Oliver Twist | Copyright

These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

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COPYRIGHTED MATERIALS IN NfS, VOLUME 14, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

ANQ, v. 94, Winter, 1996. Copyright © 1996 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, N.W., Washington, D.C. 20036-1802.—ARIEL, v. 22, October, 1991 for "Margaret Atwood's 'Cat's Eye': Reviewing Women in a Postmodern World," by Earl G. In-gersoll. Copyright © 1991 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher and the author.— Critique, v. 37, Fall, 1995. Copyright © 1995 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, N.W., Washington, D.C. 20036-1802.—The Hemingway Review, v. 17, Fall, 1997. Copyright © 1997 by The Ernest Hemingway Foundation. Reproduced by permission.— Interracial Books for Children Bulletin, v. 15, 1984. Reproduced by permission.—Romance Quarterly, v. 37, May, 1990. Copyright © 1990 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, N.W., Washington, D.C. 20036-1802. Reproduced by permission.— Studies in the Novel, v. 32, Fall, 2000. Copyright © 2000 by North Texas State University. Reproduced by permission.—Teacher Librarian, v. 27, December, 1999. Reproduced by permission.— Victorian Newsletter, v. 83, Spring, 1993 for "Oliver Twist and the Contours of Early Victorian England" by David Paroissie. Reproduced by permission of The Victorian Newsletter and the author.

