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COPYRIGHTED MATERIALS IN NCLC, VOLUME 121, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary History, v. 6, Summer 1994 for “Who Can Tell? Filling in Blanks for Villaverde” by Doris Sommer. Reproduced by permission of Oxford University Press and the author.—Bulletin of Hispanic Studies, v. 24, July 1947. Reproduced by permission.—College Language Association Journal, v. 8, March 1965. Reproduced by permission.— Eighteenth-Century Life, v. 22, February 1998. © The Johns Hopkins University Press. Reproduced by permission.— Essays in Criticism, v. 37, October 1987 for “Crabbe’s So-Called Realism” by Gavin Edwards; v. 39, January 1989 for “Crabbe, ‘Realism’, and Poetic Truth” by Frank Whitehead. Both reproduced by permission of Oxford University Press and the respective authors.—Forum for Modern Language Studies, v. 42, October 1981. Reproduced by permission of Oxford University Press.—German Life and Letters, v. 52, January 1999. Reproduced by permission of Blackwell Publishers.— The Germanic Review, v. 57, Spring/Summer, 1982 for “Sophie Von La Roche: Novelist between Reason and Emotion” by Peter Petschauer; v. 69, Spring 1994 for “Women’s Progress: Sophie La Roche’s Travelogues 1787-1788© by Helga Schutte Watt. Both reproduced by permission of the respective authors.—Hispanic Journal, v. 14, Spring 1993. Reproduced by permission.—Keats-Shelley Journal, v. 17, 1968; v. 29, 1980; v. 44, 1995. All reproduced by permission.—Michigan Germanic Studies, v. 22, Fall 1996. Reproduced by permission.—The Modern Language Review, v. 27, April 1932. Copyright Modern Humanities Research Association, 1932. Reproduced by permission of the publisher.—Moderna Sprak, v. LXVIII, 1974. Reproduced by permission.—Nineteenth-Century Literature, v. 54, March 2000. © 2000 by The Regents of the University of California, www.ucpress.edu. Reproduced by permission.—Philological Quarterly, v. 46, October 1967; v. 54, Summer 1975. Both reproduced by permission.—PMLA: Publications of the Modern Language Association of America,

v. 93, May 1978. Reproduced by permission of the Modern Language Association of America.—Review of English Studies, v. 24, 1973 for “George Crabbe, the Duke of Rutland, and the Tories” by R. B. Hatch. Reproduced by permission of Oxford University Press and the author.—SEL: Studies in English Literature, v. 19, Autumn 1979. Reproduced by permission.—Studies in Romanticism, v. 25, Summer 1986; v. 39, 2000. Copyright 1986, 2000 by the Trustees of Boston University. Both reproduced by permission.—University of Toronto Quarterly, v. 42, Winter 1973. Reproduced by permission of University of Toronto Press Incorporated.—Wordsworth Circle, v. 31, Winter 2000. Reproduced by permission.

COPYRIGHTED MATERIALS IN NCLC, VOLUME 121, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bate, Jonathan. From “Keats’s Two Hyperions and the Problem of Milton,” in Romantic Revisions. Edited by Robert Brinkley and Keith Hanley. Cambridge University Press, 1992. Copyright © 1992 by Cambridge University Press. All rights reserved. Reproduced by permission of Cambridge University Press.—Benitez-Rojo, Antonio. From “Cirilo Villaverde, the Seeker of Origins,” in Coded Encounters: Writing, Gender and Ethnicity in Colonial Latin America. Edited by Francisco Javier Cevallos-Candau, Jeffrey A. Cole, Nina M. Scott, and Nicomedes Suarez-Arauz. University of Massachusetts Press, 1994. Copyright 1994 by University of Massachusetts Press. All rights reserved. Reproduced by permission.—Bernstein, Carol L. From “Subjectivity as Critique and the Critique of Subjectivity in Keats’s Hyperion,” in After the Future: Postmodern Times and Places. Edited by Gary Shapiro. State University of New York Press, 1990. Copyright © 1990 State University of New York. All rights reserved. Reproduced by permission.—Brandes, Ute. From “Escape to America: Social Reality and Utopian Schemes in German Women’s Novels Around 1800,” in In the Shadow of Olympus: German Women Writers Around 1800. Edited by Katherine R. Goodman and Edith Waldstein. State University of New York Press, 1992. Copyright © 1992 by State University of New York. All rights reserved. Reproduced by permission.—Britt, Christa Bagus.

