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nomenon” by Thomas Travasino. Copyright © The University of Virginia. Reprinted by permission of The Johns Hopkins University Press.—New York Review of Books, June 9, 1977 for “RSVP” by Michael Wood. Copyright © 1977 NYREV, Inc. Reprinted with permission from The New York Review of Books.—New York Times Book Review, October 23, 1938 for “A Narrative Poem by Robert Francis,” by David Morton; July 9, 1944 for “Lyrics from New England” by Ulrich Troubetzkoy. Copyright © 1938, 1944 by The New York Times Company. Reprinted by permission.—Northern Review, v. 3,Feb-Mar 1950 for “Bliss Carman: A Reappraisal” by Desmond Pacey. Reprinted by permission of the author’s estate. —Ohio Review, v. 18, Fall, 1977 for “Two Poets Named Robert” by Donald Hall. Copyright © 1977 Donald Hall. Reprinted by permission of the author.—Parnassus: Poetry in Review, v. 4, 1975; v. 14, for “An Un-Romantic American” by Eavan Boland. Reprinted by permission of the author.—Pembroke Magazine, no. 22, 1990. Reprinted by permission of the author.—Poetry, November, 1960 for a review of “Three Poets,” by Jack Lindeman; v. 98, July, 1961; v. CLXV, January, 1995 for “Short Reviews” by David Wojahn. Copyright © 1960, 1961, 1995 Modern Poetry Association. Reprinted by permission of Poetry and the respective authors—Prairie Schooner, v. 69, Summer 1995 for a review of The Magdalene Sermon by Paul Scott Stanfield. Copyright © 1995 by the University of Nebraska Press; v. 72, Spring, 1998. Copyright © 1998 by the University of Nebraska Press. Reprinted from Prairie Schooner by permission of the University of Nebraska Press.—Salmagundi, n. 22-23, Spring-Summer, 1973. Reprinted by permission.—Sewanee Review, v. 84, Spring, 1976 for “Four American Poets” by Calvin Bedient.; v. 85, Summer, 1977 for “Faith and Form Some American Poetry of 1976” by Paul Ramsey; v. 102, Winter, 1994 for “Color, Energy, Action” a review of Late Fire, Late Snow by Richard Gillmann. Copyright 1976, 1977, 1994 by the University of the South. Reprinted with the permission of the respective editors.— Sixties, n. 10, Summer 1968, Sixties Press, for “The Work of David Ignatow” by Crunk. Reprinted by permission of Robert Bly.—South Atlantic Review, v. 60, November, 1995. Reprinted by permission.—The Southern Review, v. 31, Summer, 1995 for “Acts and Monuments of an Unelected Nation: The Cailleach Writes about the Renaissance” by Eiléan Ní Chuilleanáin. Copyright © 1995 Eiléan Ní Chuilleanáin. Reprinted by permission of the author.—Southwest Review, v. 79, Winter, 1994 for “The Unbearable Lightness of Elizabeth Bishop” by William Logan. Reprinted by permission of the author.— The Times Literary Supplement, December 25, 1987; July 27, 1973; July 7, 1995. Reprinted by permission.—Twentieth Century Literature, v. 38 Summer, 1992; v. 45, Winter, 1999. Copyright 1992 1999 Hofstra University Press. Reproduced by permission.—The University Review (now New Letters), v. 34, Spring, 1968 for “Time and Money: The Poetry of David Ignatow” by Victor Contoski. It is reprinted here with the permission of New Letters and the Curators of the University of Missouri-Kansas City.—The Wallace Stevens Journal, v. 19, Fall, 1995. Copyright © 1995 The Wallace Stevens Society, Inc. Reproduced by permission.

