Garrison, William Lloyd | Copyright Page

ISSN 0732-1864

Volume 149

Nineteenth-Century Literature Criticism

Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Russel Whitaker

Project Editor

Nineteenth-Century Literature Criticism, Vol. 149
Project Editor

Russel Whitaker

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Jessica Bomarito, Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovi´c. Michelle Lee, Thomas J. Schoenberg, Lawrence J. Trudeau

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LIBRARY OF CONGRESS CATALOG CARD NUMBER 84-643008

ISBN 0-7876-8633-6
ISSN 0732-1864

Printed in the United States of America 10987654321

Preface

S
 ince its inception in 1981, Nineteeth-Century Literature Criticism (NCLC) has been a valuable resource for students and librarians seeking critical commentary on writers of this transitional period in world history. Designated an “Outstanding Reference Source” by the American Library Association with the publication of is first volume, NCLC has since been purchased by over 6,000 school, public, and university libraries. The series has covered more than 450 authors representing 33 nationalities and over 17,000 titles. No other reference source has surveyed the critical reaction to nineteenth-century authors and literature as thoroughly as NCLC.

Scope of the Series

NCLC is designed to introduce students and advanced readers to the authors of the nineteenth century and to the most significant interpretations of these authors’ works. The great poets, novelists, short story writers, playwrights, and philosophers of this period are frequently studied in high school and college literature courses. By organizing and reprinting commentary written on these authors, NCLC helps students develop valuable insight into literary history, promotes a better understanding of the texts, and sparks ideas for papers and assignments. Each entry in NCLC presents a comprehensive survey of an author’s career or an individual work of literature and provides the user with a multiplicity of interpretations and assessments. Such variety allows students to pursue their own interests; furthermore, it fosters an awareness that literature is dynamic and responsive to many different opinions.

Every fourth volume of NCLC is devoted to literary topics that cannot be covered under the author approach used in the rest of the series. Such topics include literary movements, prominent themes in nineteenth-century literature, literary reaction to political and historical events, significant eras in literary history, prominent literary anniversaries, and the literatures of cultures that are often overlooked by English-speaking readers.

NCLC continues the survey of criticism of world literature begun by Thomson Gale’s Contemporary Literary Criticism (CLC) and Twentieth-Century Literary Criticism (TCLC).

Organization of the Book

An NCLC entry consists of the following elements:

  • © The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the first line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.
  • © The Introduction contains background information that introduces the reader to the author, work, or topic that is the subject of the entry.
  • © A Portrait of the Author is included when available.
  • © The list of Principal Works is ordered chronologically by date of first publication and lists the most important works by the author. The genre and publication date of each work is given. In the case of foreign authors whose works have been translated into English, the list will focus primarily on twentieth-century translations, selecting

    • vii

    lag GmbH & Cie, Koeln. All rights reserved. Reproduced by permission.—McMullin, Stanley E. From “Thomas Chandler Haliburton,” in Canadian Writers and Their Works: Fiction Series, Volume Two. Edited by Robert Lecker, Jack David, and Ellen Quigley. ECW Press, 1989. Copyright © 1989 ECW Press Ltd. Reproduced by permission.—Merrill, Walter M. From an Introduction to Letters of William Lloyd Garrison, Volume I, 1822-1835. Edited by Walter M. Merrill. The Belknap Press of Harvard University Press, 1971. Copyright © 1971 by the President and Fellows of Harvard College. The Letters of William Lloyd Garrison are held by the Boston Public Library, Boston, Massachusetts. All rights reserved. Reproduced by permission.—Nye, Russel B. From William Lloyd Garrison and the Humanitarian Reformers. Little, Brown and Company, 1955. Copyright © 1955, renewed 1983 by Russel B. Nye. All rights reserved. Reproduced by permission of the Literary Estate of the author.—Panofsky, Ruth. From “Breaking the Silence: The Clockmaker on Women,” in The Haliburton Bi-centenary Chaplet. Edited by Richard A. Davies. Gaspereau Press, 1997. Essays © by the contributors, 1997. Reproduced by permission of the author.—Punter, David. From “Don Juan, or, the Deferral of Decapitation: Some Psychological Approaches,” in Don Juan. Edited by Nigel Wood. Open University Press, 1993. Copyright © The Editor and Contributors 1993. All rights reserved. Reproduced by permission of the author.—Royot, Daniel. From “Sam Slick and American Popular Humour,” in The Thomas Chandler Haliburton Symposium. Edited by Frank M. Tierney. University of Ottawa Press, 1985. Copyright © University of Ottawa Press, 1985. Reproduced by permission of the University of Ottawa Press.—Stewart, James Brewer. From Holy Warriors: The Abolitionists and American Slavery. Hill and Wang, 1976. Copyright © 1976 by James Brewer Stewart. All rights reserved. Reproduced by permission of Hill and Wang, a division of Farrar, Straus and Giroux, LLC.—Taylor, M. Brook. From “Haliburton as Historian,” in The Thomas Chandler Haliburton Symposium. Edited by Frank M. Tierney. University of Ottawa Press, 1985. Copyright © University of Ottawa Press, 1985. Reproduced by permission of the University of Ottawa Press.—Thomas, John L. From The Liberator, William Lloyd Garrison: A Biography. Little Brown and Company, 1963. Copyright © 1963 by John L. Thomas; copyright © renewed 1991 by John L. Thomas. Reproduced by permission of Little, Brown and Company (Inc).—Zinn, Howard. From “Abolitionists, Freedom-Riders, and the Tactics of Agitation,” in The Antislavery Vanguard: New Essays on the Abolitionists. Edited by Martin Duberman. Princeton University Press, 1965. Copyright © 1965 by Princeton University Press, 1993 renewed PUP. All rights reserved. Reproduced by permission of Princeton University Press.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 149, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Alfonzo in a scene (Canto 1 Stanza 181) from the poem Don Juan, written by George Gordon, Lord Byron, illustration. Mary Evans Picture Library. Reproduced by permission.—Byron, George Gordon, Lord, painting. The Library of Congress.—Garrison, William Lloyd, photograph. The Library of Congress.—Haliburton, Thomas Chandler, photograph. The Library of Congress.—The Liberator, front page of April 23, 1831 issue, founded by William Lloyd Garrison, photograph. Copyright © Bettmann/Corbis. Reproduced by permission.—Title page for 1838 edition of Thomas Chandler Haliburton’s The Clockmaker, photograph. Special Collections Library, University of Michigan. Reproduced by Permission.

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