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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 95, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary History, v. 8, Summer, 1996 for “The Aesthetic of Dispossession: Washington Irving and Ideologies of (De)Colonization in the Early Republic” by Laura J. Murray. Reproduced by permission of the publisher and the author.— American Transcendental Quarterly, v. 14, Spring, 1972. Copyright 1972 by Kenneth Walter Cameron./v. 44, Fall, 1979;

v. 2, March, 1988. Copyright 1979, 1988 by the University of Rhode Island. All reproduced by permission.—CEA Critic, v. 33, 1971 for “Freudianism, American Romanticism, and ‘Young Goodman Brown’” by Harry M. Campbell. Reproduced by permission of the publisher and the author.—CLA Journal, v. 42, 1999. Copyright, 1999 by The College Language Association. Used by permission of The College Language Association.—ESQ: A Journal of the American Renaissance, v. 62, Winter, 1971 for “Hawthorne Interprets ‘Young Goodman Brown’” by Robert Emmet Whelan, Jr.; v. 26, 1980 for “The Sources of Ambiguity in Hawthorne’s ‘Young Goodman Brown’: A Structuralist Approach” by Harold F. Mosher, Jr.; v. 40, 1994 for “Recovering ‘Rip Van Winkle’: A Corrective Reading” by Hugh J. Dawson; v. 40, 1994 for “Goodman Brown and the Puritan Catechism” by Benjamin Franklin, V. All reproduced by permission of the publisher and the authors./v. 31, 1963 for “’Young Goodman Brown’: Hawthorne’s Intent” by Frank Davidson. Reproduced by permission of the publisher.—Essex Institute Historical Collections, v. 104, October, 1968; v. 110, October, 1974. Copyright © 1968, 1974 by The Essex Institute Historical Collections. Both reproduced by permission.—Folk Music Journal, v. 5, 1986 for “A Reappraisal of Percy’s Editing,” by Zinnia Knapman. Reproduced by permission of the publisher and the author.—Forum, v. 17, Spring, 1979 for “The Young Thomas Percy,” by Cleanth Brooks. Reproduced by permission of the Estate of Cleanth Brooks.—Hemingway Review, v. 17, Spring, 1998. Copyright © 1998 by The Ernest Hemingway Foundation. Reproduced by permission.—Jane Austen: New Perspectives, v. 3, 1983, for “Feminist Irony and the Priceless Heroine of Mansfield Park” by Margaret Kirkham; v. 3, 1983, for “Jane Austen’s Dangerous Charm” by Nina Auerbach. Copyright © 1983 by Holmes & Meier Publishers, Inc. All rights reserved. Both reproduced by permission of the publisher.—Journal of American Studies, v. 31, 1997 for “’An Avenue to Some Degree of Profit and Reputation’: The Sketch Book as Washington Irving’s Entrée and Undoing” by Alice Hiller. Reprinted with permission of Cambridge University Press and the author.— Journal of English and Germanic Philology, v. 74, July, 1975. Copyright 1975 by the Board of Trustees of the University of Illinois. Used with permission of the University of Illinois Press.—Journal of Narrative Technique, v. 12, Fall, 1982. Reproduced by permission.—The Kentucky Review, v. 3, 1982 for “Thomas Percy: The Dilemma of a Scholar-Cleric,” by Bertram H. Davis. Reproduced by permission of the author.—Literature and Psychology, v. 29, 1979. Copyright © by Editor 1979. Reproduced by permission of Literature and Psychology: A Psychoanalytic and Cultural Criticism.—Modern Language Quarterly, v. 44, June, 1983. Duke University Press, 1983. Copyright © 1983 by Duke University Press, Durham, NC. Reproduced by permission.—The Nathaniel Hawthorne Journal, 1978 for “’Young Goodman Brown’: Hawthorne’s Condemnation of Conformity” by Terence J. Matheson. Copyright © 1984 by Bruccoli Clark Publishers, Inc. Reproduced by permission of the author.—New England Quarterly,v. 69, March, 1996 for “Hawthorne’s ‘Young Goodman Brown’: Early Nineteenth-Century and Puritan Constructions of Gender” by James C. Keil. Copyright 1996 by The New England Quarterly. Reproduced by permission of the publisher and the author./v. 43, September, 1970 for “The Forest of Goodman Brown’s Night: A Reading of Hawthorne’s ‘Young Goodman Brown’” by Reginald Cook. Copyright 1970 by The New England Quarterly. Reproduced by permission of the publisher.—Nineteenth-Century Literature, v. 23, March, 1969 for “’Young Goodman Brown’ and Hawthorne’s Theory of Mimesis” by Taylor Stoehr; v. 48, June, 1993 for “A Subdued Gaiety: The Comedy of Mansfield Park” by Pam Perkins. © 1969, 1993 by The Regents of the University of California. Both reproduced by permission of the publisher and the authors.—Novel: A Forum on Fiction, v. 17, Spring, 1984. Copyright NOVEL Corp. © 1984. Reproduced with permission.—Philological Quarterly, v. 65, Spring, 1986. Copyright © 1986 by The University of Iowa. Reproduced by permission of the author.—Representations, v. 7, Summer, 1984 for “The Boundaries of Mansfield Park,” by Ruth Bernard Yeazell. Copyright © 1984 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—SEL Studies in English Literature, 1500-1900, v. 27, Au

