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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 98, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The American Historical Review, v. 92, June 1987 for “The Making of an American Prophet: Emerson, His Audiences and the Rise of the Culture Industry in Nineteenth-Century America” by Mary Kupiec Cayton. © 1987, The American Historical Review. Reproduced by permission of The American Historical Association and the author.—American Literature, v. 66, September, 1994; v. 70, September, 1998. Copyright © 1994, 1998 by Duke University Press, Durham, NC. Reproduced by permission.—American Transcendental Quarterly, v. 8, December, 1994. © 1994 by the University of Rhode Island. Reproduced by permission.—Annali d’Italianistica, v. 3, 1985. Reproduced by the permission of the University of North Carolina at Chapel Hill.—Arizona Quarterly, v. 49.3, 1993. Copyright © 1993 by the Regents of the University of Arizona. Reproduced by permission.—ESQ: A Journal of the American Renaissance, v. 40, 2nd Quarter, 1994 for “’Too Pathetic, Too Pitiable’: Emerson’s Lessons in Love’s Philosophy” by Eric Murphy Selinger; v. 41, 1995 for “’Living Property’: Emerson’s Ethics” by James M. Albrecht; v. 43, 1997 for “Fate, Power, and History in Emerson and Nietzsche” by Herwig Friedl. Reproduced by permission of Washington State University and the authors.—Forum Italicum, v 35, Spring 1991. Reproduced by permission of State University of New York at Stoney Brook, Center for Italian Studies.—Legacy, v. 14, 1997. © 1997 by Pennsylvania State University. Reproduced by permission of the Nebraska Press.—Modern Language Notes, v. 101:1, 1986; 113:1, 1998. © 1986, 1998 The Johns Hopkins University Press. Reprinted with the permission of The Johns Hopkins University Press.—Modern Language Review, v. 87, October, 1992 for “Manzoni After 1848: An ‘Irresolute Utopian?’” by Mark Davie. Reproduced by permission of the Modern Humanities Research Association and the author.—The New England Quarterly, vol. 66, September 1993 for “Negotiating a Self: The Autobiography and Journals of Catharine Maria Sedgwick,” by Mary Kelley. Copyright held by The New England Quarterly. Reproduced by permission of the publisher and the author, Mary Brinsmead Wheelock.—Philosophy and Rhetoric, v. 29, 1996. © 1996 by The Pennsylvania State University. Reproduced by permission of the publisher.—Renascence: Essays on Values in Literature, v. 38, Spring, 1986. © copyright, 1986, Marquette University Press. Reproduced by permission.—Revista di Studi Ilaliani, v. 3, December, 1985. Reproduced by permission of the University of Toronto, Department of Italian Studies.—Romance Studies, v. 19, 1991. Reproduced by permission of the University of Wales, Swansen.—Short Stories in Fiction, v. 27, Fall, 1990. © 1990 by Newberry College. Reproduced by permission.—Studies in the Literary Imagination, v. 27:1, 1994. © 1994 Department of English, Georgia State University. Reproduced by permission.—Studies in Romanticism, v. 29, Winter, 1990. Copyright 1990 by the Trustees of Boston University. Reproduced by permission.—Women’s Writing, v. 2, 1995 for “’She Could Make a Cake as Well as Books...’: Catherine Sedgwick, Anna Jameson, and the Construction of the Domestic Intellectual,” by Maria LaMonaca. Reproduced by permission of Triangle Journals Ltd. and the author.—Yale Journal of Criticism, v. 12:1, 1999. © The Johns Hopkins University Press. Reproduced by permission of The Johns Hopkins University Press.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 98, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Barricelli, Gian Piero. From “Provident Ill-Fortune,” in Alessandro Manzoni. Twayne Publishers, 1976. Reproduced by permission.—Goodman, Russell. From “Ralph Waldo Emerson,” in American Philosophy and the Romantic Tradition. Cambridge University Press, 1990. Reproduced by permission of Cambridge University Press.—Gould, Philip. From “Catherine Sedgwick’s ‘Recital’ of the Pequot War,” in Covenant and Republic: Historical Romance and the Politics of Puritanism. Cambridge University Press, 1996. Reproduced by permission of Cambridge University Press.—Lopez, Michael. From “The Anti-Emerson Tradition,” in Emerson and Power: Creative Antagonism in the Nineteenth Century.

Northern Illinois University Press, 1996. © 1996 by Northern Illinois University Press. Reproduced by permission.— Morris, Saundra. From “’Metre-Making’ Arguments: Emerson’s Poems,” in The Cambridge Companion to Ralph Waldo Emerson, edited by Joel Porte and Saundra Morris. Cambridge University Press, 1999. Reproduced by permission of Cambridge University Press.—Richardson Jr., Robert. From “Emerson and Nature,” in The Cambridge Companion to Ralph Waldo Emerson, edited by Joel Porte and Saundra Morris. Cambridge University Press, 1999. Reproduced by permission of Cambridge University Press.—Robinson, David. From “Toward a Grammar of Moral Life,” in Emerson and the Conduct of Life: Pragmatic and Ethical Purpose in the Later Work. Cambridge University Press, 1993. Reproduced by permission of Cambridge University Press.—Singley, Carol J. From “Catharine Maria Sedgwick’s Hope Leslie: Radical Frontier Romance,” in Desert, Garden, Margin, Range: Literature on the American Frontier, edited by Eric Heyne. Twayne Publishers, 1992. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 98, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Emerson, Ralph Waldo, giving lecture, photograph. © Bettmann/Corbis. Reproduced by permission.—Emerson, Ralph Waldo, interior study in The Manse, photograph. The Library of Congress.—Emerson, Ralph Waldo, photograph of an illustration. International Portrait Gallery.—Emerson, Ralph Waldo, seated in a reclining chair, photograph. © Bettmann/ Corbis. Reproduced by permission.—Emerson, Ralph Waldo, The Manse, photograph. The Library of Congress.—Manzoni, Alessandro, engraving. The Library of Congress.—Manzoni, Alessandro, photograph. © Bettmann/Corbis. Reproduced by permission.—Segwick, Catherine Maria, slide. Archive Photos, Inc. Reproduced by permission.