Hegel, Georg Wilhelm Friedrich - Copyright Page

ISSN 0732-1864

Volume 151

Nineteenth-Century Literature Criticism

Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Russel Whitaker

Project Editor

Nineteenth-Century Literature Criticism, Vol. 151
Project Editor

Russel Whitaker

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 84-643008

ISBN 0-7876-8635-2
ISSN 0732-1864

Printed in the United States of America 10987654321

Preface

S
 ince its inception in 1981, Nineteeth-Century Literature Criticism (NCLC) has been a valuable resource for students and librarians seeking critical commentary on writers of this transitional period in world history. Designated an “Outstanding Reference Source” by the American Library Association with the publication of is first volume, NCLC has since been purchased by over 6,000 school, public, and university libraries. The series has covered more than 450 authors representing 33 nationalities and over 17,000 titles. No other reference source has surveyed the critical reaction to nineteenth-century authors and literature as thoroughly as NCLC.

Scope of the Series

NCLC is designed to introduce students and advanced readers to the authors of the nineteenth century and to the most significant interpretations of these authors’ works. The great poets, novelists, short story writers, playwrights, and philosophers of this period are frequently studied in high school and college literature courses. By organizing and reprinting commentary written on these authors, NCLC helps students develop valuable insight into literary history, promotes a better understanding of the texts, and sparks ideas for papers and assignments. Each entry in NCLC presents a comprehensive survey of an author’s career or an individual work of literature and provides the user with a multiplicity of interpretations and assessments. Such variety allows students to pursue their own interests; furthermore, it fosters an awareness that literature is dynamic and responsive to many different opinions.

Every fourth volume of NCLC is devoted to literary topics that cannot be covered under the author approach used in the rest of the series. Such topics include literary movements, prominent themes in nineteenth-century literature, literary reaction to political and historical events, significant eras in literary history, prominent literary anniversaries, and the literatures of cultures that are often overlooked by English-speaking readers.

NCLC continues the survey of criticism of world literature begun by Thomson Gale’s Contemporary Literary Criticism (CLC) and Twentieth-Century Literary Criticism (TCLC).

Organization of the Book

An NCLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.
  • © A Portrait of the Author is included when available.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The genre and publication date of each work is given. In the case of foreign authors whose works have been translated into English, the list will focus primarily on twentieth-century translations, selecting

    • vii

    Geography of Femininity in the Poetry of Joanna Baillie,” in A History of Scottish Women’s Writing. Edited by Douglas Gifford and Dorothy McMillan. Edinburgh University Press, 1997. Copyright © The contributors, 1997. Reproduced by permission. www.eup.ed.ac.uk.—Jones, Ann H. From Ideas and Innovations: Best Sellers of Jane Austen’s Age. AMS Press, 1986. Copyright © 1986 by AMS Press, Inc. All rights reserved. Reproduced by permission.—Jurist, Elliot L. From an introduction to Beyond Hegel and Nietzsche. The MIT Press, 2000. © 2000 Massachusetts Institute of Technology. All rights reserved. Reproduced by permission of The MIT Press, Cambridge, MA.—Lauer, Quentin. From Hegel’s Idea of Philosophy. Fordham University Press, 1971. Copyright © 1971 by the Fordham University Press. Reproduced by permission.— McCumber, John. From “Writing Down (Up) the Truth: Hegel and Schiller at the End of the Phenomenology of Spirit,” in The Spirit of Poesy. Edited by Richard Block and Peter Fenves. Northwestern University Press, 2000. Copyright © 2000 by Northwestern University Press. All rights reserved. Reproduced by permission.—McGann, Jerome J. From “‘My Brain is Feminine’: Byron and the Poetry of Deception,” in Byron: Augustan and Romantic. Edited by Andrew Rutherford. St. Martin’s Press, 1990. Copyright © Jerome McGann 1990. Reprinted by permission of Palgrave Macmillan.—Miles, Robert. From Gothic Writing, 1750-1820: A Genealogy. Routledge, 1993. Copyright © 1993 Robert Miles. Reproduced by permission of Taylor & Francis and Manchester University Press.—Scullion, Adrienne. From “Some Women of the Nineteenthcentury Scottish Theatre: Joanna Baillie, Frances Wright and Helen MacGregor,” in A History of Scottish Women’s Writing. Edited by Douglas Gifford and Dorothy McMillan. Edinburgh University Press, 1997. Copyright © The contributors, 1997. Reproduced by permission. www.eup.ed.ac.uk.—Summers, Reverend Montague. From Essays in Petto. The Fortune Press, 1928. Reproduced by permission.—Taylor, Mark C. From Kierkegaard’s Truth: The Disclosure of the Self. Edited by Joseph H. Smith, M.D. Yale University Press, 1981. Copyright © 1981 by the Forum on Psychiatry and the Humanities of the Washington School of Psychiatry. All rights reserved. Reproduced by permission of Yale University Press.—Ware, Robert Bruce. From Hegel: The Logic of Self-consciousness and the Legacy of Subjective Freedom. Edinburgh University Press, 1999. Copyright © Robert Bruce Ware, 1999. Reproduced by permission. www.eup.ed.ac.uk.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 151, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Baillie, Joanna, portrait. Mary Evans Picture Library.—Hegel, Georg Wilhelm Friedrich, drawing. The Library of Congress.—Title page for the 1828 first edition of Joanna Baillie’s The Bride. Special Collections Library, University of Michigan. Reproduced by permission.

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    Librarian Arts & Humanities Librarian Oakland Public Library University of Alabama at Birmingham, Sterne Library Oakland, California Birmingham, Alabama

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