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Acknowledgments

The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of NCLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 93, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

The Arizona Quarterly, v. 44, Summer, 1988 for “Masquerades of Language in Melville’s ‘Benito Cereno’” by Jon Hauss. Copyright © 1988 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—Canadian Journal of History, v. X, December, 1975. Reproduced by permission.—International Journal of Women’s Studies, v. 7, September-October, 1984 for “The Fallen Angels of Wilkie Collins” by Patricia Frick. Reproduced by permission of the author.—The Journal of Narrative Technique, v. 28, Spring, 1998. Copyright © 1998 by The Journal of Narrative Technique. Reproduced by permission.—Keats-Shelley Journal, v. XXXVIII, 1989; v. XL, 1991; v. XLII, 1993; v. XLV, 1996. All reproduced by permission.—The Keats-Shelley Review, n. 9, Spring, 1995; n. 10, Spring, 1996. Both reproduced by permission.—Modern Language Quarterly, v. 55, September, 1994. © 1994 University of Washington. Reproduced by permission of Duke University Press.—Modern Philology, v. 93, May, 1996 for “’The Creature of His Own Tasteful Hands’: Herman Melville’s Benito Cereno and the ‘Empire of Might’” by William Bartley. © 1996 by The University of Chicago. All rights reserved. Reproduced by permission of the author.—Mosaic, v. 26, Spring, 1993. © Mosaic 1993. Acknowledgment of previous publication is herewith made.—The New Criterion, v. 12, December, 1993 for “More Than Sensational: The Life & Art of Wilkie Collins” by Brooke Allen. Copyright © 1993 by The Foundation for Cultural Review. Reproduced by permission of the author.—The New England Quarterly, v. LXIV, June, 1981 for “Bull of the Nile: Symbol, History, and Racial Myth in ‘Benito Cereno’” by Gloria Horsley-Meacham. Copyright 1991 by The New England Quarterly. Reproduced by permission of the publisher and the author.—Nineteenth Century Fiction, v. 39, June, 1984 for “‘Benito Cereno’ and Manifest Destiny” by Allan Moore Emery. © 1984 by The Regents of the University of California. Reproduced by permission of the publisher and the author.—The Review of English Studies, n.s. v. XLVII, November, 1996. © Oxford University Press 1996. Reproduced by permission of Oxford University Press (Oxford).— Southern Humanities Review, v. XXV, Winter, 1991. Copyright 1991 by Auburn University. Reproduced by permission.— Studies in Romanticism, v. 14, Spring, 1995. Copyright 1995 by the Trustees of Boston University. Reproduced by permission.—Studies in Short Fiction, v. 30, Spring, 1993; v. 32, Spring, 1995. © 1993, 1995 by Newberry College. Both reproduced by permission.—Studies in the Novel, v. XXII, Winter, 1990; v. XXV, Fall, 1993. © 1990, 1993 by University of North Texas. Both reproduced by permission.—Victorian Literature and Culture, v. 20, 1992; v. 21, 1993. Copyright © 1992, 1994 by AMS Press, Inc. Both reproduced by permission.

COPYRIGHTED EXCERPTS IN NCLC, VOLUME 93, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Behrendt, Stephen C. From “Beatrice Cenci and the Tragic Myth of History,” in History & Myth: Essays on English Romantic Literature. Edited by Stephen C. Behrendt. Wayne State University Press, 1990. Copyright © 1990 by Wayne State University Press. Reproduced by permission.—Bell, Howard H. From an introduction to Search for a Place: Black Separatism and Africa, 1860, by M. R. Delany and Robert Campbell. The University of Michigan Press, 1969. Copyright © The University of Michigan 1969. All rights reserved. Reproduced by permission.—Bunn, James. From “The ‘True Utility’ of Shelley’s Method in ‘A Defence of Poetry,’” in English Romanticism: Preludes and Postludes; Essays in Honor of Edwin Graves Wilson. Edited by Donald Schoonmaker and John A. Alford. Colleagues Press, 1993. Copyright 1993 by Colleagues Press Inc. All rights reserved.—Claridge, Laura. From “The Bifurcated Female Space of Desire: Shelley’s Confrontation with Language and Silence,” in Out of Bounds: Male Writers and Gender(ed) Criticism. Edited by Laura Claridge and Elizabeth Langland. University of Massachusetts Press, 1990. Copyright © 1990 by The University of Massachusetts Press. All rights reserved. Reproduced by permission.—David, Deidre. From “Rewriting the Male Plot in Wilkie

