Parable of the Sower | Copyright

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These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

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COPYRIGHTED MATERIALS IN NfS, VOLUME 21, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary History, v. 13, summer, 2001 for “Ralph Ellison and the American Canon,” by Alan Nadel. Copyright © 2001 by Oxford University Press. All rights reserved. Reproduced by permission of the publisher and the author.—CLA Journal, v. 46, 2003. Copyright © 2003 by the College Language Association. All rights reserved. Used by permission of The College Language Association.—Eighteenth-Century Fiction, v. 14, October, 2001. Copyright 2001 by McMaster University. Reproduced by permission.—The Journal of Narrative Technique, v. 13, winter, 1983. Copyright © 1983 by The Journal of Narrative Technique Reproduced by permission.—Proteus, v. 6, 1989. Copyright © 1989 by Shippensburg University. Reproduced by permission.—The Sewanee Review, v. 76, April–June, 1968 for “The Symbolic Vision of Flannery O’Connor: Patterns of Imagery in The Violent Bear It Away,” by Clinton W. Trowbridge. Copyright © 1968 by the University of the South. All rights reserved. Reproduced by permission of the Editor.—Studies in American Fiction, v. 27, spring, 1999. Copyright © 1999 by Northeastern University. Reproduced by permission.— Studies in the Novel, v. 29, summer, 1997. Copyright © 1997 by North Texas State University. Reproduced by permission.—Twentieth- Century Literature, v. 48, spring, 2002. Copyright © 2002, Hofstra University Press. Reproduced by permission.

COPYRIGHTED MATERIALS IN NfS, VOLUME 21, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Butler, Robert. From Contemporary African American Fiction: The Open Journey. Fairleigh Dickinson University Press, 1998. Copyright © 1998 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Cordle, Thomas. From André Gide. Updated Edition. Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by permission of the Gale Group.—Foster, Thomas. From Understanding John Fowles. University of South Carolina Press, 1994. Copyright © 1994 by the University of South Carolina Press.

