In Our Time | Techniques
The form of In Our Time defies precise description, and critics have long expressed divergent views: Is this just a collection of short stories? Or is it a more or less tightly woven story-cycle? Or is it really an experimental novel whose form reflects the typical technical and stylistic concerns of the high tide of modernism in the 1920s? It would seem that the latter view — even if the debate is unlikely to be resolved to the satisfaction of all readers — holds the greatest promise for deeper understanding of the form, style, and techniques of In Our Time.
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