COPYRIGHTED MATERIALS IN NfS, VOLUME 14, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Becker, George J. From John Dos Passos. Frederick Ungar, 1974. Copyright © 1974 by Frederick Ungar Publishing Co., Inc. Reproduced by permission.—Duckworth, AlistairM. From Critical Essays on Jane Austen. Edited by Laura Mooneyham White. G. K. Hall & Company, 1982. Copyright © 1998 by G. K. Hall & Company. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Dutton, Robert R. From Saul Bellow. Edited by Warren French. G. K. Hall & Company, 1982. Copyright © 1992 by G. K. Hall & Company. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Gissing, George. From The Immortal Dickens. Kraus Printing Company, 1969. Reproduced by permission.—Heilman, Robert F. From Critical Essays on Katherine Anne Porter. Edited by Darlene Harbour Unrue. G. K. Hall & Company, 1997. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—Kirkpatrick, Smith. From Critical Essays on Katherine Anne Porter. Edited by Darlene Harbour Unrue. G. K. Hall & Company, 1997. Reproduced with the permission of Macmillan Library Reference USA, a division of Ahsuog, Inc.—McKee, Patricia. From Producing American Races. Duke University Press, 1999. Copyright © 1999 by Duke University Press, Durham, NC. All rights reserved. Reproduced by permission.—Moss, Howard. From Katherine Anne Porter: Modern Critical Views. Edited with an introduction by Harold Bloom. Chelsea House Publishers, 1986. Copyright © 1986 by Chelsea House Publishers, a division of Chelsea House Educational Communications, Inc. Introduction Copyright © 1986 by Harold Bloom. All rights reserved. Reproduced by permission.—Pfaelzer, Jean. From Parlor Radical: Rebecca Harding Davis and the Origins of American Social Realism. University of Pittsburgh Press, 1996. Copyright © 1996, University of Pittsburgh Press. All rights reserved. Reproduced by permission.— Reilly, Edward C. From Understanding John Irving. University of South Carolina Press, 1991. Copyright © 1991, University of South Carolina. Reproduced by permission.—Waldron, Mary. From Jane Austen and the Fiction of Her Time. Cambridge University Press, 1999. © Mary Waldron, 1999. Reproduced by the permission of Cambridge University Press and the author.—Wrenn, John H. From John Dos Passos. Twayne Publishers, 1999. Copyright © 1999 by Twayne Publishers. Reproduced with the permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NfS, VOLUME 14, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Adolf Hitler (saluting) and Heinrich Himmler, Nuremberg, Germany, 1938. USHMM Photo Archives.—African American soldiers, returning home from Europe after World War I, photograph. Hulton/ Archive. Reproduced by permission.—Anti-Vietnam War protest (sitdown, MPs with rifles up at right, building in distance), Pentagon, Washington, D.C., photograph. National Archives and Records Administration.—Atwood, Margaret, 1986, photograph. AP/Wide World Photos, Inc. Reproduced by permission.—Austen, Jane, photograph. Reproduced by permission.—Bellow, Saul, photograph. Archive Photos, Inc. Reproduced by permission.— Biafran War soldier, Nigeria, 1968, photograph. (c) Hulton-Deutsch Collection/Corbis. Reproduced by permission.—Cat's-eye marbles, photograph by Kelly A. Quin. Copyright © 2001 Kelly A. Quin. Reproduced by permission of photographer.—Civil rights movement, a crowd of picketers and a single man standing in front of them with arms outstretched.—Cooper, Gary, and Ingrid Bergman, in the movie "For Whom the Bell Tolls," 1943, photograph. The Kobal Collection. Reproduced by permission.—Cruikshank, George, illustrator. From an illustration in "Oliver Twist" by Charles Dickens. The Reader's Digest Association, Inc., 1987.— Dickens, Charles, photograph. The Library of Congress.—Dos Passos, John, photograph. The Library of Congress.—Drawing by Hernan Roundtree for "Madame Bovary" by Gustave Flaubert, of Emma Bovary, photograph. Corbis-Bettmann. Reproduced by permission.—Drummers beating drum, as Navajo people look on, photograph by Buddy Mays. Corbis. Reproduced by permission.—Dumas, Alexandre, photograph.—Emecheta, Buchi, photograph by Jerry Bauer. Reproduced by permission.— Factory workers dividing combed wool, photograh. (c) Hulton/Archive Photos, Inc. Reproduced by permission.—Flaubert, Gustave, photograph. Library of Congress.—Friedan, Betty, with Yoko Ono, photograph, (c) Bettmann/Corbis. Reproduced by permission.—Hemingway, Ernest, photograph. Corbis-Bettmann. Reproduced by permission.—Hinds, Ciaran, 1995, photograph. The Kobal Collection. Reproduced by permission.—Irving, John, photograph. AP/Wide World Photos. Reproduced by permission.—Jourdan, Louis, gazing into the eyes of Jennifer Jones, from a scene of "Madame Bovary," by Vincente Minnelli. The Kobal Collection/MGM. Reproduced by permission.—Kierkegaard, Soren (left profile), sketch.—Kramer, Stanley, conversing with Elizabeth Ashley, Vivien Leigh, and Gertrude Hartley on the set of "Ship of Fools," photograph. The Kobal Collection. Reproduced by permission.— Lester, Mark, in the film "Oliver!," 1968, photograph. The Kobal Collection. Reproduced by permission.—Mazzello, Joseph, and Ian Michael Smith, in the film "Simon Birch," 1998, photograph by Alan Markfield. The Kobal Collection. Reproduced by permission.—Morrison, Toni (bandanna on head), 1993, photograph. AP/Wide World Photos. Reproduced by permission.—Musketeers sword fighting, with a fortress behind them, illustration by Norman Price and E. C. Van Swearingen. From "The Three Musketeers," by Alexandre Dumas. Grosset & Dunlap Publishers, 1953. Copyright, 1953, by Grosset & Dunlap, Inc. All rights reserved.—Nietzsche, Friedrich, photograph. Archive Photo/DPA. Reproduced by permission.—Nigerian women, carrying baskets, photograph. © Bettmann/Corbis. Reproduced by permission.—Nine American Indians, standing in front of Alcatraz, photograph. AP/Wide Photo. Reproduced by permission.— North, Oliver, photograph. AP/Wide World Photos. Reproduced by permission.—Porter, Katherine Anne, photograph by Paul Porter. AP/Wide World Photos. Reproduced by permission.—Sheen, Charlie, standing with Kiefer Sutherland, from a scene of "The Three Musketeers," directed by Stephen Herek. The Kobal Collection/Walt Disney. Reproduced by permission.—Spanish loyalist riflemen firing from truck ruins, 1936, Spain, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Springer, Marilyn Harris, photograph. Reproduced by permission.—Title page from "Persuasion" written by Jane Austen, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Two young boys working the textile mills, photograph. The Library of Congress.—Union Soldiers, photograph. The Library of Congress.—Zindel, Paul, 1971, photograph. AP/Wide World Photos. Reproduced by permission.