Dec 17, 2009

Nineteenth-Century Literary Criticism | The Idiot, Fyodor Dostoevsky - Copyright Page

ISSN 0732-1864

Volume 119

Nineteenth-Century Literature Criticism

Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Lynn M. Zott

Project Editor

Nineteenth-Century Literature Criticism, Vol. 119
Project Editor

Lynn M. Zott

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Jelena O. Krstovic´, Michelle Lee, Thomas J. Schoenberg, Lawrence J. Trudeau, Maikue Vang, Russel Whitaker

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ISSN 0732-1864

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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN NCLC, VOLUME 119, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Carleton Germanic Papers, v. 12, 1984 for “The World as Music and Idea in Wagner’s ‘Parsifal,’” by Northrop Frye. Reproduced by permission of the Literary Estate of Northrop Frye.—Comparative Drama, v. 28, Fall, 1994. © copyright 1994 by the Editors of Comparative Drama. Reproduced by permission.—English Literature in Transition: 1880-1920, v. 30, 1987. Copyright © 1987 English Literature in Transition: 1880-1920. Reproduced by permission.—Literature and Medicine, v. 18, 1999. Copyright © 1999 The Johns Hopkins University Press. All rights reserved. Reproduced by permission.—Mosaic: A Journal for the Interdisciplinary Study of Literature, v. 7, 1974; v. 8, Fall, 1974. © Mosaic 1974. Acknowledgment of previous publication is herewith made.—New German Critique, v. 53, Spring, 1991; v. 69, Fall, 1996. Both reproduced by permission.—New Zealand Slavonic Journal, 1997. Reproduced by permission.—Scando-Slavica, v. 26, 1980. Reproduced by permission.—The Slavic and East European Journal, v. 23, Summer, 1979; v. 27, Summer, 1983. © 1979, 1983 by AATSEEL of the U. S., Inc. Both reproduced by permission.—University of Toronto Quarterly, v. 67, Fall, 1998. © University of Toronto Press 1998. Reproduced by permission of University of Toronto Press Incorporated.

COPYRIGHTED MATERIALS IN NCLC, VOLUME 119, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Cicora, Mary A. From Modern Myths and Wagnerian Deconstructions: Hermeneutic Approaches to Wagner’s Music-Dramas. Greenwood Press, 2000. Copyright © 2000 by Mary A. Cicora. All rights reserved. Reproduced by permission.— Corse, Sandra. From “The Voice of Authority in Wagner’s ‘Ring,’” in New Studies in Richard Wagner’s ‘The Ring of the Nibelung.’ Edited by Herbert Richardson. The Edwin Mellen Press, 1991. Copyright © 1991 Herbert Richardson. All rights reserved. Reproduced by permission.—Daverio, John. From “Wagner’s ‘Ring’ as ‘Universal Poetry,’” in New Studies in Richard Wagner’s ‘The Ring of the Nibelung.’ Edited by Herbert Richardson. The Edwin Mellen Press, 1991. Copyright © 1991 Herbert Richardson. All rights reserved. Reproduced by permission.—Knapp, Liza. From “Introduction to ‘The Idiot’, Part 2: The Novel,” in Dostoevsky’s ‘The Idiot’: A Critical Companion. Edited by Liza Knapp. Northwestern University Press, 1998. Copyright © 1998 by Northwestern University Press. All rights reserved. Reproduced by permission.—Koheil, Ruth, and Herbert Richardson. From “Why Brunnhilde is the True Hero of the ‘Ring’ Cycle: An Analysis of Her Psychological Development,” in New Studies in Richard Wagner’s ‘The Ring of the Nibelung.’ Edited by Herbert Richardson. The Edwin Mellen Press, 1991. Copyright © 1991 Herbert Richardson. All rights reserved. Reproduced by permission.—Large, David C., and William Weber. From an Introduction to Wagnerism in European Culture and Politics. Edited by David C. Large and William Weber. Cornell University Press, 1984. Copyright © 1984 by Cornell University Press. All rights reserved. Reproduced by permission.—Lee, M. Owen. From Wagner’s Ring: Turning the Sky Round. Summit Books, 1990. Copyright © 1990 by M. Owen Lee. All rights reserved. Reproduced by permission.—McGlathery, John M. From Wagner’s Operas and Desire. Peter Lang, 1998. © 1998 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Morris-Keitel, Peter, with Alexa Larson-Thorisch and Audrius Dundzila. From “Transgression and Affirmation: Gender Roles, Moral Codes, and Utopian Vision in Richard Wagner’s Operas,” in Re-Reading Wagner. Edited by Reinhold Grimm and Jost Hermand. The University of Wisconsin Press, 1993. Copyright © 1993 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.— Nattiez, Jean-Jacques. From Wagner Androgyne: A Study in Interpretation. Translated by Stewart Spencer. Princeton University Press, 1993. Copyright © 1993 by Princeton University Press. All rights reserved. Reproduced by permission.— Rather, L. J. From Reading Wagner: A Study in the History of Ideas. Louisiana State University Press, 1990. Copyright ©

1990 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Salmi, Hannu. From Imagined Germany: Richard Wagner’s National Utopia. Peter Lang, 1999. © 1999 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Slattery, Dennis Patrick. From The Idiot, Dostoevsky’s Fantastic Prince: A Phenomenological Approach. Peter Lang, 1983. © Peter Lang Publishing Inc., New York 1983. All rights reserved. Reproduced by permission.—Straus, Nina Pelikan. From Dostoevsky and the Woman Question: Rereadings at the End of a Century. New York: St. Martin’s; Basingstoke: Macmillan, 1964. © 1964 by Nina Pelikan Straus. Reprinted by permission of St. Martin’s Press, Inc., and Macmillan Ltd.—Tietz, John. From Redemption or Annihilation?: Love versus Power in Wagner’s ‘Ring.’ Peter Lang, 1999. © 1999 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Weiner, Marc A. From Richard Wagner and the Anti-Semitic Imagination. University of Nebraska Press, 1995. Copyright © 1995 by the University of Nebraska Press. All rights reserved. Reproduced by permission.—Zegans, Leonard S., M. D. From The Threat to the Cosmic Order: Psychological, Social, and Health Implications of Richard Wagner’s ‘Ring of the Nibelung.’ Edited by Peter Oswald, M. D., and Leonard S. Zegans, M. D. International Universities Press, Inc., 1997. Copyright © 1997, International Universities Press, Inc. All rights reserved. Reproduced by permission.— Ziolkowski, Theodore. From The Return of Thematic Criticism. Edited by Werner Sollors. Harvard University Press, 1993. Copyright © 1993 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 119, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Austen, Jane, photograph. © Bettmann/Corbis. Reproduced by permission.—Dostoevsky, Fedor, photograph. The Library of Congress.—Title page from Sense and Sensibility, written by Jane Austen, Special Collections Library, University of Michigan. Reproduced by permission.—Wagner, Wilhelm Richard, painting. The Library of Congress.—Wagner, Richard, photograph. © Corbis. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian

The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher

David M. Durant

Jackson Library Joyner Library

East Carolina University University of North Carolina at Greensboro

Steven R. Harris Gwen Scott-Miller

English Literature Librarian Assistant Director of Materials and Programming University of Tennessee Sno-Isle Regional Library System

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