Waverley; or, 'Tis Sixty Years Since, Sir Walter Scott - Copyright Page

Waverley; or, 'Tis Sixty Years Since, Sir Walter Scott - Copyright Page

ISSN 0732-1864

Volume 110

Nineteenth-Century Literature Criticism

Excerpts from Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Thomas J. SchoenbergLawrence J. Trudeau

Editors

Jessica Menzo Russel Whitaker

Associate Editors

Nineteenth-Century Literature Criticism, Vol. 110

Project Editor

Lynn M. Zott

Editorial

Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Jelena O. Krstovic´, Michelle Lee, Jessica Menzo, Thomas J. Schoenberg, Lawrence J. Trudeau, Maikue Vang, Russel Whitaker

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ISSN 0732-1864

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 110, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary Realism 1870-1910, v. 4, Spring, 1971. Copyright © 1971 by the Department of English, The University of New Mexico. Reproduced by permission of the publisher.—American Transcendental Quarterly, Summer/Fall, 1980. Reproduced by permission.—ARIEL: A Review of International English Literature, v. 24, April, 1993 for “Irish Bards and English Consumers: Thomas Moore’s ‘Irish Melodies’ and the Colonized Nation” by Leith Davis. Copyright © 1993 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher and the author.— Bulletin of the John Rylands University Library of Manchester, v. 56, Autumn, 1973. Reproduced by permission of the Director and University Librarian, the John Rylands University Library of Manchester.—The Byron Journal, v. 17, 1989. Reproduced by permission.—English Language Notes, June, 1993. © copyrighted 1993, Regents of the University of Colorado. Reproduced by permission.—Essays and Studies, v. 44, 1991 for “Waverley and the Battle of Culloden” by Claire Lamont. © The English Association 1991. Reproduced by permission of the publisher and the author.—Legacy: A Journal of American Women Writers, v. 9, Fall, 1992; v. 10, 1993; v. 13, 1996. Copyright © The University of Nebraska Press 1992, 1993, 1996. All reproduced by permission.—New England Quarterly, v. xix, September, 1946 for “Mutations of New England Local Color” by Babette May Levy. Copyright 1946 by The New England Quarterly. Reproduced by permission of the publisher and the author.—Nineteenth Century Fiction, v. 28, September, 1973 for “Waverley and Romanticism” by Mark M. Hennelly. Copyright © 1973 by The Regents of the University of California. Reproduced by permission of University of California Press and the author.—Novel: A Forum on Fiction, v. 4, Fall, 1970. Copyright NOVEL Corp. © 1970. Reproduced by permission.—Review of English Studies: A Quarterly Journal of English Literature and English Language, v. xli, 1990 for “Tom Moore and the Making of the ‘Ode to Psyche’” by Jonathan Bate. Reproduced by permission of Oxford University Press and the author.—Scottish Literary Journal, v. 8, May, 1981 for “The Community of Man: Galt and Eighteenth-Century Scottish Realism” by Keith M. Costain; v. 8, May, 1981 for “The Language of ‘The Entail’” by J. D. McClure; v. 16, May, 1989 for “Galt’s ‘The Ayrshire Legatees’: Genesis and Development” by Ian A. Gordon. All reproduced by permission of the publisher and the respective authors.—Studies in English Literature 1500-1900,

v. 19, Autumn, 1979; v. 31, Autumn, 1991. Both reproduced by permission.—Studies in the Literary Imagination, v. 8, Fall, 1975. Copyright 1975 Department of English, Georgia State University. Reproduced by permission.—Studies in the Novel, v. 29, Summer, 1997. Copyright 1997 by North Texas State University. Reproduced by permission.—Studies in Philology, v. xxxiv, October, 1937. Copyright © 1937, renewed 1965 by the University of North Carolina Press. Reproduced by permission.—Studies in Romanticism, v. 25, Summer, 1986; v. 28, Summer, 1989; v. 33, Winter, 1994; v. 34, Summer, 1995. Copyright 1986, 1989, 1994, 1995 by the Trustees of Boston University. All reproduced by permission.—Studies in Scottish Literature, v. 15, 1980; v. 20, 1985; v. 21, 1986. Copyright © G. Ross Roy 1980, 1985, 1986. All reproduced by permission of the editor.—Studies in Short Fiction, v. 17, Fall, 1980. Reproduced by permission.—The Tennyson Research Bulletin, v. 4, November, 1983. Reproduced by permission.—Victorian Poetry, v. 30, Summer, 1992 for “Canonical and Sensational: Arthur Hallam and Tennyson’s 1830 Poems” by Steven Dillon. Reproduced by permission of the author.— Wordsworth Circle, v. 11, Spring, 1980. © 1980 Marilyn Gaull. Reproduced by permission of the editor.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 110, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Ammons, Elizabeth. From an introduction to How Celia Changed Her Mind and Selected Stories, by Rose Terry Cooke. Rutgers University Press, 1986. Copyright © 1986 by Rutgers University Press. All rights reserved. Reproduced by permission.—DeFord, Miriam Allen. From Thomas Moore. Twayne Publishers, Inc., 1967. Copyright © 1967 by Twayne Pub

lishers, Inc. All rights reserved. Reproduced by permission.—Donovan, Josephine. From New England Local Color Literature: A Women’s Tradition. Frederick Ungar Publishing, 1983. Copyright © 1983 by Frederick Ungar Publishing. All rights reserved. Reproduced by permission.—Gordon, Robert C. From Under Which King? A Study of the Scottish Waverley Novels. Oliver & Boyd, 1969.—Martin, Jay. From Harvests of Change: American Literature 1865-1914. Prentice-Hall, 1967. Copyright © 1967 by Prentice-Hall. All rights reserved. Reproduced by permission.—Molloy, Frank. From The Irish World Wide History, Heritage, Identity: Vol. 3, The Creative Migrant. Leicester University Press, 1994. Copyright © 1994 by Leicester University Press. All rights reserved. Reproduced by permission.—Ross, Alexander M. From Scott and His Inﬂuence: The Papers of the Aberdeen Scott Conference, 1982. Association for Scottish Literary Studies, 1983. Copyright © 1983 by Association for Scottish Literary Studies. All rights reserved. Reproduced by permission.—Sharafuddin, Mohammed. From Islam and Romantic Orientalism: Literary Encounters with the Orient. I.B. Tauris Publishers, 1994. Copyright © 1994 by I.B. Tauris Publishers. All rights reserved. Reproduced by permission.—Spofford, Harriet Prescott. From A Little Book of Friends. Little, Brown, and Company, 1916. Copyright © 1916 by Harriet Prescott Spofford. Reproduced by permission.—Westbrook, Perry D. From Acres of Flint: Sarah Orne Jewett and Her Contemporaries. The Scarecrow Press, 1981. Copyright © 1981 by The Scarecrow Press. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 110, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Galt, John, photograph. Getty Images, Reproduced by permission.—Hallam, Arthur Henry, title from “The Poems of Arthur Henry Hallam,” illustration. Special Collections Library, University of Michigan. Reproduced by permission.—Moore, Thomas, photograph. Getty Images. Reproduced by permission.—Scott, Walter, photograph. The Library of Congress.— Scott, Sir Walter, title page from “Waverley,” by Edward Fitz-Ball, illustration. Special Collections Library, University of Michigan. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and deﬁne such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian

The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher

David M. Durant

Jackson Library Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library