Jan 6, 2010
SOURCE: Scott, Patrick. “Tennyson, Lincolnshire, and Provinciality: The Topographical Narrative of In Memoriam.” Victorian Poetry 34, no. 1 (spring 1996): 39-51.
[In the following essay, Scott portrays In Memoriam as a topographical narrative and argues that Tennyson wrote it with a sense of “provincial self-consciousness.”]
Tennyson writes to Emily Sellwood, perhaps some time in 1838:
I have dim mystic sympathies with tree and hill reaching far back into childhood. A known landskip is to me an old friend, that continually talks to me of my youth and half-forgotten things, and does more for me than many a friend that I know.1
This is a remarkable passage in many ways, not least in its timing and audience. In 1838, Tennyson had recently left, after twenty-eight years of almost continuous residence, the “known landskip” of his...
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