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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 109, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Jewish History, v. 84, December, 1996. Reproduced by permission.—Classical and Modern Literature,v.20, Spring, 2000. © Classical and Modern Literature, Inc. Reproduced by permission.—Clio, v. 23, Fall, 1993 for “Byron, Nietzsche, and the Mystery of Forgetting” by James Soderhom. © 1993 by Purdue Research Foundation. Reproduced by permission of the author.—Comparative Drama, v. 25, Winter, 1991-92. © copyright 1992, by the Editors of Comparative Drama. Reproduced by permission.—Criticism, v. 16, Summer, 1974. Copyright, 1974, Wayne State University Press. Reproduced by permission of the publisher.—German Life & Letters, v. XXI, July, 1968; v. XXII, July, 1969. © 1968, 1969. Reproduced by permission of Blackwell Publishers.—Literature and Psychology, v. 38, 1992. © Editor 1992. Reproduced by permission of Literature & Psychology: a Psychoanalytic and Cultural Criticism.—Mosaic, v. 25, Spring, 1992. © Mosaic 1992. Acknowledgment of previous publication is herewith made.—Philological Quarterly, v. 69, Spring, 1990 “‘I Loved Her and Destroyed Her’: Love and Narcissism in Byron’s Manfred” by Atara Stein. Copyright © 1990 by The University of Iowa. Reproduced by permission of the author.—Proceedings of the Leeds Philosophical and Literary Society,

v. XV, June, 1973. © Leeds Philosophical and Literary Society 1973. Reproduced by permission.—Prooftexts, v. 16, May, 1996. © 1996 by The Johns Hopkins University Press. Reproduced by permission.—Studies in English Literature, 15001900, v. 15, Autumn, 1975; v. 22, Autumn, 1982. Both reproduced by permission.—Studies in Romanticism, v. 13, Winter, 1974. Copyright 1974 by the Trustees of Boston University. Reproduced by permission.—Studies in Scottish Literature,v. 15, 1980; v. 18, 1983; v. 19, 1984; v. 20, 1985; v. 23, 1988; v. 28, 1993. Copyright © G. Ross Roy 1980, 1983, 1984, 1985, 1988, 1993 . All reproduced by permission of the editor.—Tulsa Studies in Women’s Literature, v. 6, Fall, 1987 for “Words and Worlds: Emma Lazarus’s Conflicting Citizenship” by Diane Lichtenstein. Reproduced by permission of the publisher and author.—University of Toronto Quarterly, v. 40, Fall, 1970. © University of Toronto Press 1970. Reproduced by permission of University of Toronto Press Incorporated.—Victorian Poetry, v. 23, Summer, 1985 for “The Fourth Bronte¨: Branwell as Poet” by Robert G. Collins. Reproduced by permission of the author.—Wordsworth Circle, v. 10, Spring, 1979; v. 13, Autumn, 1982. Both reproduced by permission.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 109, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bold, Valentina. From The Independent Spirit: John Clare and the Self-Taught Tradition. Edited by John Goodridge. The John Clare Society, 1994. © the individual contributors, 1994. Reproduced by permission.—Collins, Robert G. From The Hand of the Arch-Sinner: Two Angrian Chronicles of Branwell Brontë. Edited by Robert G. Collins. Clarendon Press, 1993. © Robert G. Collins 1993. All rights reserved. Reproduced by permission.—Du Maurier, Daphne. From The Infernal World of Branwell Bront . Victor Gollancz Ltd., 1960. © Daphne Du Maurier 1960. Reproduced by permission.— Friedman, Saul S. From Women in History, Literature, and the Arts: A Festschrift for Hildegard Schnuttgen in Honor of her Thirty Years of Service at Youngstown State University. Edited by Lorrayne Y. Baird-Lange and Thomas A. Copeland. Youngstown State University, 1989. © 1989 Youngstown State University. Reproduced by permission.—Fulda, Daniel. From 1870/71-1989/90: German Unifications and the Change of Literary Discourse. Edited by Walter Pape. Walter de Gruyter, 1993. © Copyright 1993 by Walter de Gruyter & Co. All rights reserved. Reproduced by permission.—Groves, David. From James Hogg: The Growth of a Writer. Scottish Academic Press, 1988. © 1988, David Green. All rights reserved. Reproduced by permission.—Kessner, Carole S. From “Matrilineal Dissent: The Rhetoric of Zeal in Emma Lazarus, Marie Syrkin, and Cynthia Ozick,” in Women of the Word: Jewish Women and Jewish Writing. Edited by Judith R. Baskin. Wayne State University Press, 1994. All rights reserved. Reproduced by permission of the publisher and the author.—Knapp, Bettina L. From The Brontës: Branwell, Anne, Emily, Charlotte. Continuum Publishing Company, 1991.

Copyright © 1991 by Bettina L. Knapp. All rights reserved. Reproduced by permission.—Levin, Susan M. From The Romantic Art of Confession: DeQuincey, Musset, Sand, Lamb, Hogg, Fremy, Soulie, Janin. Camden House, 1998. Copyright © 1998 Susan M. Levin. All rights reserved. Reproduced by permission.—Massey, Irving. From Philo-Semitism in Nineteenth-Century German Literature. Max Niemeyer Verlag, 2000. © Max Niemeyer Verlag GmbH, Tubingen 2000. Reproduced by permission.—Sagarra, Eda. From “Jewish Emancipation in Nineteenth-Century Germany and the Stereotyping of the Jew in Gustav Freytag’s Novel ‘Soll und Haben’ (1855),” in The Writer as Witness: Literature as Historical Evidence. Edited by Tom Dunne. Cork University Press, 1987. Copyright © Cork University Press and the contributors 1987. Reproduced by permission.—Schoenfield, Mark L. From “Butchering James Hogg: Romantic Identity in the Magazine Market,” in At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Edited by Mary

A. Favret & Nicola J. Watson. Indiana University Press, 1994. © 1994 by Indiana University Press. All rights reserved. Reproduced by permission.—Smith, Nelson C. From James Hogg. Twayne Publishers, 1980. Copyright © 1980 by G. K. Hall & Co. All rights reserved. Reproduced by permission.—Wagenknecht, Edward. From Daughters of the Covenant: Portraits of Six Jewish Women. The University of Massachusetts Press, 1983. Copyright © 1983 by Edward Wagenknecht. All rights reserved. Reproduced by permission.—Young, Bette Roth. From Emma Lazarus in Her World: Life and Letters. The Jewish Publication Society, 1995. Copyright © 1995 by Bette Roth Young. All rights reserved. Reproduced by permission of the publisher and the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 109, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Brontë, Branwell, self-portrait, photograph by Simon Warner. © The Brontë Society. Reproduced by permission.—Freytag, Gustav, engraving. The Library of Congress.— Hogg, James, engraving. Archive Photos. Reproduced by permission.— Lazarus, Emma, print. Library of Congress.—Lord Byron, illustration by Edwin. The Library of Congress.—Plaque of the poem “The New Colossus” by Emma Lazarus, located at the base of the Statue of Liberty. © Bettmann/Corbis. Reproduced by permission.—Title page from “The Private Memoirs and Confessions of a Justified Sinner,” written by James Hogg. Special Collections Library, University of Michigan. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian St. Petersburg Jr. College

The Scholars’ Centre University of Western Australia Library Mark Schumacher

Jackson Library

University of North Carolina at Greensboro Steven R. Harris

Gwen Scott-Miller

English Literature Librarian Fiction Department Manager University of Tennessee Seattle Public Library