Engels, Friedrich - Copyright Page
ISSN 0732-1864
Volume 161
Nineteenth-Century Literature Criticism
Criticism of the Works of Novelists, Philosophers, and Other Creative Writers Who Died between 1800 and 1899, from the First Published Critical Appraisals to Current Evaluations
Jessica Bomarito Russel Whitaker
Project Editors
Nineteenth-Century Literature Criticism, Vol. 161
Project Editors
Jessica Bomarito and Russel Whitaker
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Kathy D. Darrow, Jeffrey W. Hunter, Jelena O. Krstovi´c, Michelle Lee, Rachelle Mucha, Thomas J. Schoenberg, Noah Schusterbauer, Lawrence J. Trudeau
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LIBRARY OF CONGRESS CATALOG CARD NUMBER 84-643008
ISBN 0-7876-8645-X
ISSN 0732-1864
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Acknowledgments
The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIAL IN NCLC, VOLUME 161, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:
African American Review, v. 38, spring, 2004 for “‘I Verily Believed Myself to be a Free Woman’: Harriet Jacobs’s Journey into Capitalism” by Virginia H. Cope. Copyright © 2004 Saint Louis University. Reproduced by permission of the author.—American Studies, v. 35, fall, 1994 for “Gender-Related Difference in the Slave Narratives of Harriet Jacobs and Frederick Douglass” by Winifred Morgan. Copyright © Mid-American Studies Association, 1994. Reproduced by permission of the publisher and the author.—Arizona Quarterly, v. 51, summer, 1995 for “Nation and Miscegenation: Incidents in the Life of a Slave Girl” by Mauri Skinfull. Copyright © 1995 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—College English, v. 66, November, 2003. Copyright © 2003 by the National Council of Teachers of English. Reproduced by permission of the publisher.—The Dalhousie Review, v. 46, summer, 1966 for “Gogol’s ‘The Overcoat’ as a Picaresque Epic” by Murray Baumgarten. Reproduced by permission of the publisher and the author.—ELH, v. 59, winter, 1992; v. 67, winter, 2000. Copyright © 1992, 2000 The Johns Hopkins University Press. Both reproduced by permission.—Genre, v. XXXIV, spring-summer, 2001 for “Slipping the Shackles of Subjectivity: The Narrator as Runaway in ‘Incidents in the Life of a Slave Girl’” by Mark Edleman Boren. Copyright © 2002 by The University of Oklahoma. Reproduced by permission of the publisher and the author.—Journal of Ukrainian Studies, v. 14, summer-winter, 1989; v. 20, summer-winter, 1995. Copyright © 1990, 1996 by the Canadian Institute of Ukrainian Studies. Both reproduced by permission.—The Literary Griot: International Journal of African-World Expressive Culture Studies, v. 14, spring-fall, 2002. Copyright © 2002 by The Literary Griot/Ousseynou B. Traore. Reproduced by permission.— Partisan Review, v. LXVII, summer, 2000 for “Gogol’s ‘Overcoat’” by Richard Moore. Reproduced by permission of the author.—Review of National Literatures, v. III, spring, 1972. Copyright © 1972 by St. John’s University. Reproduced by permission.—The Russian Review, v. 30, November, 1971. Copyright © 1971 Basil Blackwell Ltd. Reproduced by permission of Blackwell Publishers.—Studies in Romanticism, v. 36, fall, 1997; v. 40, summer, 2001. Copyright 1997, 2001 by the Trustees of Boston University. Both reproduced by permission.—The Wordsworth Circle, v. XXV, winter, 1994. Copyright © 1994 Marilyn Gaull. Reproduced by permission of the editor.