COPYRIGHTED EXCERPTS IN PC, VOLUME 34, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Gomez-Quinoes, Juan. From Preface Floricanto en Aztlan. 1971, UCLA Chicano Studies Research Center. Reprinted with permission of The Regents of the University of California. Not for further reproduction.—Alurista. From “to be fathers once again,” “el laguey en su desierto,” “las tripas y los condes,” “must be the season of the witch,” “wheat paper cucarachas,” and “cuervo chicano” from Floricanto en Aztlan. Creative Series, no. 1 (1971), UCLA Chicano Studies Research Center. Not for further reproduction.—Alurista. From Nationchild Plumaroja. Reprinted by permission of the author, Alurista (Alberto Baltazar Urista Heredia).—Alurista. From Timespace Huracan. Reprinted by permission of the author, Alurista (Alberto Baltazar Urista Heredia).—Bishop, Elizabeth. From “The Colder the Air,” Casablanca” and “At the Fishhouses” From The Complete Poems 1927-1979. Copyright © 1979, 1983 by Alice Helen Methfessel. Reprinted by permission of Farrar, Straus and Giroux, LLC.—Bishop, Elizabeth. From “Unpublished letters, work, and poetry of Elizabeth Bishop.” © 1992 by Alice Helen Methfessel. Reprinted by permission of Farrar, Straus and Giroux, LLC.—Bly, Robert. From pp. 87-100 (“David Ignatow and the Dark City”) From American Poetry: Wilderness and Domesticity. Copyright © 1990 by Robert Bly. Reprinted by permission of HarperCollins Publishers, Inc.—Bruce-Novoa, Juan. From “The Teachings of Alurista: A Chicano Way of Knowledge,” in Chicano Poetry: A Response to Chaos, Copyright © 1982. Reprinted by permission of the University of Texas Press.—Candelaria, Cordelia. From Chicano Poetry: A Critical Introduction. Copyright © 1986 by Cordelia Candelaria. Reproduced with permisison of Greenwood Publishing Group, Inc., Westport, CT.— Grandjeat, Yves-Charles. From Missions in Conflict: Essays on U.S.-Mexican Relations and Chicano Culture, 1986. Reprinted by permission of the author.—Ignatow, David. From Poems 1934-1969. Reprinted by permission of Wesleyan University Press.—Ignatow, David. From Selected Poems. Copyright © 1955, 1961, 1963, 1964, 1965, 1966, 1967 by David Ignatow. Reprinted by permission of Wesleyan University Press.—Ignatow, David. From “The Chipmunk” and “Sitting with an ill woman who sleeps,” © 1985 by David Ignatow. Reprinted by permission of the Estate of David Ignatow.— Johnston, Dillon. From “’Our Bodies’ Eyes and Writing Hands’: Secrecy and Sensuality in Ní Chuilleá’ns’ Baroque Art” in Gender and Sexuality in Modern Ireland. Copyright © 1997 by the American Conference for Irish Studies. Reprinted by permission of the University of Massachusetts Press.—Keller, Gary. From “Alurista, poeta-antropologo, and the Recuperation of the Chicano Iidentity” in Return: Poems Collected and New (Alurista), edited by Gary D. Keller. Copyright © 1982 Bilingual Press/Editorial Bilingüe, Arizona State University, Tempe, AZ.—Mills, Jr., Ralph J. From Cry of the Hu

man. University of Illinois Press, 1975. Reprinted by permission of the author.—Pacernick, Gary. From Memory and Fire: The American Jewish Poets, Peter Lang Publishing, 1989. Reprinted by permission of the publisher.—Pacey, Desmond. From Ten Canadian Poets. McGraw-Hill, 1958. Reprinted by permission of Mary Pacey.—Stephens, Donald. From Bliss Carman. Twayne Publishers, 1966. Reproduced by permission of The Gale Group.—Wilbur, Richard. “On Robert Francis’ ‘Sheep’” From The Catbird’s Song, Prose Pieces 1963-1995. Copyright © 1997 by Richard Wilbur. Reprinted by permission of Harcourt, Inc.—Ybarra-Frausto, Thomas. From Modern Chicano Writers: A Collection of Critical Essays, ed. by Joseph Sommers and Tomas Ybarro-Frausto, Prentice Hall, 1979. Copyright © 1979 Prentice Hall. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 34, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Alurista, 1980, photograph. Arte Publico Press Archives, University of Houston. Reproduced by permission.—Bishop, Elizabeth, 1951, photograph. AP/Wide World Photos. Reproduced by permission.—Carman, Bliss, photograph. Copyright © CORBIS. Reproduced by permission.—Francis, Robert, photograph. AP/Wide World Photos. Reproduced by permission.—Ignatow, David, photograph. Reproduced by permission.