From an Introduction to The History of Lady Sophia Sternheim: Extracted by a Woman Friend of the Same from Original Documents and Other Reliable Sources, by Sophie von LaRoche. Translated by Christa Bagus Britt. Edited by Marilyn Gaddis Rose. State University of New York Press, 1991. Copyright © 1991 State University of New York. All rights reserved. Reproduced by permission.—Faflak, Joel. From “Romantic Psychoanalysis: Keats, Identity, and (The Fall of) Hyperion,” in Lessons of Romanticism: A Critical Companion. Edited by Thomas Pfau and Robert F. Gleckner. Duke University Press, 1998. Copyright © 1998 Duke University Press. All rights reserved. Reproduced by permission of the publisher.—Hibbard, G. R. From “Crabbe and Shakespeare,” in Renaissance and Modern Essays: Presented to Vivian de Sola Pinto in Celebration of His Seventieth Birthday. Edited by G. R. Hibbard with the assistance of George A. Panichas and Allan Rodway. Routledge and Kegan Paul, 1966. Copyright © 1966 by Routledge & Kegan Paul Ltd. All rights reserved. Reproduced by permission.—Joeres, Ruth-Ellen B. From“‘That Girl is an Entirely Different Character!’ Yes, But is She a Feminist?: Observations on Sophie Von La Roche’s Geschichte des Frauleins von Sternheim,” in German Women in the Eighteenth and Nineteenth Centuries: A Social and Literary History. Edited by Ruth-Ellen B. Joeres and Mary Jo Maynes. Indiana University Press, 1986. Copyright © 1986 by Indiana University Press. All rights reserved. Reproduced by permission.—Luis, William. From Literary Bondage: Slavery in Cuban Narrative. University of Texas Press, 1990. Copyright © 1990 by University of Texas Press. All rights reserved. Reproduced by permission of the University of Texas Press.—Nelson, Beth. From George Crabbe and the Progress of Eighteenth-Century Narrative Verse. Bucknell University Press, 1976. Copyright © 1976 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.— Prince, Hugh C. From “George Crabbe’s Suffolk Scenes,” in Humanistic Geography and Literature Essays on the Experience of Place. Edited by Douglas C. D. Pocock. Croom Helm, Ltd., 1981. Copyright © 1981 by Douglas C. D. Pocock. All rights reserved. Reproduced by permission.—Ross, Marlon B. From “Beyond the Fragmented Word: Keats at the Limits of Patrilineal Language,” in Out of Bounds: Male Writers and Gender(ed) Criticism. Edited by Laura Claridge and Elizabeth Langland. University of Massachusetts Press, 1990. Copyright © 1990 University of Massachusetts Press. All rights reserved. Reproduced by permission.—Sales, Roger. From English Literature in History 1780-1830: Pastoral and Politics. St. Martin’s Press, Inc., 1983. Copyright © 1983 by Roger Sales. All rights reserved. Reproduced bypermission.— Sanchez-Eppler, Benigno. From “‘Por causa mecanica’: The Coupling of Bodies and Machines and the Production and Reproduction of Whiteness in Cecilia Valdes and Nineteenth-Century Cuba,” in Thinking Bodies. Edited by Juliet Flower MacCannell and Laura Zarkarin. Stanford University Press, 1994. Copyright © 1994 by the Board of Trustees of the Leland Stanford Junior University. All right reserved. Reproduced by permission of Stanford University Press, www.sup.org.—Sharpe, Lesley. From “The Enlightenment,” in A History of Women’s Writing in Germany, Austria and Switzerland. Edited by Jo Catling. Cambridge University Press, 2000. Copyright © 2000 by Cambridge University Press. All rights reserved. Reproduced by permission of Cambridge University Press.—Sperry, Stuart M. From “Tragic Irony in The Fall of Hyperion,” in English Romantic Poets: Modern Essays in Criticism. Edited by M. H. Abrams. Oxford University Press, 1975. Copyright © 1975 Oxford University Press. All rights reserved. Reproduced by permission.—Whitehead, Frank. From George Crabbe: A Reappraisal. Susquehanna University Press, 1995. Copyright © 1995 by Associated University Presses. All rights reserved. Reproduced by permission.—Winkle, Sally. From “Innovation and Convention in Sophie La Roche’s The Story of Miss von Sternheim and Rosalie’s Letters,” in Writing the Female Voice: Essays on Epistolary Literature. Edited by Elizabeth C. Goldsmith. Northeastern University Press, 1989. Copyright © 1989 by Elizabeth

C. Goldsmith. All rights reserved. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 121, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Crabbe, George, engraving. The Library of Congress.—Gravestone of John Keats, photograph. AP/Wide World Photos. Reproduced by permission.—Keats, John, drawing. Corbis-Bettmann. Reproduced by permission.—Unloading slaves in Havana harbor. The Library of Congress.

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