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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 94, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

CEA Critic, v. 53, Spring-Summer, 1991. Copyright © 1991 by the College English Association, Inc. Reproduced by permission of the publisher and the author.—Eighteenth-Century Life, v. 13, November, 1989. © 1990 by The Johns Hopkins University Press. Reproduced by permission.—English Studies in Canada, v. XIV, March, 1988 for “P/P ... Tekelili: Pym Decoded” by Herbert F. Smith. © Association of Canadian University Teachers of English 1988. Reproduced by permission of the publisher and the author.—ESQ: A Journal of the American Renaissance, v. 27, 1981 for “Poe’s Providential Narrative of Arthur Gordon Pym” by Curtis Fukuchi; v. 40, 1994 for ©The Narrative of Arthur Gordon Pym and the Ideology of Slavery” by Sam Worley; v. 42, 1996 for “Opening Accounts in the South Seas: Poe’s Pym and American Pacific Orientalism” by Paul Lyons. All reproduced by permission of the publisher and the respective authors./ Thompson, G. R. From “The Arabesque Design of Arthur Gordon Pym,” in Poe’s Pym: Critical Explorations, edited by Richard Kopley, Duke University Press, 1992. From longer ESQ: A Journal of the American Renaissance original article entitled “Romantic Arabesque, Contemporary Theory, and Postmodernism: The Example of Poe’s Narrative,” v. 35, 1989. Reproduced by permission of ESQ and the author.—Essays and Studies, v. 38, 1985 for “Cowper’s Olney Hymns” by J. R. Watson. © The English Association 1985. Reproduced by permission of the publisher and the author.—Genre, v. XIV, Fall, 1981 for “Language and the Void: Gothic Landscapes in the Frontiers of Edgar Allan Poe” by Stephen Mainville. Copyright © 1981 by The University of Oklahoma. All rights reserved. Reproduced by permission of the publisher and the author.—Mississippi Quarterly, v. 24, Winter, 1970-71. Copyright 1970-71 Mississippi State University. Reproduced by permission.—New Orleans Review, v. 14, Fall, 1987. Copyright © 1987 by Loyola University. Reproduced by permission.—North Dakota Quarterly, v. 51, Winter, 1983. Copyright 1983 by The University of North Dakota. Reproduced by permission.—Papers on Language & Literature, v. 22, Summer, 1986. Reproduced by permission.—Studies in the Novel, v. 14, Summer, 1982. Copyright 1982 by North Texas State University. Reproduced by permission.—Studies in Short Fiction, v. 27, Winter, 1990. Copyright 1990 by Newberry College. Reproduced by permission.—Studies on Voltaire and the Eighteenth Century, v. 264, 1989 for “William Cowper’s New Aesthetic in The Task” by James King. Reproduced by permission of the publisher and the author.—The South Carolina Review, v. 11, November, 1969. Copyright © 1969 by Clemson University. Reproduced by permission.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 94, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Becker, Kate Harbes. From Paul Hamilton Hayne: Life and Letters. The Outline Company, 1951. Copyright 1951 by Kate Harbes Becker. All rights reserved. Reproduced by permission of the Sisters of Mercy of the Americas Regional Community of North Carolina.—Ella, George Melvyn. From William Cowper: Poet of Paradise. Evangelical Press, 1993. © Evangelical Press 1993. Reproduced by permission.—Fausset, Hugh I’Anson. From William Cowper. Jonathan Cape, 1928.—Feingold, Richard. From Nature and Society: Later Eighteenth-Century Uses of the Pastoral and Georgic. Rutgers University Press, 1978. Copyright © 1978 by Rutgers, The State University of New Jersey. Reproduced by permission of Rutgers, The State University.—Fitch, Suzanne Pullon, and Roseann M. Mandziuk. From Sojourner Truth as Orator: Wit, Story, and Song. Greenwood Press, 1997. Copyright © 1997 by Suzanne Pullon Fitch and Roseann M. Mandziuk. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Free, William N. From William Cowper. Twayne Publishers, Inc., 1970. Copyright © 1970 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of the author.—Hartley, Lodwick C. From William Cowper: Humanitarian. The University of North Carolina Press, 1938. Copyright, 1938, by The University of North Carolina Press. Copyright renewed © 1966 by Lodwick

