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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 104, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Indian Quarterly, v. 1, Spring, 1974; v. 2, Winter, 1975. Copyright © The University of Nebraska Press 1974, 1975. Both reproduced by permission.—American Literature, v. 66, December, 1994. Copyright © 1994 by Duke University Press. Reproduced by permission.—The American Scholar, v. 65, Spring, 1996. Copyright © 1996 by the United Chapters of the Phi Beta Kappa Society. Reproduced by permission.—American Transcendental Quarterly, v. 30, Spring, 1976; n. 53, Winter, 1982. Copyright 1976, 1982 by Kenneth Walter Cameron. Both reproduced by permission.—Arizona Quarterly, v. 30, Summer, 1974 for “The Word Out of the Sea: A View of Crane’s ‘The Open Boat, ‘” by Max L. Autrey;

v. 52, Summer, 1996 for “Indian-Hater, Wild Man: Melville’s ‘Confidence-Man’© by Stephen Matterson; v. 54, Summer, 1998 for “The Indian in the Museum: Henry David Thoreau, Okah Tubbee, and Authentic Manhood” by Paul Gilmore. Copyright © 1974, 1996, 1998 by Arizona Board of Regents. All reproduced by permission of the publisher and the respective authors.—Boundary 2, v. 19, Fall, 1992. Copyright © 1992 by Duke University Press. Reproduced by permission.— Children’s Literature Association Quarterly, v. 8, Fall, 1983. Reproduced by permission.—Cimarron Review, v. 46, January, 1979. Copyright © 1979 by the Board of Regents for Oklahoma State University. Reproduced by permission of the publisher.—ESQ, v. 39, 1993 for “’The Red Face of Man,’ the Penobscot Indian, and a Conflict of Interest in Thoreau’s ‘Maine Woods, ‘” by Linda Frost. Reproduced by permission of the publisher and the author.—Keats Shelley Journal, v. 43, 1994. Reproduced by permission.—Mark Twain Journal, v. 16, Winter, 1971-72. Reproduced by permission.— MELUS, v. 15, Fall, 1988. Copyright, MELUS: The Society for the Study of Multi-Ethnic Literature of the United States, 1988. Reproduced by permission.—Modern Language Studies, v. 13, Fall, 1993 for “Jamesian Parody, ‘Jane Eyre’ and ‘The Turn of the Screw’” by Alice Hall Petry. Copyright, Northeast Modern Language Association 1993. Reproduced by permission of the publisher and author.—Modern Philology, v. 78, February, 1981. Copyright © 1981 by The University of Chicago. Reproduced by permission.—Nineteenth Century Theatre, v. 23, Summer, 1995 for “James Nelson Barker’s Pocahontas: The Theatre and the Indian Quarterly,” by Eliana Crestani. Reproduced by permission of the publisher.— Nineteenth-Century Fiction, v. 23, June, 1968 for “Reflections of a Governess: Image and Distortion in ‘The Turn-of-the-Screw’” by E. Duncan Aswell. Copyright © 1968 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—Pembroke Magazine, v. 7, 1976 for “The Puritan Myth and the Indian in the Early American Novel,” by Joseph B. McCullough and Robert K. Dodge. Reproduced by permission of the authors.—Soundings, v. 62, Winter, 1979. Reproduced by permission.—The South Atlantic Quarterly, v. 74, Spring, 1975. Reproduced by permission.—The South Carolina Review, v. 5, June, 1973. Copyright © 1973 by Clemson University. Reproduced by permission.—Southern Folklore Quarterly, v. 37, March, 1973. Reproduced by permission.—Southern Quarterly, v. 37, Spring-Summer, 1999. Copyright © 1999 by the University of Southern Mississippi. Reproduced by permission.—Studies in American Fiction, v. 16, Autumn, 1988; v 22, Autumn, 1994. Copyright © 1988, 1994 Northeastern University. Both reproduced by permission.—Studies in Romanticism, v. 17, Winter, 1978. Copyright 1978 by the Trustees of Boston University. Reproduced by permission.—Studies in the Novel, v. 29, Summer, 1997. Copyright © 1997 by the University of North Texas. All rights reserved. Reproduced by permission.—Victorian Studies, v. 14, September, 1970. Reproduced by permission.—Walt Whitman Quarterly Review, v. 13, Winter, 1996. Reproduced by permission.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 104, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Behrman, Cynthia Fansler. From Victorian Myths of the Sea. Ohio University Press, 1977. © 1977 by Cynthia Fansler Behrman. Reproduced by permission.—Bender, Bert. From Sea-Brothers: The Tradition of American Sea Fiction from ©Moby-Dick© to the Present. University of Pennsylvania Press, 1987. Copyright © 1987 by the University of Pennsylvania

Press. Reproduced by permission.—Blackstone, Sarah. From “Simplifying the Native American: Wild West Shows Exhibit the ‘Indian,’” in Staging Difference: Cultural Pluralism in American Theatre and Drama. Edited by Marc Maufort. Peter Lang, 1995. © 1995 Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.—Clarke, Patricia. From The Governess: Letters from the Colonies, 1862-1882. Hutchinson, 1985. © Patricia Clarke 1985. Reproduced by permission.—Hughes, Kathryn. From The Victorian Governess. The Hambledon Press, 1993. © Kathryn Hughes 1993. Reproduced by permission.—Jaskoski, Helen. From “’A Terrible Sickness among Them’: Smallpox and Stories of the Frontier,” in Early Native American Writing: New Critical Essays. Edited by Helen Jaskoski. Cambridge University Press, 1996. © Cambridge University Press 1996. Reproduced by permission of the publisher and the author.—Martin, Joanna. From A Governess in the Age of Jane Austen: The Journals and Letters of Agnes Porter. The Hambledon Press, 1998. © Joanna Martin 1998. Reproduced by permission.—Philbrick, Thomas. From James Fenimore Cooper and the Development of American Sea Fiction. Harvard University Press, 1961. Copyright © 1961 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission.—Poovey, Mary. From Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. The University of Chicago Press, 1988. Copyright © 1988 by The University of Chicago. All rights reserved. Reproduced by permission.—Renton, Alice. From Tyrant or Victim? A History of the British Governess. Weidenfeld and Nicolson, 1991. Copyright © 1991 Alice Renton. Reproduced by permission of author.— Springer, Haskell. From America and the Sea: A Literary History. Edited by Haskell Springer. The University of Georgia Press, 1995. © 1995 by the University of Georgia Press. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 104, WERE RECEIVED FROM THE FOLLOWING SOURCES:

A title page for Moby-Dick;or The Whale by Herman Melville, 1851 edition, photograph. The Department of Rare Books and Special Collections, The University of Michigan Library. Reproduced by permission.—Scene from Moby Dick, a novel written by Herman Melville, illustration. © Corbis Corporation. Reproduced by permission.—Twain, Mark, photograph. The Library of Congress.—Welles, Orson, as Edward Rochester with Joan Fontaine as Jane Eyre, in the film, “Jane Eyre,” photograph. The Kobal Collection. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Patricia Sarles, MA, MLS

Principal Librarian Canarsie High School Library The Scholars’ Centre Brooklyn, New York University of Western Australia Library

Mark Schumacher Steven R. Harris

English Literature Librarian Jackson Library University of Tennessee University of North Carolina at Greensboro

Mary Jane Marden Gwen Scott-Miller

Literature and General Reference Librarian Humanities Department Manager St. Petersburg Jr. College Seattle Public Library

Catherine Palmer Instructional Services Librarian and English and Ann Marie Wiescinski Comparative Literature Librarian Central High School Library University of California, Irvine Bay City, Michigan