Dec 16, 2009
ISSN 0732-1864
Volume 129
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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
American Quarterly, v. 40, June, 1988. Copyright 1988, American Studies Association. Reproduced by permission of The Johns Hopkins University Press.—British Critic, v. 20, August, 1802.—Canadian Slavonic Papers, v. 41, June, 1999. Copyright ©, Canadian Slavonic Papers, Canada, 1999. Reproduced by permission of the publisher.—Charles Lamb Bulletin, v. 5, January, 1974; v. 58, April, 1987; v. 108, October, 1999. Copyright 1974, 1987, 1999 by The Charles Lamb Bulletin. All reproduced by permission.—Essays in Literature, v. 3, Fall, 1976. Copyright 1976 by Western Illinois University. Reproduced by permission.—Italian Quarterly, v. 70, 1974. Copyright © 1974 by Italian Quarterly. Reproduced by permission.—Italica, v. 72, Spring, 1995; v. 77, Autumn 2000. Copyright © 1995, 2000 by The American Association of Teachers of Italian. Both reproduced by permission.—Journal of European Studies, v. 29, March, 1999. Copyright 1999 by the Journal of European Studies. Reproduced by permission.—New York History, v. 25, July 1944. Copyright 1944 by New York History. Reproduced by permission.—Poetics Today, v. 4, 1983. Copyright © 1983 by Duke University Press, Durham, NC. Reproduced by permission.—The Polish Review, v. 24, 1979. Copyright 1979 by The Polish Review. Reproduced by permission.—Proceedings of the British Academy, v. 53, 1967. Copyright 1967 by the Proceedings of the British Academy. Reproduced by permission.—Rivista di Studi Italiani, v. 16, December, 1998. Copyright 1998 by Rivista di Studi Italiani. Reproduced by permission.—Romance Studies, v. 19, Winter, 1991. Copyright 1991 by Romance Studies. Reproduced by permission.—Slavic and East European Journal, v. 21, Fall 1977; v. 39, Spring, 1995. © 1977, 1995 by AAT-SEEL of the U.S., Inc. Both reproduced by permission.—South Atlantic Bulletin, v. 41, May, 1976. Copyright 1976 by the South Atlantic Modern Language Association. Reproduced by permission.—Wordsworth Circle, v. 29, 1998. © 1998 Marilyn Gaull. Reproduced by permission of the editor.
Adams, M. Ray. From Studies in the Literary Backgrounds of English Radicalism; with Special Reference to the French Revolution. Franklin and Marshall College Studies, Number Five, 1947.—Baehr, Stephen. From “Is Moscow Burning? Fire in Griboedov’s WoeFromWit,”in Russian Subjects: Empire, Nation, and the Culture of the Golden Age. Edited by Moinka Greenleaf and Stephen Moeller-Sally. Northwestern University Press, 1998. Copyright © 1998 by Northwestern University Press. All rights reserved. Reproduced by permission.—Baym, Nina. From American Women of Letters and the Nineteenth-Century Sciences: Styles of Affiliation. Rutgers University Press, 2001. Copyright © 2001 by Nina Baym. All rights reserved. Reproduced by permission.—Bini, Daniela, From A Fragrance from the Desert: Poetry and Philosophy in Giacomo Leopardi. ANMA Libri & Co., 1983. Copyright © 1983 by ANMA Libri & Co. All rights reserved. Reproduced by permission of the publisher and the author.—Bonadeo, Alfredo. From “Leopardi’s Concept of Nature,” in The Two Hesperias: Literary Studies in Honor of Joseph G. Fucilla on the Occasion of His 80th Birthday. Edited by Americo Bugliani. José Porrúa Turanzas, S. A., 1977. Copyright © 1977 by Americo Bugliani. All rights reserved. Reproduced by permission.—Brown, William Edward. From A History of Russian Literature of the Romantic Period, Volume One. Ardis, 1986. Copyright © 1986 by Ardis Publishers. All rights reserved. Reproduced by permission.—Faherty, Duncan. From “The Borderers of Civilization: Susan Fenimore Cooper’s View of American Development,” in Susan Fenimore Cooper: New Essays on Rural Hours and Other Works. Edited by Rochelle Johnson and Daniel Patterson. The University of Georgia Press, 2001. Copyright © 2001 by the University of Georgia Press. All rights reserved. Reproduced by permission.— Gershkovich, Alexander. From “Russian Romantic Drama: The Case of Griboedov,” in Romantic Drama. Edited by Gerald Gillespie. John Benjamin’s Publishing Company, 1994. Copyright © 1994 by John Benjamin’s B. V./Association Interna
