Gotthelf, Jeremias | Copyright Page
ISSN 0732-1864
Volume 115
Nineteenth-Century Literature Criticism
Excerpts from Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations
Project Editor
Nineteenth-Century Literature Criticism, Vol. 115
Project Editor
Lynn M. Zott
Editorial
Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Jelena O. Krstovic´ Michelle Lee, Jessica Menzo, Thomas J. Schoenberg, Lawrence J. Trudeau, Maikue Vang, Russel Whitaker
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ISSN 0732-1864
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Acknowledgments
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIALS IN NCLC, VOLUME 115, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Literature, v. 21, January, 1950. Copyright 1950, renewed 1978 Duke University Press. All rights reserved. Reproduced by permission.—American Transcendental Quarterly, n.s. 1, March 1987. Reproduced by permission.—Critical Review, v. 39, 1999. Reproduced by permission.—Dalhousie Review, v. 51, Summer, 1971 for “Tennyson’s ‘In Memoriam’ as Love Poetry” by Joanne P. Zuckermann. Reproduced by permission of the publisher and the author.—European Romantic Review, v. 9, Summer, 1998. Reproduced by permission.—Journal of English and Germanic Philology, v. 77, 1978. Reproduced by permission.—Papers on Language and Literature, v. 8, Spring, 1972. Reproduced by permission.— Philological Quarterly, v. 56, Summer, 1977 for “The Chiastic Structure of ‘In Memoriam, A.H.H.,’” by James Kilroy. Reproduced by permission of the author.—PMLA, v. 84, March, 1969. Reproduced by permission.—Princeton University Library Chronicle, v. 53, Autumn, 1991 for “Charlotte Smith’s Letters and the Practice of Self-Presentation” by Sarah Zimmerman. Reproduced by permission of the author.—Review of National Literatures: The Multinational Literature of Yugoslavia, v. 5, Spring, 1974. Reproduced by permission.—SEL, v. 38, Autumn, 1998. Reproduced by permission.— Studies in the American Renaissance, 1977; 1978; 1992. All reproduced by permission.—Tennyson Research Bulletin, v. 3, November, 1981; v. 6, November, 1993. Both reproduced by permission.—University of Toronto Quarterly, v. 45, Winter, 1976; v. 52, Spring, 1983. Both reproduced by permission.—Victorian Poetry, v. 1, April, 1963 for “Circle Imagery in Tennyson’s ‘In Memoriam’” by James G. Taffe; v. 18, Summer, 1980 for “Computers and Style: The Prosody of ‘In Memoriam’” by Robert Dilligan; v. 18, Summer, 1980 for “’In Memoriam’: Twentieth-Century Criticism” by Joseph Sendry;
v. 34, Spring, 1996 for “Tennyson, Lincolnshire, and Provinciality: The Topographical Narrative of ‘In Memoriam’” by Patrick Scott; v. 36, Summer, 1998 for “Producing the ‘Far-Off Interest of Tears’: Tennyson, Freud, and the Economics of Mourning” by Gerhard Joseph. All reproduced by permission of the respective authors.—Victorian Studies, v. 7, December, 1963; v. 18, March and June, 1975. Both reproduced by permission.—Western Folklore, v. 30, January, 1971. Reproduced by permission.—Women’s Writing: The Elizabethan to Victorian Period, v. 2, 1995 for “Thorns and Roses: The ‘Sonnets’ of Charlotte Smith” by Deborah Kennedy; v. 7, 2000 for “Charlotte Smith and ‘Mr. Monstroso’: An Eighteenth-Century Marriage in Life and Fiction” by Judith Stanton. Both reproduced by permission of the publisher and the respective authors.—The Wordsworth Circle, v. 24, Summer, 1993. Reproduced by permission.
