Othello
Othello | Modern Connections
While there are a number of issues in Othello that twentieth-century audiences can connect with (crimes of passion are not new to today's society; just turn on the evening news), modern audiences often come away from Othello feeling uncomfortable with the racism they see in the treatment Othello receives from the other characters in the play. And just as we are well aware of the racism in our own society, it may be that Shakespeare was writing about the racism in his own society, not just the racism in the Venetian society depicted in the play. Shakespeare's Othello is...
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- Othello: Introduction
- William Shakespeare Biography
- Reading Shakespeare
- List of Characters
- Historical Background
- One-Page Summary
- Summary and Analysis
- Critical Commentary
- Quizzes
- Themes
- Character Analysis
- Principal Topics
- Essays
- The Role of Race in Othello
- The Villainy of Iago
- Deception in Othello
- The Relationship Between Othello and Iago
- Why does Desdemona Marry Othello?
- Why Does Othello Change His Mind About Desdemona's Fidelity?
- The Women of Othello
- Geography's Role in Othello
- Opposites Attract: Othello and Desdemona
- The Use of Humor in Othello
- Motivations for Characters' Actions in Othello
- An Analysis of Four Shakespearean Villains
- Selected Quotes
- Criticism
- Suggested Essay Topics
- Sample Essay Outlines
- Modern Connections
- Media Adaptations
- Pictures
- Othello and Desdemona in Savoy Theatre production (1930)
- Othello and Iago in Orson Welles film adaptation (1952)
- Desdemona and Othello in Shakespeare Memorial Theatre production (1961)
- Othello and Desdemona by H. Hofman
- Othello and Iago in American Shakespeare Festival production (1981)
- Othello and Desdemona in National Theatre production (1964)
- Iago and Roderigo in Act I, Scene 1 (illustration)
- Othello, the Moor of Venice (illustration)
- Othello in Act I, Scene 3 (illustration)
- Desdemona speaks to her father in Act I, Scene 3 (illustration)
- Iago's soliloquy in Act I, Scene 3 (illustration)
- Cassio greets Desdemona as Iago watches in Act II, Scene 1 (illustration)
- Cassio threatens Montano in Act II, Scene 3 (illustration)
- Desdemona and Othello in Act III, Scene 3 (illustration)
- Iago snatches the handkerchief from Emilia in Act III, Scene 3 (illustration)
- The handkerchief (illustration)
- Othello and Desdemona in Act III, Scene 4 (illustration)
- Iago and Othello in Act IV, Scene 1 (illustration)
- Desdemona in Act IV, Scene 2 (illustration)
- Roderigo lay dead in Act V, Scene 1 (illustration)
- Othello prepares to smother Desdemona in Act V, Scene 2 (illustration)
- Othello commits suicide in Act V, Scene 2 (illustration)
- FAQs
- Why does Shakespeare choose Venice for the opening scenes of Othello?
- Why does Iago choose Michael Cassio as an instrument of revenge against Othello?
- Why does Shakespeare move the setting of the play to Cyprus?
- Does Iago have a love life of his own?
- What is Roderigo's function in the play?
- What is Lodovico's function in the play?
- Bibliography and Further Reading
- Copyright
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