tionale de Letterature Comparee. All rights reserved. Reproduced by permission.—Johnson, Rochelle. From “James Fenimore Cooper, Susan Fenimore Cooper, and the Work of History,” in James Fenimore Cooper: His Country and His Art, Papers from the 1999 Cooper Seminar (No. 12). Edited by Hugh C. MacDougall. The State University of New York College at Oneonta, 1999. Copyright 1999 by The State University of New York College at Oneonta. Reproduced by permission.—Johnson, Rochelle. From “Walden, Rural Hours, and the Dilemma of Representation,” in Thoreau’s Sense of Place: Essays in American Environmental Writing. Edited by Richard J. Schneider. University of Iowa Press, 2000. Copyright © 2000 by the University of Iowa Press. All rights reserved. Reproduced by permission.—Johnson, Rochelle, and Daniel Patterson. From an Introduction to Susan Fenimore Cooper: New Essays on Rural Hours and Other Works. Edited by Rochelle Johnson and Daniel Patterson. The University of Georgia Press, 2001. Copyright © 2001 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Kendall, Kenneth. From Leigh Hunt’s Reflector. Mouton & Co., N. V., 1971. © 1971. Reproduced by permission of Mouton de Gruyter, a division of Walter de Gruyter & Co.— King, Martha and Daniela Bini. From Giacomo Leopardi, Zibaldone: A Selection. Translated by Martha King and Daniela Bini. Peter Lang, 1992. Copyright © 1992 by Peter Lang Publishing, Inc. All rights reserved. Reproduced by permission.— Louria, Yvette. From “Moliere and Griboedov,” in Moliere and the Commonwealth of Letters: Patrimony and Posterity. Edited by Roger Johnson, Jr., Editha S. Neumann, and Guy T. Trail. University Press of Mississippi, 1975. Copyright © 1975 by the University Press of Mississippi. All rights reserved. Reproduced by permission.—Lucas, E. V. From The Life of Charles Lamb, Volume 1. Methuen & Co., Ltd., 1921.—Magee, Richard M. From “Sentimental Ecology: Susan Fenimore Cooper’s Rural Hours,”in Such News of the Land: U. S. Women Nature Writers. Edited by Thomas S. Edwards and Elizabeth A. De Wolfe. University Press of New England, 2001. Copyright 2001 by the University Press of New England. Reproduced by permission.—Norwood, Vera. From Made From this Earth: American Women and Nature. Copyright © 1993 by The University of North Carolina Press. Used by permission of the publisher.—Perella, Nicolas James. Night and the Sublime in Giacomo Leopardi. University of California Press, 1970. Copyright © 1970 by The Regents of the University of California. All rights reserved. Reproduced by permission of the publisher and the author.—Pesaresi, Massimo Mandolini. From “Leopardi’s Platonic Temper,” in Giacomo Leopardi: Estetica e Poesia. Edited by Emilio Speciale. Longo Editore-Ravenna, 1992. Copyright © 1992 by A. Longo Editore. All rights reserved. Reproduced by permission.—Reiman, Donald. From Romantic Context: Poetry, Significant Minor Poetry 1789-1830. Garland, 1979. Copyright © 1979 by Garland Publishing Co. Reproduced by permission of Routledge/Taylor & Francis Books, Inc.—Revage, Jessie. From “In Response to the Women at Senaca Falls: Susan Fenimore Cooper and the Rightful Place of Women in America,” in Susan Fenimore Cooper: New Essays on Rural Hours and Other Works. Edited by Rochelle Johnson and Daniel Patterson. The University of Georgia Press, 2001. Copyright © 2001 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Roe, Nicholas. From The Politics of Nature: Wordsworth and Some Contemporaries. Macmillan Academic and Professional Ltd., 1992. Copyright © 1992 by Nicholas Roe. All rights reserved. Reproduced by permission.—Singh, G. From “Giacomo Leopardi: Journey from Illusions to Truth,” in The Motif of the Journey in Nineteenth-Century Italian Literature. Edited by Bruno Magliocchetti and Anthony Verna. University Press of Florida, 1994. Copyright © 1994 by the Board of Regents of the State of Florida. Reproduced with the permission of the University Press of Florida.—Stancati, Claudia. From “The French Sources of Leopardi’s Linguistics,” in Historical Roots of Linguistic Theories. Edited by Lia Formigari and Daniele Gambarara. John Benjamin’s Publishing Company, 1995. Copyright © 1995 by John Benjamin’s B. V. All rights reserved. Reproduced by permission.
Dyer, George, portrait by Elizabeth and J. Cristall. Reproduced by permission of the National Portrait Gallery, London.— Leopardi, Conte Giacomo, engraving. The Library of Congress.—Title page from Rural Hours, written by Susan Fenimore Cooper. Special Collections Library, University of Michigan. Reproduced by permission.
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