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Acknowledgments

COPYRIGHTED MATERIAL IN NCLC, VOLUME 123, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literary History, v. 4, Fall, 1992. Reproduced by permission of the publisher.—American Literature, v. 39, November, 1967. Copyright © 1967 Duke University Press, Durham, NC. Reproduced by permission.—American Transcendental Quarterly, v. 43, Summer, 1979; v. 5, December, 1991. Both reproduced by permission.—Arizona Quarterly,v.41, Summer, 1985 for “The Unicorn and the Eagle: The Old World and the New World in Melville’s ‘Redburn’” by Roger C. Press. Copyright © 1985 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—Canadian Literature, v. 128, Spring, 1991 for “’Helena’s Household’: James De Mille’s Heretical Text” by Bruce

F. MacDonald; v. 145, Summer, 1995 for “Reading Frames of Reference: The Satire of Exegesis in James De Mille’s ‘A Strange Manuscript Found in a Copper Cylinder’” by Gwendolyn Guth; v. 145, Summer, 1995 for “Colonialist Discourse, Lord Featherstone’s Yawn and the Significance of the Denouement in ‘A Strange Manuscript Found in a Copper Cylinder’” by Stephen Milnes. All reproduced by permission of the respective authors.—Dickens Quarterly, v. 16, December, 1999. Reproduced by permission.—ESQ: A Journal of the American Renaissance, v. 37, Winter, 1991 for “To Tell Over Again the Story Just Told: The Composition of Melville’s ‘Redburn’” by Stephen Mathewson. Reproduced by permission of the publisher and the author.—Essays on Canadian Writing, v. 27, Winter, 1983-84; v. 56, Fall, 1995. © 1983-84, 1995 Essays on Canadian Writing Ltd. Both reproduced by permission.—Goethe Yearbook: Publications of the Goethe Society of North America, v. 10, 2001. Copyright © 2001 Goethe Society of North America. Reproduced by permission.—Hispanic Review, v. 62, Winter, 1994. Reproduced by permission.—Marvels and Tales, v. 11, 1997 for “Laying the Rod to Rest: Narrative Strategies in Gisela and Bettina von Arnim’s Fairy-Tale Novel ‘Gritta’” by Jeannine Blackwell; v. 11, 1997 for “The Audience Should Be King: Bettina Brentano-von Arnim’s ‘Tale of the Lucky Purse’” by Helen G. Morris-Keitel. Copyright © 1998 by Wayne State University Press. Both reproduced by permission of the publisher and the respective authors.—Midwest Quarterly, v. 12, Summer, 1971. Copyright © 1971 by The Midwest Quarterly, Pittsburgh State University. Reproduced by permission.—Mosaic, v. 26, Winter, 1993; v. 30, March, 1997. © Mosaic 1993, 1997. Acknowledgment of previous publication is herewith made.—New England Quarterly, v. 46, December, 1973 for “Melville’s ‘Redburn’: Initiation and Authority” by Michael Davitt Bell. Copyright 1973 by The New England Quarterly. Reproduced by permission of the publisher and the author.—Studies in American Fiction, v. 2, 1974. Copyright © 1974 Northeastern University. Reproduced by permission.—Texas Studies in Literature and Language, v. 21, Fall, 1979 for “Melville’s ‘Gentleman Forger’: The Struggle for Identity in ‘Redburn’” by Christopher W. Sten. Reproduced by permission of the publisher and the author.

COPYRIGHTED MATERIAL IN NCLC, VOLUME 123, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Baldwin, Claire. From “Questioning the ‘Jewish Question’: Poetic Philosophy and Politics in ‘Conversations with Demons,’” in Bettina Brentano-von Arnim: Gender and Politics. Edited by Elke P. Frederiksen and Katherine R. Goodman. Wayne State University Press, 1995. Copyright © 1995 by Wayne State University Press. Reproduced by permission of the publisher.—Crowley, Frances G. From Domingo Faustino Sarmiento. Twayne Publishers, Inc., 1972. Copyright © 1972 by Twayne Publishers, Inc. All rights reserved. Reproduced by permission of the Gale Group.—Donghi, Tulio Halperin. From “The Old Order and Its Crisis as Theme of ‘Recuerdos de Provincia,’” in Sarmiento and His Argentina. Edited by Joseph T. Criscenti. Lynne Rienner Publishers, 1993. © 1993 by Lynne Rienner Publishers, Inc. All rights reserved. Reproduced by permission.—Downey, Charlotte. From The Elements of Rhetoric (1878). Scholars’ Facsimiles & Reprints, 2000. © 2000 Academic Resources Corporation. All rights reserved. Reproduced by permission.—Garrels, Elizabeth. From Sarmiento, Author of a Nation. University of California Press, 1994. © 1994 by The Regents of the University of Califor

