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COPYRIGHTED EXCERPTS IN NCLC, VOLUME 89, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary Realism 1870-1910, v. 24, 1992. Copyright © 1992 by the Department of English, The University of New Mexico. Reproduced by permission of the publisher.—American Literature, v. 69, December, 1997. Copyright © 1997 Duke University Press, Durham, NC. Reproduced by permission.—Amerikastudien, v. 22, 1977 for “Melville’s Cosmopolitan: Bayard Taylor in ‘The Confidence-Man’” by Hans Joachim Lang. © J. B. Metzlersche Verlagsbuchhandlung und Carl Ernst Poeschel Verlag GmbH in Stuttgart 1977.—CLA Journal, v. 18, 1974; v. 18, 1975; v. 23, 1980. Copyright, 1974, 1975, 1980 by The College Language Association. All used by permission of The College Language Association.— College English, v. 56, November, 1994 for “The Function of Matthew Arnold at the Present Time” by Timothy Peltason. Copyright © 1994 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.—Comparative Literature, v. 46, Winter, 1994 for “Philhellenism and Antisemitism: Matthew Arnold and his German Models” by Lionel Gossman. © copyright 1994 by University of Oregon. Reproduced by permission of the author.— Critical Survey, v. 4, 1992. Reproduced by permission.—Dickens Studies Annual, v. 20, 1991. Copyright © 1991 by AMS Press, Inc. Reproduced by permission.—English Studies in Canada, v. IV, Spring, 1978 for “Arthur’s Misuse of the Imagination: Sentimental Benevolence and Wordsworthian Realism in ‘Adam Bede’” by Mason Harris. © Association of Canadian University Teachers of English 1978. Reproduced by permission of the publisher and the author.—English Studies in Canada, v. IX, June, 1983 for “Infanticide and Respectability: Hetty Sorrel as Abandoned Child in ‘Adam Bede’” by Mason Harris. © Association of Canadian University Teachers of English 1983. Reproduced by permission of the publisher and the author.—Genre, v. IX, Spring, 1976 for “‘Adam Bede’ as a Pastoral” by Kenny Marotta. Reproduced by permission of the publisher and the author.—The Kenyon Review, Summer, 1987 for “Delicate Beauty Goes Out: ‘Adam Bede’s’ Transgressive Heroines” by Lori Lefkovitz. Copyright © 1987 by Kenyon College. All rights reserved. Reproduced by permission.—The Markham Review, v. 3, May, 1973; v. 9, Fall, 1979. Both reproduced by permission.—Mosaic, v. 22, Fall, 1989. © Mosaic 1989. Acknowledgment of previous publication is herewith made.—Papers on Language & Literature, v. VIII, Winter, 1972. Copyright © 1972 by The Board of Trustees, Southern Illinois University at Edwardsville. Reproduced by permission.—Studies in the Novel, v. XXIV, Winter, 1992. Copyright 1992 by North Texas State University. Reproduced by permission.—Textual Practice, v. 8, Summer, 1994. Reproduced by permission of Taylor & Francis, Ltd., PO Box 25, Abingdon, Oxfordshire, OX14 3UE.—Victorian Poetry, v. 18, 1980 for “Iseult of Brittany: A New Interpretation of Matthew Arnold’s ‘Tristram and Iseult’” by Barbara Fass Leavy. v. 34, Summer, 1996 for “Arnold’s ‘The Scholar-Gipsy’: The Use and Abuse of History” by Alan Grob. © West Virgina University, 1996. Reproduced by permission of the author.—Victorians Institute Journal, v. 22, 1994. Reproduced by permission.—Women’s Writing, v. 3, June, 1996 for “Women or Boys? Gender, Realism, and the Gaze in ‘Adam Bede’” by Caroline Levine. Reproduced by permission of the author.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 89, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Cary, Richard. From The Genteel Circle: Bayard Taylor and His New York Friends. Cornell University Press, 1952. Copyright © 1952 by Cornell University, renewed 1980 by Richard Cary. Used by permission of the publisher, Cornell University Press.—Collini, Stefan. From Victorian Thinkers. Oxford University Press, 1993. Arnold © Stefan Collini 1988. Reproduced by permission of the author.—Gara, Larry. From an introduction to The Narrative of William W. Brown A Fugitive Slave, and a Lecture Delivered Before the Female Anti-Slavery Society of Salem, 1847. Addison-Wesley Publishing Company, 1969. Copyright © 1969 by Addison-Wesley Publishing Company, Inc. All rights reserved.

