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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 90, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Indian Quarterly, v. 2, Autumn, 1975. Copyright © Society for American Indian Studies & Research 1975. Reprinted by permission of the publisher.—American Literature, v. 69, December, 1997. Copyright © 1997 Duke University Press, Durham, NC. Reproduced by permission.—Annals of Scholarship: Studies of the Humanities and Social Sciences,

v. 7, 1990. Copyright © 1990 by Annals of Scholarship, Inc. Reproduced by permission.—Biography, v. 16, Spring, 1993. Reproduced by permission.—Children’s Literature, v. 14, 1986. Reproduced by permission.—Colloquia Germanica,v.30, 1997 for “Goethe’s Wilhelm Meisters Lehrjahre: An Apprenticeship Toward the Mastery of Exactly What?” by Hellmut Ammerlahn. Reproduced by permission of the author.—Criticism, v. 26, Spring, 1984. Copyright, 1984, Wayne State University Press. Reproduced by permission of the publisher.—English Literature in Transition, 1880-1920, v. 33, 1990. Copyright © 1990 English Literature in Transition: 1880-1920. Reproduced by permission.—Genre, v. 26, Winter, 1993 for “Ghostly Bildung: Gender, Genre, Aesthetic Ideology and Wilhelm Meisters Lehrjahre” by Marc Redfield. Copyright © 1995 by the University of Oklahoma. All rights reserved. Reproduced by permission of the publisher and author.—Goethe Yearbook, v. vii, 1994. Reproduced by permission.—Journal of American Folklore, v. 108, Spring, 1995 for “’The Only True Folk Songs We Have in English’: James Russell Lowell and the Politics of the Nation” by Michael J. Bell. Copyright © 1995 by the American Folklore Society. Reproduced by permission of the publisher and author.—Modern Language Quarterly, v. 53, June, 1992. © 1992 University of Washington. Reproduced by permission of Duke University Press.— New Literary History, v. xv, Autumn, 1983. Copyright © 1983 by New Literary History. Reproduced by permission of The Johns Hopkins University Press.—Nineteenth-Century Fiction, v. 37, September, 1982 for “Seeing and Hearing in Marius the Epicurean” by Jerome Bump. © 1982 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—Seminar: A Journal of Germanic Studies, v. 9, 1981; v. 26, May, 1990. Both reproduced by permission.—Studies in American Fiction, v. 21, Spring, 1993. Copyright © 1993 Northeastern University. Reproduced by permission.—The Markham Review, v. 9, Winter, 1980; v. 10, Fall, 1980. Both reproduced by permission.—The Sewanee Review, v. xci, Fall, 1983. Copyright © 1983 by The University of the South. Reproduced with permission of the editor.— The Virginia Quarterly Review, v. 58, Spring, 1982. Copyright, 1982, by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission of the publisher.—Thoreau Journal Quarterly, v. x, July, 1978. Reproduced by permission.—Victorians Institute Journal, v. 22, 1994. Reproduced by permission.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 90, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Blair, John. From Tracing Subversive Currents in Goethe’s Wilhelm Meister’s Apprenticeship. Camden House, 1997. Copyright © 1997 by Camden House, Inc. Reproduced by permission.—Buckler, William E. From Walter Pater: The Critic as Artist of Ideas. New York University Press, 1987. Copyright © 1987 by New York University. All rights reserved. Reproduced by permission.—Dellamora, Richard. From Literary Visions of Homosexuality. The Haworth Press, 1983. Copyright © 1983 by The Haworth Press, Inc. All rights reserved. Reproduced by permission.—Griggs, Earl L. From Hartley Coleridge: His Life and Work. University of London Press, 1929. Reproduced by permission.—Heymann, C. David. From American Aristocracy: The Lives and Times of James Russell, Amy, and Robert Lowell. Dodd, Mead & Company, 1980. Copyright © 1980 by C. David Heymann. All rights reserved. Reproduced by permission of the author.—Mathes, Valerie Sherer. From Helen Hunt Jackson and Her Indian Reform Legacy. University of Texas Press, 1990. Copyright © 1990 by the University of Texas Press. All rights reserved. Reproduced by permission.—Miller, J. Hillis. From Walter Pater (Modern Critical Views). Chelsea House Publishers, 1985. Copyright © 1985 by Chelsea House Publishers, a division

of Chelsea House Educational Communications, Inc. All rights reserved. Reproduced by permission.—Rees, Robert A. From Fifteen American Authors Before 1900: Bibliographic Essays on Research and Criticism. Edited by Robert A. Rees and Earl N. Harbert. University of Wisconsin Press, 1971. Copyright © 1971 The Regents of the University of Wisconsin. All rights reserved. Reproduced by permission.—Steinecke, Hartmut. From Reflection and Action: Essays on the Bildungsroman. Edited by James Hardin. University of South Carolina Press, 1991. Copyright © 1991 University of South Carolina. Reproduced by permission.—Wagenknecht, Edward. From James Russell Lowell: Portrait of a Many-Sided Man. Oxford University Press, 1971. Copyright © 1971 by Edward Wagenknecht. Used by permission of Oxford University Press, Inc.—Whitaker, Rosemary. From Helen Hunt Jackson. Boise State University, 1987. Copyright 1987 by the Boise State University Western Writers Series. All rights reserved. Reproduced by permission of the publisher and author.—Williams, Carolyn. From Transfigured World: Walter Pater’s Aesthetic Historicism. Cornell University Press, 1989. Copyright © 1989 by Cornell University. All rights reserved. Used by permission of Cornell University Press.—Wortham, Thomas. From The Transcendentalists: A Review of Research and Criticism. Edited by Joel Myerson. The Modern Language Association of America, 1984. Copyright © 1984 by The Modern Language Association of America. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 90, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Coleridge, Hartley, photograph. © Hulton-Getty/Liaison Agency. Reproduced by permission.—Title page from Poems, written by Hartley Coleridge, photograph. The University of Michigan Library. Reproduced by permission.—Title page from Ramona, by Helen Jackson. Robert Brothers Publishers. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Studies in the History of the Renaissance, by Walter H. Pater. Macmillan and Co., Publishers. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from The Biglow Papers, photograph by James Lowell. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Wilhelm Meister’s Apprenticeship, by Johann Wolfgang von Goethe. Special Collections Library, University of Michigan. Reproduced by permission.