Pride and Prejudice, Jane Austen - Copyright Page

ISSN 0732-1864

Volume 150

Nineteenth-Century Literature Criticism

Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Russel Whitaker

Project Editor

Nineteenth-Century Literature Criticism, Vol. 150
Project Editor

Russel Whitaker

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 84-643008

ISBN 0-7876-8634-4
ISSN 0732-1864

Printed in the United States of America 10987654321

Preface

S
 ince its inception in 1981, Nineteeth-Century Literature Criticism (NCLC) has been a valuable resource for students and librarians seeking critical commentary on writers of this transitional period in world history. Designated an “Outstanding Reference Source” by the American Library Association with the publication of is first volume, NCLC has since been purchased by over 6,000 school, public, and university libraries. The series has covered more than 450 authors representing 33 nationalities and over 17,000 titles. No other reference source has surveyed the critical reaction to nineteenth-century authors and literature as thoroughly as NCLC.

Scope of the Series

NCLC is designed to introduce students and advanced readers to the authors of the nineteenth century and to the most significant interpretations of these authors’ works. The great poets, novelists, short story writers, playwrights, and philosophers of this period are frequently studied in high school and college literature courses. By organizing and reprinting commentary written on these authors, NCLC helps students develop valuable insight into literary history, promotes a better understanding of the texts, and sparks ideas for papers and assignments. Each entry in NCLC presents a comprehensive survey of an author’s career or an individual work of literature and provides the user with a multiplicity of interpretations and assessments. Such variety allows students to pursue their own interests; furthermore, it fosters an awareness that literature is dynamic and responsive to many different opinions.

Every fourth volume of NCLC is devoted to literary topics that cannot be covered under the author approach used in the rest of the series. Such topics include literary movements, prominent themes in nineteenth-century literature, literary reaction to political and historical events, significant eras in literary history, prominent literary anniversaries, and the literatures of cultures that are often overlooked by English-speaking readers.

NCLC continues the survey of criticism of world literature begun by Thomson Gale’s Contemporary Literary Criticism (CLC) and Twentieth-Century Literary Criticism (TCLC).

Organization of the Book

An NCLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.
  • © A Portrait of the Author is included when available.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The genre and publication date of each work is given. In the case of foreign authors whose works have been translated into English, the list will focus primarily on twentieth-century translations, selecting

    • vii

    Style, 1986. All rights reserved. Reproduced by permission of the publisher and the author.—Symbiosis, v. 4, April, 2000. Copyright © 2000 The College of St Mark & St John. Reproduced by permission.—Women’s Studies: An Interdisciplinary Journal, v. 15, 1988. Copyright © 1988 Gordon and Breach Science Publishers. All rights reserved. Reproduced by permission.

    COPYRIGHTED MATERIAL IN NCLC, VOLUME 150, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

    Bishop, Lloyd. From The Poetry of Alfred de Musset: Styles and Genres. Peter Lang, 1987. Copyright © Peter Lang Publishing, Inc., New York 1987. All rights reserved. Reproduced by permission.—Brown, Julia Prewitt. From “The Social History of Pride and Prejudice,” in Approaches to Teaching Austen’s Pride and Prejudice. Edited by Marcia McClintock Folsom. The Modern Language Association of America, 1993. Copyright © 1993 by The Modern Language Association of America. All rights reserved. Reproduced by permission.—Carr, Jean Ferguson. From “The Polemics of Incomprehension: Mother and Daughter in Pride and Prejudice,” in Tradition and the Talents of Women. Edited by Florence Howe. University of Illinois Press, 1991. Copyright © 1991 by the Board of Trustees of the University of Illinois. Reproduced by permission.—Fuchs, Jeanne. From “George Sand and Alfred de Musset: Absolution Through Art in La Confession d’un enfant du siècle,” in The World of George Sand. Edited by Natalie Datlof, Jeanne Fuchs, and David A. Powell. Greenwood Press, 1991. Copyright © 1991 by Hofstra University. All rights reserved. Reproduced by permission.—Herbert, T. Walter. From Dearest Beloved: The Hawthornes and the Making of the Middle-Class Family. University of California Press, 1993. Copyright © 1993 by T. Walter Herbert. Reproduced by permission.—Hurst, Luanne Jenkins. From “The Chief Employ of Her Life: Sophia Peabody Hawthorne’s Contribution to Her Husband’s Career,” in Hawthorne and Women: Engendering and Expanding the Hawthorne Tradition. Edited by John L. Idol Jr. and Melinda M. Ponder. University of Massachusetts Press, 1999. Copyright © 1999 by the University of Massachusetts Press. All rights reserved. Reproduced by permission.— Moler, Kenneth L. From Jane Austen’s Art of Allusion. University of Nebraska Press, 1968. Copyright © The University Of Nebraska Press 1968. Copyright © renewed 1996 by the University of Nebraska Press. Reproduced by permission.— Seeber, Barbara K. From General Consent in Jane Austen: A Study of Dialogism. McGill-Queen’s University Press, 2000. Copyright © McGill-Queen’s University Press 2000. Reproduced by permission.—Sices, David. From an Introduction to Historical Dramas of Alfred de Musset. Translated by David Sices. Peter Lang, 1997. Copyright © 1997 Peter Lang Publishing, Inc., New York. Reproduced by permission.—Stovel, Nora Foster. From “Famous Last Words: Elizabeth Bennet Protests Too Much,” in The Talk in Jane Austen. Edited by Bruce Stovel and Lynn Weinlos Gregg. University of Alberta Press, 2002. Copyright © 2002 The University of Alberta Press. All rights reserved. Reproduced by permission of the University of Alberta Press.—Wiesenfarth, Joseph. From The Errand of Form: An Assay of Jane Austen’s Art. Fordham University Press, 1967. Copyright © 1967 by Fordham University Press. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 150, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    1817 title page for Jane Austen’s Pride and Prejudice. Special Collections Library, University of Michigan. Reproduced by permission.—Theatre poster promoting the play Lorenzaccio, by French playwright Alfred de Musset, circa 1896. Alphonse Marie Mucha, illustrator. Copyright © Historical Picture Archive/Corbis. Reproduced by permission.—De Musset, Alfred, engraving. The Library of Congress.

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