Reproduced by permission.—Gallagher, Susan VanZanten. From A Story of South Africa: J. M. Coetzee’s Fiction in Context. Harvard University Press, 1991. Copyright © 1991 by the President and Fellows of Harvard College. Reprinted by permission of the publisher.—Gant-Britton, Lisbeth. From “Octavia Butler’s Parable of the Sower: One Alternative to a Futureless Future,” in Women of Other Worlds. Edited by Helen Merrick and Tess Williams. University of Western Australia Press, 1999. Copyright © 1999 by Lisbeth Gant-Britton. Reproduced by permission of the author.— Huffaker, Robert. From John Fowles. Twayne Publishers, 1980. Copyright © 1980 by G. K. Hall & Co. All rights reserved. Reproduced by permission of the Gale Group.—Jablon, Madelyn. From “Metafiction as Genre,” in Black Metafiction: Self-Consciousness in African American Literature. University of Iowa Press, 1997. Copyright © 1997 by the University of Iowa Press. All rights reserved. Reproduced by permission.—Marling, William. From Dashiell Hammett. Twayne Publishers, 1983. Copyright © 1983 by G. K. Hall & Co. All rights reserved. Reproduced by permission of the Gale Group.—Nolan, William F. From Dashiell Hammett: A Casebook. McNally & Loftin, 1969. Reproduced by permission of the author.— Page, Norman. From A Kipling Companion. Macmillan Press, 1984. Copyright © 1984 by Norman Page. All rights reserved. Reproduced with permission of Palgrave Macmillan.—Parker, John W. From “Another Revealing Facet of the Harlem Scene,” in Langston Hughes: The Contemporary Reviews. Edited by Tish Dace. Cambridge University Press, 1997. Copyright © 1997 by Cambridge University Press. Reprinted with the permission of Cambridge University Press.—Symons, Julian. From Dashiell Hammett. Harcourt, Brace, Jovanovich, 1985. Reproduced by permission of Curtis Brown Group Ltd.—Tarbox, Katherine. From The Art of John Fowles. University of Georgia Press, 1988. Copyright © 1988 by the University of Georgia Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NfS, VOLUME 21, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Algiers, overlooking the harbor, with buildings following from the left and circling the harbor, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Austen, Jane, engraving.— Bogart, Humphrey, Peter Lorre, Mary Astor, and Sidney Greenstreet in the film The Maltese Falcon, photograph. Corbis-Bettmann. Reproduced by permission.—British police officers look on as another officer inspects the corpse of a Mau Mau soldier in Kenya, photograph. © Hulton-Deutsch Collection/Corbis. Reproduced by permission.— Butler, Octavia, photograph by Miriam Berkley. © Miriam Berkley. Reproduced by permission.— Cobb breakwater in Lyme Regis, England, photograph. © Alain Le Garsmeur/Corbis. Reproduced by permission.—Coetzee, J. M., walking outside in Lisbon, photograph. © Andanson James/Corbis. Reproduced by permission.—Congregation gathers inside a “storefront” Baptist Church in Chicago, Illinois, photograph. © Corbis. Reproduced by permission.—Ellison, Ralph, photograph. Getty Images. Reproduced by permission.—Emperor Claudius, sculpture. The Library of Congress.— Ezekiel’s vision of God, illustration from details in Ezekiel Chapters 1 and 2, photograph. © Historical Picture Archive/Corbis. Reproduced by permission.— Fowles, John, photograph. The Library of Congress.—Gide, André, photograph. © Bettmann/Corbis. Reproduced by permission.— The Golden Temple, Sikhs, India, photograph. Bennett Dean; Eye Ubiquitous/Corbis. Reproduced by permission.—Graves, Robert Ranke, December 27, 1941, photograph. Getty Images. Reproduced by permission.—Hammett, Samuel D., photograph. The Library of Congress.—Hammond, Chris, illustrator. From an illustration in Emma, by Jane Austen. 1898. Copyright © by Mary Evans Picture Library. Reproduced by permission.—Hughes, Langston, photograph. AP/Wide World Photos. Reproduced by permission.—“Jesus Walking on Water,” from The Bible, engraving by Gustave Dore, 1866, photograph. © Chris Hellier/Corbis. Reproduced by permission.—“Kim and the Letter Writer,” terracotta plaque, photograph by John Lockwood Kipling. The Granger Collection, New York. Reproduced by permission.—Kipling, Rudyard, circa 1905, photograph. Getty Images. Reproduced by permission.—Livia, illustration on coin. The Library of Congress.—Man holds an umbrella, leaning on a sign for Dexter Avenue Baptist Church in Montgomery, Alabama, while others exit the church in the background, photograph. © Flip Schulke/Corbis. Reproduced by permission.— Man standing under “Colored Waiting Room” sign, photograph. The Library of Congress.—Men among the ruins of Dresden, 1946, Germany, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Paltrow, Gwyneth, with Jeremy Northam in a scene from the 1996 film version of Emma, by Jane Austen. Matchmaker/Miramax/The Kobal Collection. Reproduced by permission.— Pedestrians walking along Lenox Avenue in Harlem, New York, photograph. © Bettmann/Corbis. Reproduced by permission.—Roman Forum, photograph. © John Madere/Corbis. Reproduced by permission.—Sartre, Jean-Paul, photograph. AP/ Wide World Photos. Reproduced by permission.— South Vietnamese family outside their home, with a young boy standing beneath government propaganda during the Vietnam War, photograph. © Bettmann/Corbis. Reproduced by permission.— Streep, Meryl, with Jeremy Irons and director Karel Reisz on the set of the film The French Lieutenant’s Woman, photograph. United Artists/The Kobal Collection. Reproduced by permission.—Street view outside of the Moulin Rouge in Montmartre in Paris, France, photograph. © Underwood and Underwood/Corbis. Reproduced by permission.— Tibetan Buddhists prostrate at the stupa near the Bodhi tree where Buddha was enlightened, Bodghaya, India, photograph. © Alison Wright/ Corbis. Reproduced by permission.—Two young women and two young boys stand in the doorway of a “storefront” Baptist Church in Chicago, Illinois, photograph. © Corbis. Reproduced by permission.— U.S. helicopters coming over open field to land near Bong Son in South Vietnam during Operation Eagles Claw, photograph. © Bettmann/ Corbis. Reproduced by permission.—Walled city, sitting atop a hill, Monteriggioni, Italy, photograph. © Nik Wheeler/Corbis. Reproduced by permission.— Wilde, Oscar, photograph. The Library of Congress.—Young, Whitney M., Roy Wilkins, A. Philip Randolph, Walter P. Reuther, and Arnold Aronson, photograph. Still Picture Branch (NWDNS), National Archives at College Park.