Nineteenth-Century Literary Criticism


Balzac, Honoré de | Linzy Erika Dickinson (essay date 2000)

Linzy Erika Dickinson (essay date 2000)

SOURCE: Dickinson, Linzy Erika. “Theatre as Metaphor in La Comédie humaine.” In Theatre in Balzac's La Comédie humaine, pp. 169-229. Amsterdam, Netherlands: Rodopi B. V., 2000.

[In the following excerpt, Dickinson analyzes terminology and imagery in La Comédie humaine to illustrate how the theatre metaphor is used in various ways.]

The theatre features strongly throughout La Comédie humaine as a major social institution and as an industry, often providing the novels with characters, locations and intrigues firmly anchored in an accurate historical context. It is also a rich source of imagery which is fundamental to Balzac's mode of expression and closely linked to the theatrical character of Balzac's narrative technique. In discussing Balzac's use of melodrama in his novels, critics refer not only to the dramatic features of Balzac's writing but also to the tissue of...

[The entire page is 27727 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the:

Lookup any word on eNotes with our dictionary. Highlight the word and press SHIFT + D for a definition, or SHIFT + T for a synonym.