Nineteenth-Century Literature Criticism, Vol. 132

Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 132, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

Afro-Hispanic Review, v. 17, Fall, 1998. Copyright © 1988 by Afro-Hispanic Review. All rights reserved. Reproduced by permission.—Annals of the New York Academy of Sciences, v. 292, June 27, 1977 for “The Portrait of the Slave: Ideology and Aesthetics in the Cuban Antislavery Novel” by Ivan A. Schulman. Copyright © 1977 by The New York Academy of Sciences. All rights reserved. Reproduced by permission.—Bulletin of Hispanic Studies, v. LXVI, January, 1989. Copyright © 1989 by Liverpool University Press. All rights reserved. Reproduced by permission.—CLA Journal, v. 21, December, 1977. Copyright 1977 by The College Language Association. Used by permission of The College Language Association.—Cuban Studies, v. 1, January, 1981 for “The Antislavery Novel and the Concept of Modernity” by William Luis. Copyright © 1981 by Cuban Studies. All rights reserved. Reproduced by permission of the author.—Eighteenth-Century Life, v. 9, October, 1984. © The Johns Hopkins University Press. Reproduced by permission.—ELH, v. 66, Winter, 1999. © The Johns Hopkins University Press. Reproduced by permission.—Latin American Literary Review, v. 16, July-December, 1988. Copyright © 1988 by Latin American Literary Review. All rights reserved. Reproduced by permission.— Luso-Brazilian Review, v. 9, December, 1972. Copyright © 1972 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.—Papers of the Bibliographical Society of America, v. 68, 1974 for “Hawthorne and the Periodical Tale: From Popular Lore to Art” by James W. Mathews. Reproduced by permission of the publisher and the author.—The Southern Literary Journal, v. VIII, Fall, 1975; v. XVII, Fall 1984. Reproduced by permission.—Southern Quarterly, v. 27, Winter, 1989. Copyright © 1989 by the University of Southern Mississippi. Reproduced by permission.—Western American Literature, v. 10, May, 1975. Copyright 1975, by the Western American Literature Association. Reproduced by permission.—Wordsworth Circle, v. 31, Summer, 2000. © 2000 Marilyn Gaull. Reproduced by permission of the editor.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 132, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Backscheider, Paula R. From Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England. The Johns Hopkins University Press, 1993. Copyright © 1993 by The Johns Hopkins University Press. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.—Bullock, Penelope L. From The Afro-American Periodical Press: 1838-1909. Louisiana State University Press, 1981. Copyright © 1982 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Coulthard, G. R. From Race and Colour in Caribbean Literature. Oxford University Press, 1962. Copyright © 1962 by Institute of Race Relations. All rights reserved. Reproduced by permission.— Cox, Jeffrey N. From an introduction to Seven Gothic Dramas, 1789-1825. Edited by Jeffrey N. Cox. Ohio University Press, 1992. Copyright © 1992 by Jeffrey N. Cox. All rights reserved. Reproduced by permission.—Franceschina, John. From an introduction to Sisters of Gore: Seven Gothic Melodramas by British Women, 1790-1843. Edited by John Franceschina. Garland, 1997. Copyright © 1997 by John Franceschina. All rights reserved. Reproduced by permission of Routledge/Taylor & Francis Books, Inc. and the author.—Jentz, John B. From “The 48ers and the Politics of the German Labor Movement in Chicago during the Civil War Era: Community Formation and the Rise of a Labor Press,” in The German-American Radical Press: The Shaping of a Left Political Culture, 1850-1940. Edited by Elliott Shore, Ken Fones-Wolf and James P. Danky. University of Illinois Press, 1992. Copyright © 1992 by the Board of Trustees of the University of Illinois. All rights reserved. Reproduced by permission.—King, Kimball. From “Local Color and the Rise of the American Magazine,” in Essays Mostly on Periodical Publishing in America: A Collection in Honor of Clarence Gohdes. Edited by James Woodress. Duke University Press, 1973. Copyright © 1973 by Duke University Press. All rights reserved. Reproduced by permission of the publisher.—Luis, William. From Literary Bondage: Slavery in Cuban Narrative. Univer

