The Orphan (Masterplots, Definitive Revised Edition)

At a glance:

Critique:

Though not so highly regarded as his VENICE PRESERVED (1682), Otway’s THE ORPHAN held the stage until the early nineteenth century and still receives a few kind words from critics. The language abounds in Shakespearian echoes, particularly of ROMEO AND JULIET, and the character of Chamont, the hot-headed brother, is very reminiscent of Laertes. The plot, supposedly founded upon an actual incident, turns upon a highly improbable situation; but such improbabilities were common in the drama of the period. The tone of the play also points forward...

[The entire page is 1546 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the: