Criticism > Nineteenth-Century Literary Criticism > Kubla Khan, Samuel Taylor Coleridge - Stephen Tapscott (essay date 1981)
Kubla Khan, Samuel Taylor Coleridge - Stephen Tapscott (essay date 1981)
Stephen Tapscott (essay date 1981)
SOURCE: “Pandemonium in Xanadu,” Romanticism Past and Present, Vol. 5, No. 2, 1981, pp. 23-40.
[In the following essay, Tapscott proposes that Coleridge's vision of Xanadu in “Kubla Khan” closely parallels Milton's Eden before the Fall, both in its description of the physical detail and in its moral ambiguity.]
In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea.
Kubla Khan decrees his dome in an Edenic setting. Mythic, exotic, and remarkably tangible for a visionary landscape, the first representation of Xanadu locates the mystical drama and prepares for the full description of the dome.1 In the first two lines of the poem, Coleridge specifies the place (Xanadu), the central actor (Kubla Khan), his...
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- Paul Magnuson (essay date 1974)
- Timothy Bahti (essay date 1981)
- Billie Burnett King (essay date 1981)
- Donald Pearce (essay date 1981)
- Edward Strickland (essay date 1981)
- Stephen Tapscott (essay date 1981)
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