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The Ones Who Walk Away from Omelas | Leaving Omelas: Questions of Faith and Understanding
In the following essay, Collins analyzes "The Ones Who Walk Away from Omelas" as an allegory of modern American morality.
Ursula Le Guin's short story "The Ones Who Walk Away From Omelas," subtitled "Variations on a Theme by William James," is a critique of American moral life. At least that is what Ms. Le Guin tells us in the introduction she added when the story was collected in The Wind's Twelve Quarters (1975). First she quotes the passage from James's "The Moral Philosopher and the Moral Life" to which the subtitle refers:
[I]f the hypothesis were offered us of a world in which Messrs Fourier's and Bellamy's and Morris's Utopias should all be outdone, and millions kept...
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- The Ones Who Walk Away from Omelas: Introduction
- The Ones Who Walk Away from Omelas: Summary
- The Ones Who Walk Away from Omelas: Ursula K. Le Guin Biography
- The Ones Who Walk Away from Omelas: Characters
- The Ones Who Walk Away from Omelas: Themes
- The Ones Who Walk Away from Omelas: Style
- The Ones Who Walk Away from Omelas: Historical Context
- The Ones Who Walk Away from Omelas: Critical Overview
- The Ones Who Walk Away from Omelas: Essays and Criticism
- The Ones Who Walk Away from Omelas: Compare and Contrast
- The Ones Who Walk Away from Omelas: Topics for Further Study
- The Ones Who Walk Away from Omelas: What Do I Read Next?
- The Ones Who Walk Away from Omelas: Bibliography and Further Reading
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