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The Passion (Magill’s Literary Annual 1989)

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Although based in part on historical events and ambience, The Passion needs the extra qualifier “fantasy” because neither its form nor its characters conform to conventional notions of historical texts. For Jeanette Winterson, the novel as a genre has as much to do with poetry as with prose. Her words are spare and exact, and a rhythm is quickly established and consistently maintained through well-placed repetition of phrasing, even complete sentences. Be assured, however, that Winterson is a good storyteller; she simply does not conform to traditional practices, preferring...

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