Heine, Heinrich (Vol. 147) - Copyright Page

ISSN 0732-1864

Volume 147

Nineteenth-Century Literature Criticism

Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Russel Whitaker

Project Editor

Nineteenth-Century Literature Criticism, Vol. 147
Project Editor

Russel Whitaker

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 84-643008

ISBN 0-7876-8631-X
ISSN 0732-1864

Printed in the United States of America 10987654321

Preface

S
 ince its inception in 1981, Nineteeth-Century Literature Criticism (NCLC) has been a valuable resource for students and librarians seeking critical commentary on writers of this transitional period in world history. Designated an “Outstanding Reference Source” by the American Library Association with the publication of is first volume, NCLC has since been purchased by over 6,000 school, public, and university libraries. The series has covered more than 450 authors representing 33 nationalities and over 17,000 titles. No other reference source has surveyed the critical reaction to nineteenth-century authors and literature as thoroughly as NCLC.

Scope of the Series

NCLC is designed to introduce students and advanced readers to the authors of the nineteenth century and to the most significant interpretations of these authors’ works. The great poets, novelists, short story writers, playwrights, and philosophers of this period are frequently studied in high school and college literature courses. By organizing and reprinting commentary written on these authors, NCLC helps students develop valuable insight into literary history, promotes a better understanding of the texts, and sparks ideas for papers and assignments. Each entry in NCLC presents a comprehensive survey of an author’s career or an individual work of literature and provides the user with a multiplicity of interpretations and assessments. Such variety allows students to pursue their own interests; furthermore, it fosters an awareness that literature is dynamic and responsive to many different opinions.

Every fourth volume of NCLC is devoted to literary topics that cannot be covered under the author approach used in the rest of the series. Such topics include literary movements, prominent themes in nineteenth-century literature, literary reaction to political and historical events, significant eras in literary history, prominent literary anniversaries, and the literatures of cultures that are often overlooked by English-speaking readers.

NCLC continues the survey of criticism of world literature begun by Thomson Gale’s Contemporary Literary Criticism (CLC) and Twentieth-Century Literary Criticism (TCLC).

Organization of the Book

An NCLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.
  • © A Portrait of the Author is included when available.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The genre and publication date of each work is given. In the case of foreign authors whose works have been translated into English, the list will focus primarily on twentieth-century translations, selecting

    • vii

    St. Martin’s Press, 1998. Copyright © Catherine Judd, 1998. All rights reserved. Reprinted by permission of Palgrave Macmillan.—Kazin, Alfred. From a Forward to Heinrich Heine: Poetry and Prose. Edited by Robert C. Holub and Jost Hermand. Copyright © 1982 by Alfred Kazin. Reproduced by permission of the Continuum International Publishing Group.— Pfau, Thomas. From “Nachtigallenwahnsinn and Rabbinismus: Heine’s Literary Provocation to German-Jewish Cultural Identity,” in Romantic Poetry. Edited by Angela Esterhammer. Copyright © 2002 by John Benjamins Publishing Company. All rights reserved. Reproduced by kind permission of John Benjamins Publishing Company, Amsterdam/Philadelphia, www.benjamins.com.—Romero-Cesareo, Ivette. From “Women Adrift: Madwomen, Matriarchs, and the Caribbean,” in Women at Sea: Travel Writing and the Margins of Caribbean Discourse. Palgrave, 2001. Copyright Ivette Romero-Cesareo, 2001. Reproduced by permission of Palgrave Macmillan.—Sammons, Jeffrey L. From “In the Freedom Stall Where the Boors Live Equally: Heine in America,” in The Fortunes of German Writers in America: Studies in Literary Reception. Edited by Wolfgang Elf, James Harden and Gutter Holiest. Copyright © 1992 by the University of South Carolina Press. All rights reserved. Reproduced by permission.—Seeba, Hinrich C. From “‘Keine Systematie’: Heine in Berlin and the Origin of the Urban Gaze,” in Heinrich Heine’s Contested Identities: Politics, Religion Nationalism in Nineteenth-Century Germany. Edited by Jost Hermand and Robert C. Holland Copyright Copyright © 1999 by Peter Lang Publishing, Inc. All rights reserved. Reprinted by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 147, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    19th century title page for Heinrich Heine’s Buch deer Lieder (Book of Songs), photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Bellamy, Edward, engraving. Copyright © Bettmann/Corbis.. Reproduced by permission.—Heine, Heinrich, photograph. Copyright © Corbis. Reproduced by permission.—Seacole, Mary Jane, tending to a patient while holding up an edition of Punch from May 30th, 1857, photograph. Hulton/Archive/Getty Images. Reproduced by permission.—Title page from Looking Backward: 2000-1887 by Edward Bellamy, illustration. The University of Michigan Library. Labadie Collection, Special Collections Library, University of Michigan. Reproduced by permission.

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