C. Hartley. Reproduced by permission.—King, James. From William Cowper: A Biography. Duke University Press, 1986. Copyright © 1986 by Duke University Press, Durham, NC. Reproduced by permission.—Lipscomb, Drema R. From “Sojourner Truth: A Practical Public Discourse,” in Reclaiming Rhetorica: Women in the Rhetorical Tradition. Edited by Andrea A. Lunsford. University of Pittsburgh Press, 1995. Copyright © 1995, University of Pittsburgh Press. All rights reserved. Reproduced by permission.—Mitchell, Domhnall. From “Drink and Disorder in The Narrative of Arthur Gordon Pym,” in Beyond the Pleasure Dome: Writing and Addiction from the Romantics. Sue Vice, Matthew Campbell, and Tim Armstrong, eds. Sheffield Academic Press, 1994. Copyright © 1994 Sheffield Academic Press. Reproduced by permission.—Moore, Rayburn S. From “Paul Hamilton Hayne and Northern Magazines, 1866-1886,” in Essays Mostly on Periodical Publishing in America: A Collection in Honor of Clarence Gohdes. Edited by James Woodress with Townsend Ludington and Joseph Arpad. Duke University Press, 1973. © 1973 Duke University Press, Durham, NC. Reproduced by permission.—Moore, Rayburn S. From Paul Hamilton Hayne. Twayne, 1972. Copyright © 1972 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of the author.—Newey, Vincent. From Cowper’s Poetry: A Critical Study and Reassessment. Liverpool University Press, 1982. Copyright © 1982 by Liverpool University Press. All rights reserved. Reproduced by permission.—O’Brien, Karen. From “’Still at Home’: Cowper’s Domestic Empires,” in Early Romantics: Perspectives in British Poetry from Pope to Wordsworth. Edited by Thomas Woodman. Macmillan Press, 1998. © Macmillan Press Ltd. 1998. All rights reserved. Reproduced by permission of Macmillan, London and Basingstoke.— Painter, Nell Irvin. From “Difference, Slavery, and Memory: Sojourner Truth in Feminist Abolitionism,” in The Abolitionist Sisterhood: Women’s Political Culture in Antebellum America. Edited by Jean Fagan Yellin and John C. Van Horne. Cornell University Press, 1994. Copyright © 1994 by the Library Company of Philadelphia. All rights reserved. Reproduced by permission of the publisher, Cornell University Press.—Pierce, Carol, and Alexander G. Rose III. From “Poe’s Reading of Myth: The White Vision of Arthur Gordon Pym,”in Poe’s Pym: Critical Explorations. Edited by Richard Kopley. Duke University Press, 1992. © 1992 Duke University Press, Durham, NC. All rights reserved. Reproduced by permission.— Stetson, Erlene, and Linda David. From Glorifying in Tribulation: The Lifework of Sojourner Truth. Michigan State University Press, 1994. Copyright © 1994 Erlene Stetson and Linda David. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 94, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Cowper, William, photograph. Corbis-Bettmann. Reproduced with permission.—Hayne, Paul Hamilton, photograph. Archive Photos, Inc. Reproduced by permission.—Poe, Edgar Allen, photograph. Corbis-Bettmann. Reproduced by permission.—Title page from Legends and Lyrics, written by Paul H. Hayne, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from The Narrative of Arthur Gordon Pym, written by Edgar Allan Poe, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Narrative of Sojourner Truth, photograph. Special Collections Library, University of Michigan. Reproduced by permission.— Title page from Olney Hymns, In Three Books, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Truth, Sojourner, photograph. Archive Photos, Inc. Reproduced by permission.—Truth, Sojourner, photograph. Archive Photos, Inc. Reproduced by permission.