sity of Texas Press, 1988. Copyright © 1990 by William Luis. All rights reserved. Reproduced by permission of the University of Texas Press.—Mott, Frank Luther. From “General Periodicals in the Era of Expansion,” in A History of American Magazines: Volume I, 1741-1850. Cambridge, Mass.: The Belknap Press of Harvard University Press, 1930. Copyright © 1930 by the President and Fellows of Harvard College. Copyright © 1958 by Frank Luther Mott. All rights reserved. Reproduced by permission.—Mott, Frank Luther. From “Literary Phases of Postbellum Magazines,” in A History of American Magazines: Volume III, 1865-1885. Cambridge, Mass.: The Belknap Press of Harvard University Press, 1938. Copyright 1938 by the President and Fellows of Harvard College. Copyright © 1966 by Mrs. W. R. Wedel. All rights reserved. Reproduced by permission.—Mott, Frank Luther. From “Literary Types and Judgments,” in A History of American Magazines: Volume II, 1850-1865. Cambridge, Mass.: The Belknap Press of Harvard University Press, 1938. Copyright 1938 by the President and Fellows of Harvard College. Copyright © 1966 by Mrs. W. R. Wedel. All rights reserved. Reproduced by permission.—Murphy, James E. and Sharon M. Murphy. From Let My People Know: American Indian Journalism, 1828-1978. University of Oklahoma Press, 1981. Copyright © 1981 by the University of Oklahoma Press. All rights reserved. Reproduced by permission.—Ranger, Paul. From ‘Terror and Pity Reign in Every Breast’: Gothic Drama in the London Patent Theatres, 1750-1820. The Society for Theatre Research, 1991. Copyright © 1991 by Paul Ranger. All rights reserved. Reproduced by permission of the author.—Sayers, Raymond S. From The Negro in Brazilian Literature. Hispanic Institute in the United States, 1956. Copyright © 1956 by Raymond S. Sayers. All rights reserved. Reproduced by permission.—Simpson, Lewis P. From The Man of Letters in New England and the South: Essays on the History of the Literary Vocation in America. Louisiana State University Press, 1973. Copyright © 1973 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Tebbel, John and Mary Ellen Zuckerman. From The Magazine in America: 1741-1990. Oxford University Press, 1991. Copyright © 1991 by John Tebbel, Mary Ellen Zuckerman. All rights reserved. Reproduced by permission of Oxford University Press, Inc.—Tebbel, John. From The American Magazine: A Compact History. Hawthorn Books, 1969. Copyright © 1969 by John Tebbel. All rights reserved. Reproduced by permission of Dutton, a division of Penguin Group (USA) Inc.—Zuckerman, Mary Ellen. From A History of Popular Women’s Magazines in the United States 1792-1995. Greenwood Press, 1998. Copyright © 1998 by Mary Ellen Zuckerman. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 132, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Temple Tower, nineteenth century engraving by Adolphe Rouargue. The Art Archive/Bibliothèque des Arts Decoratifs Paris/Dagli Orti. Reproduced by permission.—The third Theatre Royal, Drury Lane, engraving by Henry Holland. Hulton Archive/Getty Images. Reproduced by permission.—January cover poster for 1894 issue of Harper’s New Monthly by Edward Penfield. The Library of Congress.—Lewis, Matthew Gregory, engraving. The Library of Congress.—Shelley, Percy B., engraving. The Library of Congress.

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Barbara M. Bibel

Librarian Oakland Public Library Oakland, California

Dr. Toby Burrows

Principal Librarian The Scholars’ Centre University of Western Australia Library Nedlands, Western Australia

Celia C. Daniel

Associate Librarian, Reference Howard University Washington, D.C.

David M. Durant

Reference Librarian Joyner Library East Carolina University Greenville, North Carolina

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Librarian Bakersfield Community College Bakersfield, California

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English Literature Librarian University of Tennessee Knoxville, Tennessee

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Arts & Humanities Librarian University of Alabama, Sterne Library Birmingham, Alabama

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Director Indiana Free Library Indiana, Pennsylvania

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Humanities Reference Librarian University of North Carolina, Davis Library Chapel Hill, North Carolina

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Jackson Library University of North Carolina Greensboro, North Carolina

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Donald Welsh

Head, Reference Services College of William and Mary, Swem Library Williamsburg, Virginia