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COPYRIGHTED MATERIAL IN PC, VOLUME 53, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Barker, Wendy. From “Mapping Ruth Stone’s Life and Art,” in The House Is Made of Poetry: The Art of Ruth Stone. Edited by Wendy Barker and Sandra M. Gilbert. Southern Illinois University Press, 1996. Copyright © 1996 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.—Bromwich, David. From “Edward Thomas and Modernism,” in Raritan Reading. Edited by Richard Poirier. Rutgers, The State University of New Jersey, 1990. Copyright © 1990 by Rutgers, The State University. All rights reserved. Reproduced by permission.—Clark, Kevin. From “‘The Wife’s Went Bazook’: Comedic Feminism in the Poetry of Ruth Stone,” in The House Is Made of Poetry: The Art of Ruth Stone. Edited by Wendy Barker and Sandra M. Gilbert. Southern Illinois University Press, 1996. Copyright © 1996 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.— Draper, R. P. From Lyric Tragedy. St. Martin’s Press, 1985. Copyright © 1985 by R. P. Draper. All Rights Reserved. Reproduced by permission.—Etter, Carrie. From “Dialectic to Dialogic: Negotiating Bicultural Heritage in Sherman Alexie’s Sonnets,” in Telling the Stories: Essays on American Indian Literatures and Cultures. Edited by Elizabeth Hoffman Nelson and Malcolm A. Nelson. Peter Lang Publishing, 2001. Copyright © 2001 Peter Lang Publishing, New York, NY. All rights reserved. Reproduced by permission.—Fiedler, Leslie. From “On Ruth Stone,” in The House Is Made of Poetry: The Art of Ruth Stone. Edited by Wendy Barker and Sandra M. Gilbert. Southern Illinois University Press, 1996. Copyright © 1996 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.— Ford, Karen Jackson. From “Making Poetry Pay: The Commodification of Langston Hughes,” in Marketing Modernisms: Self-Promotion, Canonization, Rereading. Edited by Kevin J. H. Dettmar and Stephen Watt. University of Michigan Press, 1996. Copyright © 1996 by University of Michigan Press. All rights reserved. Reproduced by permission.—Hutchinson, George B. From “Langston Hughes and the ‘Other’ Whitman,” in The Continuing Presence of Walt Whitman. Edited by Robert K. Martin. The University of Iowa Press, 1992. Copyright © 1992 by the University of Iowa Press. All rights reserved. Reproduced by permission.—Ikonne, Chidi. From “Affirmation of Black Self,” in From DuBois to Van Vechten: The Early New Negro Literature, 1903-1926. Copyright © 1981 by Chidi Ikonne. Reproduced by permission of Greenwood Publishing Group Inc., Westport, CT.—Lincoln, Kenneth. From Sing with the Heart of a Bear: Fusions of Native and American Poetry, 1890-1999. Copyright © 2000 by the Regents of the University of California. All rights reserved. Reproduced by permission.—Longley, Edna. From “The Business of the Earth: Edward Thomas and Ecocentrism,” in High and Low Moderns: Literature and Culture, 1889-1939. Edited by Maria DiBattista and Lucy McDiarmid. Oxford University Press, 1996. Copyright © 1996 Oxford University Press, New York, NY. All rights reserved. Reproduced by permission.—Neal, Larry. From “Langston Hughes: Black America’s Poet Laureate,” in American Writing Today. Edited by Richard Kostelanetz. Whitston Publishing Company, Incorporated, 1991. Copyright © 1991 by Richard Kostelanetz. All rights reserved. Reproduce by permission of the Literary Estate of Larry Neal.—Tracy, Steven C. From “Langston Hughes: Poetry, Blues, and Gospel-Somewhere to Stand,” in Langston Hughes: The Man, His Art, and His Continuing Influence. Edited by C. James Trotman. Garland Publishing, 1995. Copyright © 1995 by C. James Trotman. All rights reserved. Reproduced by permission of the publisher and the author.—Wakowski, Diane. From “The Comedic Art of Ruth Stone,” in The House Is Made of Poetry: The Art of Ruth Stone. Edited by Wendy Barker and Sandra M. Gilbert. Southern Illinois University Press, 1996. Copyright © 1996 by the Board of Trustees, Southern Illinois University. All rights reserved. Reproduced by permission.—Ya Salaam, Kalamu. From “Langston Hughes: A Poet Supreme,” in The Furious Flowering of African American Poetry. Edited by Joanne V. Gabbin. University Press of Virginia, 1999. Copyright © 1999 by University Press of Virginia, Charlottesville, VA. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN PC, VOLUME 53, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Alexie, Sherman, photograph by Jim Cooper. AP/Wide World Photos. Reproduced by permission.—Doty, Mark, photograph by Margaretta K. Mitchell. Reproduced by permission.—Hughes, Langston, photographed by Gordon Parks. The Library of Congress.—Hughes, Langston, photographed by Gordon Parks in 1943. The Library of Congress.—Stone, Ruth, photograph by Mark Lennihan. AP/Wide World Photos. Reproduced by permission.—Thomas, Edward, photograph. Copyright © E.O. Hoppe/Corbis. Reproduced by permission.

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