Dec 22, 2009
Though not so highly regarded as his VENICE PRESERVED (1682), Otway’s THE ORPHAN held the stage until the early nineteenth century and still receives a few kind words from critics. The language abounds in Shakespearian echoes, particularly of ROMEO AND JULIET, and the character of Chamont, the hot-headed brother, is very reminiscent of Laertes. The plot, supposedly founded upon an actual incident, turns upon a highly improbable situation; but such improbabilities were common in the drama of the period. The tone of the play also points forward...
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