tumn, 1987. © 1987 William Marsh Rice University. Reproduced by permission of The Johns Hopkins University Press.— Studies in Medievalism, v. VII, 1995 for “Percy, the Antiquarians, the Ballad, and the Middle Ages” by Gwendolyn A. Morgan. Reprinted with permission of Boydell & Brewer, Ltd.—Studies in Short Fiction, v. III, Fall, 1965; v. XI, Spring, 1974; v. 18, Spring, 1981; v. 19, Fall, 1982; v. 21, Winter, 1986; v. 28, Summer, 1991; v. 30, Spring, 1993. Copyright 1965, 1974, 1981, 1982, 1986, 1991, 1993 by Newberry College. All reproduced by permission.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 95, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Banks, Jenifer S. From “Washington Irving, the Nineteenth-Century American Bachelor,” in Critical Essays on Washington Irving. G.K. Hall & Co., 1990. Copyright © 1990 by Ralph M. Aderman. The Gale Group.—Brooks, Cleanth. From an introduction to The Percy Letters. Edited by Cleanth Brooks and A. F. Falconer. Yale University Press, 1977. Copyright © 1977 by Yale University. Reproduced by permission of the Estate of William Alexander Percy.—Butler, Marilyn. From Jane Austen and the War of Ideas. Oxford University Press, 1975. © Oxford University Press, 1975. Reproduced by permission of Oxford University Press.—Davis, Bertram H. From Thomas Percy. Twayne Publishers, 1981. Copyright © 1981 by G.K. Hall & Co. The Gale Group.—Donatelli, Joseph M. P. From “Old Barons in New Robes: Percy’s Use of the Metrical Romances in the Reliques of Ancient English Poetry,” in Hermeneutics and Medieval Culture. Edited by Patrick J. Gallacher and Helen Damico. The State University of New York Press, 1989. © 1989 State University of New York. All rights reserved. Reproduced by permission of the State University of New York.—Groom, Nick. From “Celts, Goths, and the Nature of the Literary Source,” in Tradition and Transition: Women Writers, Marginal Texts, and the Eighteenth-Century Canon. Edited by Alvaro Ribeiro, SJ and James G. Basker. Oxford University Press, 1996. © The several contributors 1996. Reproduced by permission of Oxford at the Clarendon Press.—Harding, Brian. From “Washington Irving’s Great Enterprise: Exploring American Values in the Western Writings,” in Making America/Making American Literature. Edited by A. Robert Lee and W. M. Verhoeven. Rodopi, 1996. © Editions Rodopi V. V., Amsterdam—Atlanta, GA 1996. Reproduced by permission.—Pryse, Marjorie. From “Origins of American Literary Regionalism: Gender in Irving, Stowe, and Longstreet,” in Breaking Boundaries: New Perspectives on Women’s Regional Writing. Edited by Sherrie A. Inness and Diana Royer. University of Iowa Press, 1997. Copyright © 1997 by the University of Iowa Press. Reproduced by permission.—Said, Edward W. From “Jane Austen and Empire,” in Contemporary Marxist Literary Criticism. Edited by Francis Mulhern. Longman Group Limited, 1992. © Longman Group UK Limited 1992. All rights reserved. Reproduced by permission of the author.—Sodney, Walter. From “From Nature of Virtue to Virtual Nation: Washington Irving and American Nationalism,” in Narratives of Nostalgia, Gender, and Nationalism. Edited by Jean Pickering and Suzanne Kehde. Macmillan Press Ltd., 1997. © Macmillan Press Ltd. 1997. Reproduced by permission of Macmillan, London and Basingstoke.—Wiltshire, John. From “Mansfield Park, Emma, Persuasion”in The Cambridge Companion to Jane Austen. Edited by Edward Copeland and Juliet McMaster. Cambridge University Press, 1997. © Cambridge University Press 1997. Reprinted with permission of Cambridge University Press and the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 95, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Austen, Jane, print.—Hawthorne, Nathaniel, photograph.—Irving, Washington, painting. The Library of Congress.— O’Connor, Frances, photograph. The Kobal Collection. Reproduced by permission.—Percy, Thomas, engraving. Archive Photos, Inc. Reproduced by permission.—Title page from Life and Voyages of Christopher Columbus, written by Washington Irving. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Mansfield Park, written by Jane Austen. Special Collections Library, University of Michigan. Reproduced by permission.—Text page entitled “Young Goodman Brown,” from Mosses from an Old Manse, written by Nathaniel Hawthorne. Special Collections Library, University of Michigan. Reproduced by permission.