COPYRIGHTED MATERIALS IN NCLC, VOLUME 115, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Anderson, John M. From Seeing into the Life of Things: Essays on Literature and Religious Experience. Fordham University Press, 1998. Copyright © 1998 Fordham University Press. All rights reserved. Reproduced by permission.— Butler, Thomas. From Papers in Slavic Philology 2: To Honor Jernej Kopitar 1780-1980. Edited by Rado L. Lencek and Henry
R. Cooper, Jr. University of Michigan, 1982. Copyright © 1982 by University of Michigan. All rights reserved. Reproduced by permission.—DeFalco, Joseph M. From an introduction to Collected Poems of Christopher Pearse Cranch. Scholars Facsimiles Reprints, 1971. Copyright © 1971 by Scholars Facsimiles Reprints. All rights reserved. Reproduced by permission.—Fry, Carrol L. From Charlotte Smith. Twayne Publishers, 1996. Copyright © 1996 by Twayne Publishers. All rights reserved. The Gale Group.—Gransden, K.W. From Tennyson: ‘In Memoriam.’ Edward Arnold (Publishers) Ltd., 1964. Copyright © 1964 by Edward Arnold (Publishers) Ltd. All rights reserved. Reproduced by permission.—Haogwood, Terence Allan. From an introduction to Beachy Head with Other Poems, by Charlotte Smith. Scholars Facsimiles Reprints, 1993. Copyright © 1993 by Scholars Facsimiles Reprints. All rights reserved. Reproduced by permission.—Hawley, Judith. From Women’s Poetry in the Enlightenment: The Making of a Canon, 1730-1820. Macmillan Press Ltd., 1999. Copy
right © 1999 by Macmillan Press Ltd. All rights reserved. Reproduced by permission.—Hoeveler, Diane Long. From Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. The Pennsylvania State University Press, 1998. Copyright © 1998 by The Pennsylvania State University Press. All rights reserved. Reproduced by permission.—Holton, Milne, Vasa D. Mihailovich. From Songs of the Serbian People: From the Collections of Vuk Karadzic. University of Pittsburgh, 1997. Copyright © 1997 by University of Pittsburgh. All rights reserved. Reproduced by permission.—Ivic, Pavle. From Papers in Slavic Philology 2: To Honor Jernej Kopitar 1780-1980. Edited by Rado L. Lencek and Henry R. Cooper, Jr. University of Michigan, 1982. Copyright © 1982 by University of Michigan. All rights reserved. Reproduced by permission.—Johnson, Rob. From Post-Structuralist Readings of English Poetry. Cambridge University Press, 1987. Copyright © 1987 by Cambridge University Press. All rights reserved. Reproduced by permission.—Koljevic, Svetozar. From The Epic in the Making. Oxford University Press, 1980. Copyright © 1980 by Oxford University Press. Reproduced by permission.—Little, Greta D., and Joel Myerson. From an introduction to Three Children’s Novels by Christopher Pearse Cranch. The University of Georgia Press, 1993. Copyright © 1993 by University of Georgia Press. All rights reserved. Reproduced by permission.—McKinsey, Elizabeth. From The Western Experiment: New England Transcendentalists in the Ohio Valley. Harvard University Press, 1973. Copyright © 1973 by Harvard University Press. All rights reserved. Reproduced by permission.—Miller, F. DeWolfe. From Christopher Pearse Cranch and His Caricatures of New England Transcendentalism. Harvard University Press, 1951. Copyright © 1951 by Harvard University Press. All rights reserved. Reproduced by permission.—Rogers, Katharine M. From “Romantic Aspirations, Restricted Possibilities: The Novels of Charlotte Smith,” in Re-Visioning Romanticism: British Women Writers, 1776-1837. Edited by Carol Shiner Wilson and Joel Haefner. University of Pennsylvania Press, 1994. Copyright © 1994 by University of Pennsylvania Press. All rights reserved. Reproduced by permission.—Rosenberg, John D. From Tennyson: In Memoriam. Macmillan and Co., Ltd., 1970. Copyright © 1970 by Macmillan and Co., Ltd. All rights reserved. Reproduced by permission.—Stolz, Benjamin. From Papers in Slavic Philology 2: To Honor Jernej Kopitar 1780-1980. Edited by Rado
L. Lencek and Henry R. Cooper, Jr. University of Michigan, 1982. Copyright © 1982 by University of Michigan. All rights reserved. Reproduced by permission.—Stula, Nancy. From Transient and Permanent: The Transcendentalist Movement and Its Contexts. Massachusetts Historical Society, 1999. Copyright © 1999 by Massachusetts Historical Society. All rights reserved. Reproduced by permission.—Ty, Eleanor. From Unsex’d Revolutionaries: Five Women Novelists of the 1790s. University of Toronto Press, 1993. Copyright © 1993 by University of Toronto Press. All rights reserved. Reproduced by permission of the publisher.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 115, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Cranch, Christopher, portrait.—Title page from “Elegiac Sonnets,” written by Charlotte Smith, illustration. The University of Michigan Library. Reproduced by permission.—Smith, Charlotte, stipple engraving in oval frame, photograph. National Portrait Gallery. Reproduced by permission.—Title page from “In Memoriam,” written by Alfred Tennyson. Special Collections Library, University of Michigan. Reproduced by permission.—Tennyson, Lord Alfred, photograph. Courtesy of The Library of Congress.
Literary Criticism Series Advisory Board
The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.
Dr. Toby Burrows Mary Jane Marden
Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library
Mark Schumacher David M. Durant
Jackson Library Joyner Library
East Carolina University University of North Carolina at Greensboro
Steven R. Harris Gwen Scott-Miller
English Literature Librarian Assistant Director of Materials and Programming University of Tennessee Sno-Isle Regional Library System
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