Foscolo, Ugo | Copyright Page

ISSN 0732-1864

Volume 97

Nineteenth-Century Literature Criticism

Excerpts from Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations

Juliet Byington

Editor

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Library of Congress Catalog Card Number
ISBN 0-7876-4552-4
ISSN 0732-1864
Printed in the United States of America

10987654321

Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 97, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 59, March, 1987. Copyright © 1987 by The Duke University Press. Reproduced by permission.— Ariel: A Review of International English, v. 14, April, 1983. Copyright © 1983 The Board of Governors, The University of Calgary. Reproduced by permission of the publisher and the author.—Book Collector, v. 44, Autumn, 1995. Reproduced by permission.—Charles Lamb Bulletin, v. 97, January, 1997. Reproduced by permission.—CLIO, v. 9, Winter, 1980. Reproduced by permission of the author.—Dickens Studies Annual, v. 23, 1994. Copyright © 1994 by AMS Press, Inc. Reproduced by permission.—English Language Notes, v. 31, June, 1994. © copyrighted 1994, Regents of the University of Colorado. Reproduced by permission.—Essays in Criticism, v. XIII, 1963. Reproduced by permission of publisher and author.—French Forum, v. 18, May, 1993; v. 22, September, 1997; v. 24, September, 1999. Copyright © 1993, 1997, 1999 by French Forum, Publishers, Inc. Reproduced by permission.—Italian Culture, v. 3, 1983. Copyright 1983 Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton. Reproduced by permission.—Journal of Evolutionary Psychology, v. 11, August, 1990. Reproduced by permission.—Journal of the Midwest Modern Language Association, v. 19, Spring, 1982. Copyright 1982 by The Midwest Modern Language Association. Reproduced by permission of the publisher and the author.—The Journal of Narrative Technique, v. 20, Fall, 1990. Reproduced by permission.—L’Esprit Createur, v. XXXIX, Summer, 1999. Copyright © 1999 by L’Esprit Créateur. Reproduced by permission.—MLN, v. 98, January, 1983. © 1983 by The Johns Hopkins University Press. Reproduced by permission.—Mosaic,

  • v. 9, Fall, 1975. © Mosaic 1975. Acknowledgment of previous publication is herewith made.—Nineteenth Century Fiction, v. 23, September, 1968. Copyright © 1968 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—Nineteenth-Century French Studies, v. 21, Fall-Winter, 1993. © 1993 by Nineteenth-Century French Studies. Reproduced by permission.—Nineteenth-Century Literature, v. 52, September, 1997; v. 53, March, 1999. © 1997, 1999 by The Regents of the University of California. Reproduced by permission.—Novel, v. 22, Spring, 1989. Copyright NOVEL Corp. © 1989. Reproduced with permission.—Poe Studies, v. 21, December, 1988. Reproduced by permission of publisher and author.—Review of English Literature, v. 6, January, 1965. Reproduced by permission of publisher and author.—Southern Literary Journal, v. 19, Fall, 1986. Copyright 1986 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission.—Studies in American Fiction, v. 27, Spring, 1999. Copyright © 1999 Northeastern University. Reproduced by permission.—Studies in English Literature, 1500-1900, v. 19, Autumn, 1979. © The Johns Hopkins University Press. Reproduced by permission.—Studies in Short Fiction, v. 23, Fall, 1986; v. 26, Fall, 1989; v. 29, Summer, 1992; v. 30, Summer, 1993. Copyright © 1986, 1989, 1992, 1993 by Newberry College. Reproduced by permission.—Symposium, v. 47, Summer, 1993. Copyright © 1993 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—University of Mississippi Studies in English, v. 3, 1982. Copyright © 1982 The University of Mississippi. Reproduced by permission.—Wordsworth Circle,
  • v. 5, Spring, 1974; v. 6, 1975. © 1974, 1975 Marilyn Gaull. Reproduced by permission of the editor.—Yale French Studies, n. 75, 1988. Copyright © Yale French Studies 1988. Reproduced by permission of publisher and author.—The Yearbook of English Studies, v. 19, 1989. © Modern Humanities Research Association 1989. All rights reserved. Reproduced by permission.
  • COPYRIGHTED EXCERPTS IN NCLC, VOLUME 97, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

    Allen, Dennis W. From Sexuality in Victorian Fiction. University of Oklahoma Press, 1993. Copyright © 1993 by the University of Oklahoma Press. All rights reserved. Reproduced by permission.—Bernhardt-Kabisch, Ernest. From Robert

    Southey. Twayne Publishers, 1977. Copyright © 1977 by G. K. Hall & Co. All rights reserved. Reproduced by permission.—Cambon, Glauco. From Ugo Foscolo: Poet of Exile. Princeton University Press, 1980. Copyright © 1980 by Princeton University Press. All rights reserved. Reproduced by permission.—Danahy, Michael. From “Marceline Desbordes-Valmore,” in French Women Writers: A Bio-Bibliographical Source Book. Edited by Eva Martin Sartori and Dorothy Wayne Zimmerman. Greenwood Press, 1991. Copyright © 1991 by Eva Martin Sartori and Dorothy Wayne Zimmerman. Reproduced by permission.—Easson, Angus. From Elizabeth Gaskell. Routledge & Kegan Paul, 1979. © Angus Easson 1979. Reproduced by permission.—Harris, R. W. From Romanticism and the Social Order, 1780-1830. Blandford Press, 1969. © Blandford Press Ltd. Reproduced by permission.—Madden, Lionel. From Robert Southey: The Critical Heritage. Edited by Lionel Madden. Routledge & Kegan Paul, 1972. © Lionel Madden 1972. Reproduced by permission.—Radcliff-Unstead, Douglas. From Ugo Foscolo. Twayne Publishers, Inc., 1970. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 96, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Foscolo, Ugo (body turned to his left, head turned forward), engraving. Archive Photos, Inc. Reproduced by permission.— Gaskell, Elizabeth C., illustration. The Library of Congress.—Poe, Edgar Allen, photograph.—©Robert Southey” (long dark, curly hair), 1795, painting by P. Vandyke. National Portrait Gallery, London. Reproduced by permission.—The House of Usher, photograph. Corbis-Bettmann. Reproduced by permission.—Title page from Cranford, by Elizabeth Gaskell, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Orazione A Bonaparte Pel Congresso Di Lione, by Ugo Foscolo, photograph. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Roderick, The Last of the Goths, by Robert Southey, photograph. Special Collections Library, University of Michigan. Reproduced by permission.

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