A Tale of Two Cities, Charles Dickens - Copyright Page
ISSN 0732-1864
Volume 86
Nineteenth-Century Literature Criticism
Excerpts from Criticism of the Works of Novelists, Philosophers, and Other Creative writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations
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Library of Congress Catalog Card Number
ISBN 0-7876-4541-9
ISSN 0732-1864
Printed in the United States of America
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED EXCERPTS IN NCLC, VOLUME 86, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Imago, v. 36, Fall, 1979. Copyright 1979 by The Association for Applied Psychoanalysis, Inc. Reproduced by permission of The Johns Hopkins University Press. American Periodicals, v. 6, 1996. Reproduced by permission.— American Quarterly, v. XXIII, Spring, 1971; v. XXV, December, 1973. Copyright 1971, 1973, American Studies Association. Both reproduced by permission of The Johns Hopkins University Press.—American Scholar, v. 64, Spring, 1995. Copyright © 1995 by Wilfred M. McClay. Reproduced by permission of the publishers.—Critical Inquiry, v. 8, Winter, 1979 for “Magi and Maidens: The Romance of the Victoria Freud” by Nina Auerbach. Copyright © 1981 by The University of Chicago. Reproduced by permission of the publisher and author.—Criticism, v. XXIV, Winter, 1982; v. XXIX, Spring, 1987; v. XXXI, Spring, 1989. Copyright, 1982, 1987, 1989, Wayne State University Press. All reproduced by permission of the publisher.—The Dalhousie Review, v. 72, Fall, 1992. Reproduced by permission of the publisher.— Democracy: A Journal of Political Renewal and Radical Change, v. 2, January, 1981 for “Looking Forward Together: Feminists and Edward Bellamy” by William Leach. Reproduced by permission.—Dickens Studies Annual, v. 12, 1983; v. 27, 1998. Both reproduced by permission.—The Dickensian, v. 84, Summer, 1988, for “Shadow and Substance in ‘A Tale of Two Cities’” by Harland S. Nelson./ v. 88, Autumn, 1992, for “Language, Love, and Identity: ‘A Tale of Two Cities’” by Tom Lloyd. Both reprinted by permission of the authors.—ELH, v. 51, Fall, 1984. Copyright © 1984 by The Johns Hopkins University Press. Reproduced by permission of The Johns Hopkins University Press.—The Journal of General Education, v. XXXIII, Spring, 1981. Copyright 1981 by The Pennsylvania State University. Reproduced by permission of The Pennsylvania State University Press.—Modern Language Studies, v. XXIV, Spring, 1994 for “Cather’s Creative Women and DuMaurier’s Cozy Men: ‘The Song of the Lark’ and ‘Trilby’” by Mary Titus. Copyright, Northeast Modern Language Association 1994. Reproducd by permission of the publisher and author.—Studies in English Literature, 15001900, v. 30, Autumn, 1990. © 1990. Reproduced by permission of The Johns Hopkins University Press.—Studies in Romanticism, v. 33, Summer, 1994. Copyright 1994 by the Trustees of Boston University. Reproduced by permission.— Studies in the Literary Imagination, v. XVI, Fall, 1983. Copyright 1983 Department of English, Georgia State University. Reproduced by permission.—Studies in the Novel, v. 28, Winter, 1996. Copyright 1996 by North Texas State University. Reproduced by permission.—Style, v. 22, Winter, 1988 for “Inscribing and Defining: The Many Voices of Fanny Fern’s ‘Ruth Hall’” by Susan K. Harris. Reproduced by permission of the publisher and author.—Texas Studies in Literature and Language, v. 32, Summer, 1990 for “Swept Away by One Breath: Selfhood and Kenosis in Edward Bellamy’s A Love Story Reversed” by Jeffrey A. Hammond./ v. 34, Winter, 1992 for “Farming on Foot: Tracking Georgic in Clare and Wordsworth” by Anne D. Wallace. Copyright © 1990, 1992 by the University of Texas Press. Both reproduced by permission of the publisher and the authors.—University of Toronto Quarterly, v. 61, Winter, 1991. © University of Toronto Press 1991. Reproduced by permission of University of Toronto Press Incorporated.—The Wordsworth Circle, v. XXIII, Summer, 1994. © 1994 Marilyn Gaull. Reproduced by permission of the editor.