Collins’s No Name: Captain Wragge Orders an Omelette and Mrs. Wragge Goes into Custody,” in Out of Bounds: Male Writers and Gender(ed) Criticism. Edited by Laura Claridge and Elizabeth Langland. University of Massachusetts Press, 1990. Copyright © 1990 by The University of Massachusetts Press. All rights reserved. Reproduced by permission.— Gayle, Addison, Jr. From The Way of the New World: The Black Novel in America. Anchor Press/Doubleday, 1975. Copyright © 1975 by Addison Gayle, Jr. All rights reserved. Reproduced by permission of Doubleday, a division of Random House, Inc.—Levine, Robert S. From Martin Delany, Frederick Douglass, and the Politics of Representative Identity. The University of North Carolina Press, 1977. © 1977 University of North Carolina Press. All rights reserved. Reproduced by permission.—Milbank, Alison. From Daughters of the House: Modes of the Gothic in Victorian Fiction. St. Martin’s Press, 1992. © A. Milbank 1992. All rights reserved. Reproduced by permission.—Miller, Floyd J. From an introduction to Blake; or the Huts of America. By Martin R. Delany. Beacon Press, 1970. Copyright © 1970 by Floyd J. Miller. Reproduced by permission.—Miller, Floyd J. From The Search for a Black Nationality: Black Emigration and Colonization, 1787-1863. University of Illinois Press, 1975. © 1975 by the Board of Trustees of the University of Illinois. Reproduced by permission of the author.—O’Neill, Michael. From “‘And All Things Seem Only One’: The Shelleyan Lyric,” in Percy Bysshe Shelley: Bicentenary Essays. Edited by Kevin Everest. D. S. Brewer, 1992. © The English Association 1992. All rights reserved. Reproduced by permission of Boydell & Brewer Ltd.—Rance, Nick. From “Wilkie Collins in the 1860’s: The Sensation Novel and Self-Help,” in Nineteenth-Century Suspense: From Poe to Conan Doyle. Edited by Clive Bloom & others. Macmillan Press, 1988. © the Editorial Board, Lumiere (Co-operative) Press Ltd 1988. All rights reserved. Reproduced by permission.—Sussman, Henry. From “At the Crossroads of the Nineteenth Century: ‘Benito Cereno’ and the Sublime,” in America’s Modernisms: Revaluing the Canon. Edited by Kathryne V. Lindberg and Joseph G. Kronick. Louisiana State University Press, 1996. Copyright © 1996 by Louisiana State University Press. All rights reserved. Reproduced by permission.—Thoms, Peter. From The Windings of the Labyrinth: Quest and Structure in the Major Novels of Wilkie Collins. Ohio University Press, 1992. © 1992 by Peter Thoms. All rights reserved. Reproduced by permission.—Ullman, Victor. From Martin R. Delany: The Beginnings of Black Nationalism. Beacon Press, 1971. Copyright © 1971 by Victor Ullman. Reproduced by permission.—Verma, K. D. From an introduction to The Vision of “Love’s Rare Universe”: A Study of Shelley’s “Epipsychidion.” University Press of America, Inc., 1995. Copyright © 1995 by University Press of America, Inc. Reproduced by permission.—Wall, Shelley. From “Baffled Narrative in ‘Julian and Maddalo,’” in New Romanticisms: Theory and Critical Practice. Edited by David L. Clark and Donald C. Goellnicht. University of Toronto Press, 1994. © University of Toronto Press Incorporated 1994. Reproduced by permission.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 93, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Delany, Martin Robinson, painting. Archive Photos, Inc. Reproduced by permission.—Melville, Herman, photograph. Corbis-Bettmann/Newsphotos, Inc. Reproduced by permission.—Shelley, Percy Bysshe, engraving by W. Finden. Archive Photos, Inc. Reproduced by permission.—Text page of characters from “Prometheus Unbound,” written by Percy Bysshe Shelley. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from Herman Melville’s “Benito Cereno,” illustrated by E. McKnight Kauffer. Special Collections Library, University of Michigan. Reproduced by permission.—Title page from The Woman in White, by Wilkie Collins. Special Collections Library, University of Michigan. Reproduced by permission.