COPYRIGHTED MATERIAL IN NCLC, VOLUME 161, WAS REPRODUCED FROM THE FOLLOWING BOOKS:
Claeys, Gregory. From an Introduction to The Politics of English Jacobinism: Writings of John Thelwall. Edited by Gregory Claeys. Pennsylvania State University Press, 1995. Copyright © 1995 by The Pennsylvania State University. Reproduced by permission of the publisher.—Davie, Sharon. From “‘Reader, My Story Ends with Freedom’: Harriet Jacobs’s ‘Incidents in the Life of a Slave Girl,’” in Famous Last Words: Changes in Gender and Narrative Closure. Edited by Alison Booth. University Press of Virginia, 1993. Copyright © 1993 by the Rector and Visitors of the University of Virginia. Reprinted with permission of the University of Virginia Press.—Davies, Ruth. From The Great Books of Russia. University of Oklahoma Press, 1968. Copyright 1968 by the University of Oklahoma Press, Publishing Division of the University. Reproduced by permission.—Erlich, Victor. From Gogol. Yale University Press, 1969. Copyright © 1969 by Yale University. All rights reserved. Reproduced by permission.—Foster, Frances Smith. From Written By Herself: Literary Production by African American Women, 1746-1892. Indiana University Press, 1993. Copyright © 1993 by Frances Smith Foster. All rights reserved. Reproduced by permission.—Gates, Henry Louis, Jr. From an Introduction to The Classic Slave Narratives. New American Library, 1987. Copyright © 1987 by Henry Louis Gates, Jr. Used by permission of Dutton Signet, a division of Penguin Group (USA) Inc.—Graffy, Julian. From “The Devil Is in the Detail: Demonic Features of Gogol’s Petersburg,” in Russian Literature and Its Demons. Edited by Pamela Davidson. Berghahn Books, 2000. Editorial matter and selection © 2000 Berghahn Books and Pamela Davidson. Republished with permission of Berghahn Books, via Copyright
Clearance Center, Inc.—Johnson, Yvonne. From The Voices of African American Women: The Use of Narrative and Authorial Voice in the Works of Harriet Jacobs, Zora Neale Hurston, and Alice Walker. Peter Lang, 1998-1999. Copyright © 1998, 1999 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Kopper, John. From “The ‘Thing-in-Itself’ in Gogol’s Aesthetics: A Reading of the Dikanka Stories,” in Essays on Gogol: Logos and the Russian World. Edited by Susanne Fusso and Priscilla Meyer. Evanston: Northwestern University Press, 1992. Copyright © 1992 by Northwestern University Press. Reproduced by permission.—Levander, Caroline. From “‘Following the Condition of the Mother’: Subversions of Domesticity in Harriet Jacobs’s ‘Incidents in the Life of a Slave Girl,’” in Southern Mothers: Fact and Fiction in Southern Women’s Writing. Edited by Nagueyalti Warren and Sally Wolff. Louisiana State University Press, 1999. Copyright © 1999 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Maguire, Robert A. From Exploring Gogol. Stanford University Press, 1994. Copyright © 1994 by the Board of Trustees of the Leland Stanford Jr. University. All rights reserved. Used with the permission of Stanford University Press, www.sup.org.—Nilsson, Nils Alce. From “On the Origins of Gogol’s ‘Overcoat,’” in Gogol’s ‘Overcoat’: An Anthology of Critical Essays. Edited by Elizabeth Trahan. Ardis, 1982. Copyright © 1982 by Ardis. Reproduced by permission.— Shapiro, Gavriel. From Nikolai Gogol and the Baroque Cultural Heritage. Pennsylvania State University Press, 1993. Copyright © 1993 by The Pennsylvania State University. Reproduced by permission of the publisher.—Yellin, Jean Fagan. From “Incidents in the Life of Harriet Jacobs,” in The Seductions of Biography. Edited by Mary Rhiel and David Suchoff. Routledge, 1996. Copyright © 1996 by Routledge. Reproduced by permission of Routledge/Taylor & Francis Books, Inc.— Zeldin, Jesse. From Nikolai Gogol’s Quest for Beauty: An Exploration into His Works. The Regents Press, 1978. © Copyright 1978 by The Regents Press of Kansas. Reproduced by permission.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 161, WERE RECEIVED FROM THE FOLLOWING SOURCES:
Gogol, Nikoai, illustration. Corbis-Bettmann. Reproduced by permission.
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