Reproduced by permission.—Holtze, Elizabeth. From Hamartia: The Concept of Error in the Western Tradition. Edited by Donald V. Stump et al. The Edwin Mellen Press, 1983. Copyright © 1983, Donald V. Stump. Reproduced by permission.—Jefferson, Paul. From an introduction in The Travels of William Wells Brown. Edited by Paul Jefferson. Markus Wiener Publishers, Inc., 1991. © Copyright 1991 for the introduction and commentary by Paul Jefferson. All rights reserved. Reproduced by permission.—La Salle II, C. W. From The Story of Kennett by Bayard Taylor. College & University Press, 1973. Copyright © 1973 by College and University Press Services, Inc. All rights reserved. Reproduced by permission of NCUP, Inc.—Mulvey, Christopher. From “The Fugitive Self and the New World of the North: William Wells Brown’s ‘Discovery of America’,” in The Black Columbiad: Defining Moments in African American Literature and Culture. Edited by Werner Sollors and Maria Diedrich. Harvard University Press, 1994. Copyright © 1994 by the President and Fellows of Harvard College. All rights reserved. Reproduced by permission.—Riede, David G. From Matthew Arnold and the Betrayal of Language. University Press of Virginia, 1988. Copyright © 1988 by the Rector and Visitors of the University of Virginia. Reprinted with permission of the University Press of Virginia.—Schneider, Mary W. From Poetry in the Age of Democracy: The Literary Criticism of Matthew Arnold. University Press of Kansas, 1989. © 1989 by the University Press of Kansas. All rights reserved. Reproduced by permission.—Sterner, Douglas W. From Priests of Culture: A Study of Matthew Arnold & Henry James. Peter Lang, 1999. © 1999 Peter Lang Publishing, Inc., New York. All rights reserved. Reproduced by permission.—Stone, Donald S. From Communications with the Future: Matthew Arnold in Dialogue. The University of Michigan Press, 1997. Copyright © by the University of Michigan 1997. All rights reserved. Reproduced by permission.—Wermuth, Paul C. From an introduction to Selected Letters of Bayard Taylor. Edited by Paul C. Wermuth. Bucknell University Press, 1997. © 1997 by Associated University Presses, Inc. All rights reserved. Reproduced by permission.—Wermuth, Paul C. From Bayard Taylor. Twayne Publishers, Inc., 1973. Copyright © 1973 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of the author.—Whelchel, Jr., L. H. From My Chains Fell Off: William Wells Brown, Fugitive Abolitionist. University Press of America, 1985. Copyright © 1985 by University Press of America, Inc. Reproduced by permission of the author.

PHOTOGRAPHS APPEARING IN NCLC, VOLUME 89, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Arnold, Matthew, engraving. The Library of Congress.—Brown, William Wells, drawing. Fisk University Library Collection.—“Clotel” by William Wells Brown, title page, 1853, London.—Eliot, George, photograph of a engraving. National Portrait Gallery. Reproduced by permission of National Portrait Gallery (London).—From a title page of “Adam Bede” by George Eliot. Edinburgh & London: Blackwood, 1859, 1 volume, New York: Harper, 1859. The Graduate Library, University of Michigan. Reproduced by permission.—Ricketts, Charles, artist. From the title page of “Empedocles on Etna; A Dramatic Poem” by Matthew Arnold. London, Sold by Hacon & Ricketts, 1896. Special Collections Library, the University of Michigan. Reproduced by permission.—Taylor, Bayard, photograph. The Library of Congress.