objet trouvé

objet trouvé (French: ‘found object’).
An object found by an artist and displayed with no, or minimal, alteration as (or as an element in) a work of art. It may be a natural object, such as a pebble, a shell, or a curiously contorted branch, or a man-made object such as a piece of pottery or old piece of ironwork or machinery. The essence of the matter is that the finder-artist recognizes such a chance find as an ‘aesthetic object’ and displays it for appreciation by others as he would a work of art. The practice began with the Dadaists (especially Marcel Duchamp) and was particularly cultivated by the Surrealists. George Heard Hamilton (Painting and Sculpture in Europe: 1880–1940, 1967) writes that the devotees of the objet trouvé believed that such pieces ‘by their unexpected isolation from their customary purpose and environment could open magic casements on interior psychic seas…But the technique was easily abused, especially by interior decorators, until no bit of driftwood or broken bone was free from Surrealist implications.’ Subsequently, found material has been much used in assemblage. See also ready-made.