COPYRIGHTED EXCERPTS IN NCLC, VOLUME 86, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
From an introduction to John Clare by Himself. Edited by Eric Robinson and David Powell. Carcanet Press, 1996. Copyright © Eric Robinson 1996. All rights reserved. Reproduced by permission.—Chilcott, Tim. From ‘A Real World & Doubting Mind’: A Critical Study of the Poetry of John Clare. Hull University Press, 1985. © Tim Chilcott 1985. All rights reserved. Reproduced by permission of the author.—Chirico, Paul. From The Independent Spirit: John Clare and the self-taught tradition. Edited by John Goodridge. The John Clare Society and The Margaret Grainger Memorial Trust,
1994. © the individual contributors, 1994. Reproduced by permission.—Fellman, Michael. From The Unbounded Frame: Freedom and Community in Nineteenth Century American Utopianism. Greenwood Press, Inc., 1973. Copyright © 1973 by Michael Fellman. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Grasso, Linda. From Studies in the American Renaissance. Edited by Joel Myerson. University Press of Virginia, 1995. Copyright © 1995 by Joel Myerson. All rights reserved. Reproduced by permission of the editor.—Gross, John. From “A Tale of Two Cities” in Dickens and the Twentieth Century. University of Toronto Press/Routledge & Kegan Paul, 1962. Reproduced by permission.—Hansot, Elisabeth. From Perfection and Progress: Two Modes of Utopian Thought. MIT Press, 1974. Copyright © 1974 by The Massachusetts Institute of Technology. All rights reserved. Reproduced by permission of The MIT Press, Cambridge, MA.—James, Henry. From Partial Portaits. University of Michigan Press, 1970. Copyright © by The University of Michigan 1970. All rights reserved. Reproduced by permission.—Kelley, Theresa M. From Lessons of Romanticism: A Critical Companion. Edited by Thomas Pfau and Robert F. Gleckner. Duke University Press, 1998. © 1998 Duke University Press. All rights reserved. Reproduced by permission.—Lipow, Arthur. From Authoritarian Socialism in America: Edward Bellamy & the Nationalist Movement. University of California Press, 1982. © 1982 by The Regents of the University of California. Reproduced by permission of the publisher.—Manheim, Leonard. From Dickens Studies Annual, Vol. 1. Edited by Robert B. Partlow, Jr. Southern Illinois University Press, 1970. Copyright AMS Press. Reproduced by permission.—Marcus, David D. From Charles Dicken’s A Tale of Two Cities. Edited by Harold Bloom. Chelsea House Publishers, 1987. © by Chelsea House Publishers. All rights reserved. Reproduced by permission.—Nardo, Don. From Readings on A Tale of Two Cities. Edited by Don Nardo. Greenhaven Press, 1997. Copyright © 1997 by Greenhaven Press, Inc. Reproduced by permission.—Ormond, Leonee. From George du Maurier. Routledge and Kegan Paul, 1969. © Leonee Ormond 1969. Reproduced by permission.—Strauss, Sylvia. From Looking Backward, 1988-1888: Essays on Edward Bellamy. Edited by Daphne Patai. The University of Massachusetts Press, 1988. Copyright © 1988 by The University of Massachusetts Press. All rights reserved. Reproduced by permission.—Tonkovich, Nicole. From
Domesticity with a Difference: The Nonfiction of Catharine Beecher, Sarah J. Hale, Fanny Fern, and Margaret Fuller.
University Press of Mississippi, 1997. Copyright © 1997 by University Press of Mississippi. All rights reserved. Reproduced by permission.—Walker, Nancy A. From Fanny Fern. Twayne Publishers, 1993. Copyright © 1993 by Twayne Publishers. All rights reserved. Reproduced by permission.—Warren, Joyce W. From Joinings and Disjoinings: The Significance of Marital Status in Literature. Edited by JoAnna Stephens Mink and Janet Doubler Ward. Bowling Green State University Popular Press, 1991. Copyright © 1991 by Bowling Green State University Popular Press. Reproduced by permission.— Warren, Joyce W. From Fanny Fern: An Independent Woman. Rutgers University Press, 1992. Copyright © 1992 by Joyce W. Warren. All rights reserved. Reproduced by permission of Rutgers, The State University.
PHOTOGRAPHS APPEARING IN NCLC, VOLUME 86, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Bellamy, Edward, photograph. The Library of Congress.–From a cover of Looking Backward (2000-1887), The Riverside Press, Cambridge, 1889, photograph. Special Collections Library, University of Michigan. Reproduced by permission.— Clare, John (seated) portrait.—Dickens, Charles, photograph. Hesketh Pearson.—Browne, H. K., illustrator. From a cover of A Tale of Two Cities by Charles Dickens. Chapman and Hall, 1859.—Coleman, Ronald, in the film “A Tale of Two Cities” 1935, photograph. Springer/Corbis-Bettmann. Reproduced by permission.—du Maurier, George Louis Palmella Busson, photograph. © Archive Photos. Reproduced by permission.—Advertisement of newly wedded bride, illustration by George Louis Palmella Busson du Maurier. © Historical Picture Archive/CORBIS. Reproduced by permission.—Fern, Fanny, photograph. The Library of Congress.
