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COPYRIGHTED EXCERPTS IN NCLC, VOLUME 87, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 62, September, 1990. Copyright © 1990 by Duke University Press, Durham, NC. Reproduced by permission.—CLA Journal, v. XIV, March, 1971; v. XXIV, June, 1982. Copyright 1971, 1982 by The College Language Association. Both reproduced by permission of the College Language Association.—Eighteenth-Century Fiction,v.5, 1993. © McMaster University 1993. Reproduced by permission.—The French Review, v. xxvii, February, 1964. Copyright 1964, renewed 1992 by the American Association of Teachers of French; v. lviii, October, 1984. Copyright 1984 by the American Association of Teachers of French. Both reproduced by permission.—The Journal of Narrative Technique,v. 26, Fall, 1996, for “Face Value and the Value of Face in ‘Les Liaisons dangereuses’: The Rhetoric of Form and the Critic’s Seduction” by Sandra Camargo. Copyright © 1996 by The Journal of Narrative Technique. Reproduced by permission of the publisher and the author. —Legacy, v. 5, Fall, 1988. Copyright © The University of Nebraska Press 1988. Reproduced by permission.—MLN, v. 111, September, 1996. Copyright © 1996. Reproduced by permission of The Johns Hopkins University Press.—The New Criterion, v. 12, March, 1994. “Seductive Monsters: Laclos’s ‘Liaisons Dangereuses,’” by Renee Winegarten. Copyright © 1994 by The Foundation for Cultural Review. Reproduced by permission of the author.— Obsidian, v. 7, Summer/Winter, 1981, “Roots of Our Literary Culture: George Moses Horton and Biblical Protest” by Sondra O’Neale. Reproduced by permission of the author.—Studies in Eighteenth-Century Culture, v. 18, 1988. Copyright © 1988 American Society for Eighteenth-Century Studies. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.—Studies in Romanticism, v. 36, Winter, 1997. Copyright 1997 by the Trustees of Board University. Reproduced by permission.—Studies on Voltaire and The Eighteenth Century, n. 267, 1989 for “Male Bonding and Female Isolation in Laclos’s ‘Les Liasions dangereuses’” by Peter V. Conroy, Jr. Reproduced by permission by the author.—Symposium, v. 24, Summer, 1980. Copyright © 1980 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundations, published by Heldref Publications, 1319 13th Street NW, Washington, DC 20006-1307.—The University of Toronto Quarterly, v. 58, Spring, 1989. © University of Toronto Press, 1989. Reproduced by permission of University of Toronto Press Incorporated.—The Victorian Newsletter,n.55, Spring, 1979, for “Tractarian Aesthetics: Analogy and Reserve in Keble and Newman” by G. B. Tennyson. Reproduced by permission of The Victoria Newsletter and the author.—Victorian Studies, v. 30, Summer, 1987. Reproduced by permission of the Trustees of Indiana University.—The Wordsworth Circle, v. 29, Spring, 1998. © 1998 Marilyn Gaull. Reproduced by permission of the editor.—Yale French Studies, n. 76, 1989 for “Trading Genres: Epistolarity and Theatricality in ‘Britannicus’ and ‘Les Liaisons dangereuses’,” by Elizabeth MacArthur. Copyright © Yale French Studies 1989. Reproduced by permission of the publisher and author.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 87, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Baker, Dorothy Z. From Poetics in the Poem: Critical Essays on American Self-Reflexive Poetry. Edited by Dorothy Z. Baker. Peter Lang, 1997. © 1997 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.— Barrell, John. From The Infection of Thomas De Quincey: A Psychopathology of Imperialism. Yale University Press, 1991. Copyright © 1991 by Yale University. All rights reserved. Reproduced by permission.—Clej, Alini. From A Genealogy of the Modern Self: Thomas De Quincey and the Intoxication of Writing. Stanford University Press, 1995. © 1995 by the Board of Trustees of the Leland Stanford Junior University. Reproduced by permissions.—Convoy, Jr., Peter V. From Intimate, Intrusive, and Triumphant: Readers in the ‘Liaisons Dangereuses’. Edited by William M. Whitby. John Benjamins Publishing Company, 1987. Copyright © 1987. John Benjamins B. V. Reproduced by permission.—De Luca, V.

A. From Thomas De Quincey: The Prose of Vision. University of Toronto Press, 1980. © University of Toronto Press 1980. Reproduced by permissions.—Deneys, Anne. From Eroticism and the Body Politic. Edited by Lynn Hunt. The Johns Hopkins University Press, 1991. © 1991 . Reproduced by permission of The Johns Hopkins University Press.— Devlin, D.

D. From De Quincey, Wordsworth and the Art of Prose. Macmillan Press, 1983. © D. D. Devlin 1983. Reproduced by permission of Macmillan, London and Basingstoke.——Gilley, Sheridan. From An Infinite Complexity: Essays in Romanticism. Edited by J. R. Watson. Edinburgh University Press, 1983. © University of Durham 1983. Reproduced by permission.—Griffen, John R. From John Keble, Saint of Anglicanism. Mercer University Press, 1987. Copyright © 1987 Mercer University Press, Macon, Georgia 31207. All rights reserved. Reproduced by permission.—Jackson, Susan K. From Writing the Female Voice: Essays on Epistolary Literature. Edited by Elizabeth C. Goldsmith. Northeastern University Press, 1989. Copyright © 1989 by Elizabeth C. Goldsmith. All rights reserved. Reproduced by permissions.—Martin, Brian

W. From John Keble: Priest, Professor and Poet. Croom Helm, 1976. © 1976 by Brian W. Martin. All rights reserved. Reproduced by permission.—Tennyson, G. B. From Nature and the Victorian Imagination. Edited by U. C. Knoepflmacher and G. B. Tennyson. University of California Press, 1977. Copyright © 1977 by The Regents of the University of California. Reproduced by permission.—Tennyson, G. B. From Victorian Devotional Poetry: The Tractarian Mode. Harvard University Press, 1981. Copyright © 1981 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission of Harvard University Press.—Walser, Richard. From The Black Poet. Philosophical Library, 1966. Copyright, 1966, by Philosophical Library Inc. 15 East 40th Street, New York 16, N. Y. All rights reserved. Reproduced by permission of Philosophical Library, NY.—Whale, John C. From Thomas DeQuincey’s Reluctant Autobiography. Barnes & Noble Books, 1984. © 1984 John C. Whale. Reproduced by permission for U.S. rights by Rowman and Littlefield. In the world market by Taylor & Francis Books Ltd. (Andover).

PHOTOGRAPHS APPEARING IN NCLC, VOLUME 87, WERE RECEIVED FROM THE FOLLOWING SOURCES:

De Quincey, Thomas, illustration. © Hulton Getty/Liaison Agency. Reproduced by permission.—Horton, George Moses, illustration by V. Gribayedoff. Corbis. Reproduced by permission.—Keble, John, engraving by Richmond Whitechurch. Archive Photos, Inc. Reproduced by permission.—Laclos, Pierre-Ambroise-Francois Cholderlos de, photograph. Archive Photos, Inc. Reproduced by permission.—Pfeiffer, Michelle, with John Malkovich in a scene from “Dangerous Liaisons,” 1988, photograph. The Kobal Collection. Reproduced by permission.—Sigourney, Lydia Howard Huntley, engraving. Archive Photos, Inc. Reproduced by permission.—Title page of “The Christian Year: Thoughts in Verse for the Sundays and Holydays Throughout the Year,” photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Title page of “The Collected Writings of Thomas De Quincey©, photograph. Special Collections Library, University of Michigan. Reproduced by permission.