foundation, Inc. University of Maine at Orono, 1981. Copyright © 1981 by The National Poetry Foundation University of Maine at Orono. Reproduced by permission.—McKenna, Teresa. From Feminist Measures: Soundings in Poetry and Theory. The University of Michigan Press, 1994. Copyright © by the University of Michigan 1994. Reproduced by permission.—Morris, C. B. From A Generation of Spanish Poets 1920-1936. Cambridge University Press, 1971. Copyright © Cambridge University Press 1969. Reprinted with permission of Cambridge University Press and the author.—Paz, Octavio. From “Jorge Guillén,” in On Poets and Others. Translated by Michael Schmidt. Seaver Books, 1986. Copyright © 1986 by Octavio Paz. Translator Copyright © 1986 by Seaver Books. All rights reserved. Reproduced by permission.—Paz, Octavio. From “Jorge Guillén,” in The Siren and the Seashell. Translated by Lysander Kemp and Margaret Sayers Peden. University of Texas Press, 1976. Translation Copyright © 1976 by Octavio Paz. All rights reserved. Reproduced by permission.—Ritter, Mark. From “The Unfinished Legacy of Early Expressionist Poetry: Benn Heym, Van Hoddis and Lechtenstein,” in Passion and Rebellion: The Expressionist Heritage. Edited by Stephen Eric Bronner & Douglas Kellner, J. F. Bergin Publishers, Inc., 1983. Copyright © by J. F. Bergin Publishers, Inc. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Rollerston, James. From Narratives of Ecstasy: Romantic Temporality in Modern German Poetry. Wayne State University Press, 1987. Copyright © 1987 by Wayne State University Press. All rights reserved. Reproduced by permission.—Savin, Ada. From “Bilingualism and Dialogism: Another Reading of Lorna Dee Cervantes’s Poetry,” in Other Tongue: Nation and Ethnicity in the Linguistic

Borderlands. Edited by Alfred Arteaga. Duke University Press, 1994. Copyright © 1994 by Duke University Press, Durham, NC. Reproduced by permission.—Timms, Edward. From “Treason of the Intellectuals,” in Visions and Blueprints: Avant-Garde Culture and Radical Politics in Early Twentieth-Century Europe. Edited by Edward Timms and Peter Collier. St. Martin’s Press, Inc., 1988. Copyright © Manchester University Press 1988. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 35, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Benn, Gottfried, photograph. German Historical Museum, Berlin-Deutsches Historisches Museum. Reproduced by permission.—Cervantes, Lorna Dee, photograph by Georgia McInnis. Arté Publico Press. Reproduced by permission.—Guillén, Jorge, photograph. Hernandez/CORBIS Corporation. Reproduced by permission.—Oppen, George, photograph. Corbis Corporation. Reproduced by permission.—Robinson, Edwin Arlington, photograph. AP/Wide World Photos. Reproduced by permission.