nia. Reproduced by permission.—Goodman, Katherine R. From “Through a Different Lens: Bettina Brentano-von Arnim’s Views on Gender,” in Bettina Brentano-von Arnim: Gender and Politics. Edited by Elke P. Frederiksen and Katherine R. Goodman. Wayne State University Press, 1995. Copyright © 1995 by Wayne State University Press. Reproduced by permission.—Goodrich, Diana Sorenson. From ‘Facundo’ and the Construction of Argentine Culture. The University of Texas Press, 1996. Copyright © 1996 by The University of Texas Press. All rights reserved. Reproduced by permission.— Hartl, Heinz. From “Bettina Brentano-von Arnim’s Relations to the Young Hegelians,” in Bettina Brentano-von Arnim: Gender and Politics. Edited by Elke P. Frederiksen and Katherine R. Goodman. Wayne State University Press, 1995. Copyright © 1995 by Wayne State University Press. Reproduced by permission of the publisher and the author.—Kaplan, Marina. From Sarmiento, Author of a Nation. University of California Press, 1994. © 1994 by The Regents of the University of California. Reproduced by permission.—Katra, William H. From Domingo F. Sarmiento: Public Writer (Between 1839 and 1852). Arizona State University, 1985. Copyright © 1985 Arizona Board of Regents, Center for Latin American Studies. All rights reserved. Reproduced by permission.—Keefer, Janice Kulyk. From Under Eastern Eyes: A Critical Reading of Maritime Fiction. University of Toronto Press, 1987. © University of Toronto Press 1987. Reproduced by permission of the author.—Lanzinger, Klaus. From Americana-Austriaca. Wilhelm Braumuller, 1974. © 1974 by Wilhelm Braumuller, Universitats-Verlagsbuchhandlung. Reproduced by permission.—Molloy, Sylvia. From Sarmiento, Author of a Nation. University of California Press, 1994. © 1994 by The Regents of the University of California. Reproduced by permission.—Piglia, Ricardo. From Sarmiento, Author of a Nation. University of California Press, 1994. © 1994 by The Regents of the University of California. Reproduced by permission.—Ramos, Julio. From Divergent Modernities: Culture and Politics in 19th Century Latin America. Translated by John D. Blanco. Duke University Press, 2000. Reproduced by permission.—Robillard, Douglas. From Melville and the Visual Arts: Ionian Form, Venetian Tint. The Kent State University Press, 1997. © 1997 by The Kent State University Press, Kent, Ohio 44242. All rights reserved. Reproduced by permission.—Sommer, Doris. From “Plagiarized Authenticity: Sarmiento’s Cooper and Others,” in Do the Americas Have a Common Literature? Edited by Gustavo Perez Firmat. Duke University Press, 1990. © 1990 Duke University Press. All rights reserved. Reproduced by permission.—Waldstein, Edith. From Bettine von Arnim and the Politics of Romantic Conversation. Camden House, 1988. Copyright 1988 © by Camden House, Inc. Reproduced by permission.—Waldstein, Edith. From “Goethe and Beyond: Bettine von Arnim’s ‘Correspondence with a Child and Gunderode,’” in In the Shadow of Olympus: German Women Writers Around 1800. Edited by Katherine R. Goodman and Edith Waldstein. State University of New York Press, 1992. © 1992 State University of New York Press, Albany. Reproduced by permission of the State University of New York Press.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCLC, VOLUME 123, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Arnim, Bettina von, engraving. Getty Images. Reproduced by permission.—De Mille, James, photograph. © Public Archives of Nova Scotia.—Melville, Herman, painting. Archive Photos, Inc. Reproduced by permission.—Sarmiento, Domingo, reproduction of a painting. The Library of Congress.

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